Mary Russell - Doc

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Doc: краткое содержание, описание и аннотация

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The year is 1878, peak of the Texas cattle trade. The place is Dodge City, Kansas, a saloon-filled cow town jammed with liquored-up adolescent cowboys and young Irish hookers. Violence is random and routine, but when the burned body of a mixed-blood boy named Johnnie Sanders is discovered, his death shocks a part-time policeman named Wyatt Earp. And it is a matter of strangely personal importance to Doc Holliday, the frail twenty-six-year-old dentist who has just opened an office at No. 24, Dodge House.
Beautifully educated, born to the life of a Southern gentleman, Dr. John Henry Holliday is given an awful choice at the age of twenty-two: die within months in Atlanta or leave everyone and everything he loves in the hope that the dry air and sunshine of the West will restore him to health. Young, scared, lonely, and sick, he arrives on the rawest edge of the Texas frontier just as an economic crash wrecks the dreams of a nation. Soon, with few alternatives open to him, Doc Holliday is gambling professionally; he is also living with Mária Katarina Harony, a high-strung Hungarian whore with dazzling turquoise eyes, who can quote Latin classics right back at him. Kate makes it her business to find Doc the high-stakes poker games that will support them both in high style. It is Kate who insists that the couple travel to Dodge City, because 'that's where the money is.'
And that is where the unlikely friendship of Doc Holliday and Wyatt Earp really begins — before Wyatt Earp is the prototype of the square-jawed, fearless lawman; before Doc Holliday is the quintessential frontier gambler; before the gunfight at the O.K. Corral links their names forever in American frontier mythology — when neither man wanted fame or deserved notoriety.
Authentic, moving, and witty, Mary Doria Russell's fifth novel redefines these two towering figures of the American West and brings to life an extraordinary cast of historical characters, including Holliday's unforgettable companion, Kate. First and last, however, Doc is John Henry Holliday's story, written with compassion, humor, and respect by one of our greatest contemporary storytellers.

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“There you go,” John Henry said warmly. He stepped closer and held his hand waist-high to make Dick lower his head and relax, letting the horse nuzzle the carrot from his palm. “That’s right,” he said, his voice low and friendly and calm. “I am not Wyatt, but I am a man with a carrot. Can’t be too bad, can I? Oh, you found that one, too, did you? No, no, no—let me take it out of the pocket. Rip the worsted, and we’ll get what-for from Mr. Jau …”

Lured with a third carrot, Dick let himself be led out into the aisle, stood still for a cross-tie, and even let the stranger examine his mouth, which was a hardened mass of scar tissue.

“Look at that,” John Henry muttered. “Some heartless goddam sonofabitch did you a disservice, and may he rot in hell for it!”

Dick shifted uneasily.

The damage was old and not superficially abraded. Wyatt must have been using a bridle without a metal bit.

“Well, Dick, you have fallen into better hands now, and that is your good fortune. What do you think, son? Ready to return the favor? Shall we go show this burg who owns the fastest quarter-miler in Ford County?”

Dick tossed his head in response, beginning to get keyed up, and just as well, for they’d be racing soon. Running his hand along the horse’s flank, John Henry retreated down the aisle toward the central tack room.

Standing in the dim and shadowy light, he scanned the racks and pegs, trying to decide which saddle was Wyatt’s. “That’s got to be it,” he murmured when he spotted one that was unadorned and worn at the edges but well cared for, with a soft-nose hackamore slung over its pommel. He had just gathered himself to hoist forty pounds of leather and iron off the rack when someone out in the aisle walked past the tack room door.

Motionless, John Henry listened.

Dick Naylor gave a low, troubled snort.

Everybody knew Dick was supposed to run today. Thousands of dollars were riding on the quarter, and there were dozens of ways to meddle with a horse and ruin his chances. It was too late for some, but others were quick. Shove a piece of sponge up the animal’s nostril to impede his breathing. Hit a shin and lame the leg before a bruise could rise. Jam something into the frog of a hoof.

Heart hammering, John Henry lowered the saddle back onto the rack, careful not to let the stirrups clank. Like anyone else in town, he could have carried guns legally that day, but he’d left Dodge House in a rush. His pistol was back at the hotel, behind the front desk. The Philadelphia Deringer in his pocket was only good at card-table distances.

Hoping he could make it through the next fifteen seconds without coughing, he slid a throwing knife out of the sheath in his left boot, stepped toward the tack room door, and leaned carefully into the aisle.

“Back away from that horse!” he ordered. “Do it! Now!

Kate turned and glared, offended, over her shoulder. “How dare you speak to me like—”

Dropping the knife, he rushed at her, shoving her hard and holding her down when they crashed to the floor.

The hooves just missed their heads. Dick squealed and got ready to let fly again.

Doc grabbed Kate’s arm and dragged her backward, scrambling down the aisle, pulling her crabwise away from the horse.

“God a’mighty!” he cried when they were out of range. “Are you hurt?”

She was sitting on the floor, looking like a five-year-old smacked across the face and still too stunned to weep. “Are you crazy?” she cried. “God damn you, look what you did to my dress! Why did you—”

“Never mind the dress! You were about to be kicked halfway to Colorado.” Doc got to his feet and did his best to help Kate up, although it was not completely clear who was helping whom because he was coughing now. “Are you hurt?”

“Yes! No! I don’t know! What’re you doing in here?” she demanded, rubbing an elbow. “I been looking everywhere, and Wyatt wouldn’t tell me nothing, that stupid sonofabitch—”

Dick stamped and snorted. Doc left Kate to settle the animal down. That was when she started to cry. It was the shock. And the fall. And anger that Doc seemed more worried about the horse than about her. He understood all that, but there was so little time left!

When she saw the saddle, she figured out what he was doing, and then she was like a terrier: nipping at his heels, yapping at him, getting in his way. He paused just long enough to lean over and kiss her on the mouth, but that didn’t even slow her down.

He lost his grip trying to sling the saddle onto Dick’s back, and when he dropped it, he rounded on Kate, shouting, “For the love of God—get out of my road!”

It was a mistake. Producing that much volume set off a coughing fit so bad, it left him bent over, hands on his knees, staring at the floor and gasping like a catfish on a riverbank.

“You see?” she cried, weeping and frantic. “You see? Do you want to die? Are you trying to kill yourself? You can’t—”

The chest pain was searing. He had nothing left for courtesy.

“God damn you, woman! Shut up!”

And Kate did because Doc never spoke to her like that, never spoke to anyone like that. She could see that he was truly angry, and his anger frightened her more than that of any man she’d ever been with, not because he might beat her—who cared a damn about that?—but because he might send her away.

Cold to her core, she held her breath, watching him catch his, and she wailed in pain when he straightened cautiously and said the words she feared most.

“Darlin’, I can’t live this way anymore.”

He wouldn’t look at her. She knew what that meant. He was done with her. Panicking, she started to beg, to promise, to swear that she’d be good, but he shook his head. It was over—she knew it—and nothing she said now would make any difference. The horse pranced and pulled at the cross-ties while she sobbed—great, gulping, terrified sobs. He’ll go to that goddam horse, not me! Kate thought furiously, and she hated Doc for that, so blind with tears that she almost didn’t notice when he came close enough to take her in his arms and hold her while she wept.

“Hush, now,” he was saying softly, over and over. “Hush, now. Hush.”

When at last she quieted, he took a step back, wiped her cheeks with his palms, and pulled a handkerchief from his pocket and made her blow her nose.

All the things she’s lost, he was thinking, and what she has is me.

“Darlin’,” he said judiciously, “I believe the time has come for us to define the terms of our association. I am a slender reed to lean upon, but—”

“You ain’t—? I don’t have to—?”

“No,” he said. “No, but if this’s goin’ to work, you have to promise me—”

“I will, Doc! Whatever you say! I won’t argue no more—”

“Kate! Hush up, and listen!”

Her dazzling aqua eyes were as red-rimmed as poor old Snickers’, wet and frightened and fastened on his own. She snuffled in snot and wiped her nose on the back of her hand as a child might, waiting to hear what John Henry Holliday had never told her, what he had never told anyone.

“Kate,” he began, “I know this disease inside and out—”

He couldn’t.

Couldn’t speak of the cadaver he’d dissected, about the way a chance glance at his own body could bring a vision of that tubercular pauper back to him. Couldn’t bear to tell how memories of his mother’s last hours would sometimes grip and shake him, like a dog killing a rat …

“Kate,” he said finally, “I know what is waiting for me at the end of this road. I am askin’ you to believe me: I am in no hurry to arrive at my destination. I know you’re scared, darlin’. I’m scared, too.” He looked away. “Christ, I am so damn tired of bein’ scared …”

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