Mary Russell - Doc

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Doc: краткое содержание, описание и аннотация

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The year is 1878, peak of the Texas cattle trade. The place is Dodge City, Kansas, a saloon-filled cow town jammed with liquored-up adolescent cowboys and young Irish hookers. Violence is random and routine, but when the burned body of a mixed-blood boy named Johnnie Sanders is discovered, his death shocks a part-time policeman named Wyatt Earp. And it is a matter of strangely personal importance to Doc Holliday, the frail twenty-six-year-old dentist who has just opened an office at No. 24, Dodge House.
Beautifully educated, born to the life of a Southern gentleman, Dr. John Henry Holliday is given an awful choice at the age of twenty-two: die within months in Atlanta or leave everyone and everything he loves in the hope that the dry air and sunshine of the West will restore him to health. Young, scared, lonely, and sick, he arrives on the rawest edge of the Texas frontier just as an economic crash wrecks the dreams of a nation. Soon, with few alternatives open to him, Doc Holliday is gambling professionally; he is also living with Mária Katarina Harony, a high-strung Hungarian whore with dazzling turquoise eyes, who can quote Latin classics right back at him. Kate makes it her business to find Doc the high-stakes poker games that will support them both in high style. It is Kate who insists that the couple travel to Dodge City, because 'that's where the money is.'
And that is where the unlikely friendship of Doc Holliday and Wyatt Earp really begins — before Wyatt Earp is the prototype of the square-jawed, fearless lawman; before Doc Holliday is the quintessential frontier gambler; before the gunfight at the O.K. Corral links their names forever in American frontier mythology — when neither man wanted fame or deserved notoriety.
Authentic, moving, and witty, Mary Doria Russell's fifth novel redefines these two towering figures of the American West and brings to life an extraordinary cast of historical characters, including Holliday's unforgettable companion, Kate. First and last, however, Doc is John Henry Holliday's story, written with compassion, humor, and respect by one of our greatest contemporary storytellers.

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I have warned Doc about the danger, but he does not believe that an uneasy spirit can make a person sick . To Dong-Sing, the truth was there to be read in the stained handkerchiefs and the sour smell of Doc’s shirts and bedsheets. Belle Wright goes out to that grave, too , Dong-Sing noted. She has started to cough sometimes, just like Doc. I liked Johnnie Sanders when he was alive, but his spirit is angry and dangerous .

Maybe he is bringing bad luck to Wyatt Earp, too, Dong-Sing thought.

That would explain a lot.

* * *

Wyatt wasn’t really sure how he and Mattie wound up living together. After she worked off her debt, she told him that she’d have to go back to the street. He was sorry for her, but that didn’t mean he wanted her to stay with him.

Trouble was, when Lou and Morg moved to their own place next door, Wyatt was alone in the house and didn’t have that excuse anymore.

“Mattie,” he said, feeling awful about it, “I don’t even have a dog.”

“You could have one now, Wyatt. I could take care of it,” Mattie told him. “I could take care of you. I can clean, and I know how to cook. You wouldn’t have to eat at restaurants all the time. You could have home cooking.”

He didn’t want a dog. And he liked eating in restaurants. He liked that the waitresses knew what he wanted and brought it to the table without him asking. He liked staring out the window while he ate, keeping an eye on things while the people around him made conversation. He enjoyed the way Morg and Doc teased each other like brothers when Doc was feeling good. When they talked about what they read in books, he liked to listen without the need to say anything.

He liked being alone in crowds. He liked keeping watch, walking the beat, knowing what was buttoned up and where trouble was brewing. He liked the last hour of the night, when the drunks had passed out and the card games were over and the sun was coming up. He liked how the feel of the city changed. The south side, sleeping its night off. The north side, waking up to open its shops and stores.

On duty, he held himself responsible to every citizen of Dodge and gave their town his whole attention. Minute by minute, all night long, he was alert—as ready as Dick was, waiting for the starter’s gun. When his shift was over, he felt he’d earned the sense of belonging only to himself.

For a few days after Morg and Lou moved, he lived alone and liked it. When he opened the door to the tiny rented house, he liked the silence inside. He liked that everything he owned—little as it was—was right where he left it. He liked the way he could pick up the threads of his simple life and ease back into unobserved solitude. He liked going to bed without having spoken a word to anyone, and he liked to sleep, dreamlessly, alone.

He hated how everyone noticed now when he got off work. He hated the leering, the joshing. “How’s married life?” everybody asked. He’d answer, “Well, it ain’t all bad,” and that’s exactly what he meant, but there’d be more laughs, as if he’d told a joke. He hated that everybody was paying attention to him.

When he got home, there’d be a meal on the table and Mattie would be waiting for him, watching his face with those big sad eyes, like a dog expecting to get kicked but helpless to leave its master. If he was late, she’d blame him for making her worry and complained about how the meal was spoiled, though he really didn’t notice that the food was worse.

She wasn’t a terrible cook, but she made him stuff he didn’t much like, and it hurt her feelings if he didn’t eat it all. Her coffee was awful and he started putting milk in it, on top of the sugar, to kill the taste some. If they went out, he had to remember to put milk in his coffee then, too, so she wouldn’t know he didn’t like hers. She kept the little house tidy, but he could never find anything anymore. When he asked where something was, she seemed annoyed and acted like he’d criticized her.

She was trying her best. He could see that, and he wanted to appreciate what she did. But he didn’t, not really. That was the damnable misery of it: he didn’t want what she had to give. It was a sadness to him, seeing how hard she tried to please him, because what would have pleased him most was if she just wasn’t there.

One time, over breakfast in the Iowa House before the night shift began, Wyatt talked all this over with Doc. He thought the dentist would understand how one thing led to another, and there you were, waking up beside a woman you never would’ve chosen.

“Could you get rid of Kate? If you really—?” Doc just looked at him, and Wyatt felt ashamed, but he needed to know. “I mean, this ain’t anything I wanted, Doc! But I can’t—I don’t know …”

“You can’t be mean enough to throw her into the street?” Doc paused to stir honey into his tea. “ Alas, poor Dido, who tried to seize with living love a heart long numbed to passion .”

Wyatt guessed that was some kind of poetry and ignored it, same as he ignored Doc’s coughing. “You get used to it,” Doc had said about the cough. “You can get used to anything.” Including not understanding half of what Doc said.

“But Kate—she’s still working,” Wyatt whispered, even though they were alone at a long wooden table. “How do you—? I mean, any man you pass on the street might’ve …”

“Ah,” Doc said, lifting the cup and blowing on the tea through a slight crooked smile. “So, we are discussin’ male pride now, not female virtue.”

“You know what I mean,” Wyatt said irritably. “Why are you with her, Doc?”

“Wrong question,” Doc said, coughing briefly.

“Well, what’s the right one then?”

“Why is she with me?

“Is that a joke?” Wyatt could never tell.

“You are not the only one with a ghost life, Wyatt.”

For a time, holding the teacup in both hands, Doc looked out at the little stretch of Front Street visible through the restaurant window. “It’s a fairy tale in reverse,” he decided. “Once upon a time, there was a little girl who was raised at the imperial court of Maximilian of Mexico, surrounded by luxury and refinement. When she grew up, she was meant to become the cultured and decorative wife of a fine gentleman. A count, perhaps. Or a prince. She would have servants to supervise and a household to oversee, and children to rear in a home filled with books and art. That is the life Kate might have had, Wyatt.”

When Doc’s eyes came back to Wyatt’s, they were as level and hard as his voice was musical and soft. “In the life she’s got, about the best she can hope for is a consumptive dentist from Griffin, Georgia. The dentist, by the way, calls himself lucky to have her. Consider yourself warned, sir, and mind your tongue.”

You didn’t think you was so lucky the last time you two had a fight, Wyatt thought, but he nodded.

“And then,” Doc went on, “there was a revolution in Mexico. In six months’ time, Kate lost everything and everyone she knew. She went from Mexico City to Davenport, Iowa. Her father and mother sickened and died within weeks of each other. She was separated from her sisters and fostered by a family she’d never met before. They didn’t care about her grief. Didn’t speak any of the six languages she already knew. Couldn’t even say her name properly. They put her to work in the daytime, and at night … Her foster father ruined her,” Doc said with quiet venom, “and such a betrayal ought to earn that vicious sonofabitch—a place in the—very deepest—circle of hell.”

He’d been fighting the cough for a while and gave in to it at last.

“So: there she was,” Doc said, when he could go on. “Orphaned, pregnant, on the run, with no more than a few words of English. She found a man to marry her, but he left. The baby came early, and he died. She’s been makin’ her own way ever since.”

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