Mary Russell - Doc

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Doc: краткое содержание, описание и аннотация

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The year is 1878, peak of the Texas cattle trade. The place is Dodge City, Kansas, a saloon-filled cow town jammed with liquored-up adolescent cowboys and young Irish hookers. Violence is random and routine, but when the burned body of a mixed-blood boy named Johnnie Sanders is discovered, his death shocks a part-time policeman named Wyatt Earp. And it is a matter of strangely personal importance to Doc Holliday, the frail twenty-six-year-old dentist who has just opened an office at No. 24, Dodge House.
Beautifully educated, born to the life of a Southern gentleman, Dr. John Henry Holliday is given an awful choice at the age of twenty-two: die within months in Atlanta or leave everyone and everything he loves in the hope that the dry air and sunshine of the West will restore him to health. Young, scared, lonely, and sick, he arrives on the rawest edge of the Texas frontier just as an economic crash wrecks the dreams of a nation. Soon, with few alternatives open to him, Doc Holliday is gambling professionally; he is also living with Mária Katarina Harony, a high-strung Hungarian whore with dazzling turquoise eyes, who can quote Latin classics right back at him. Kate makes it her business to find Doc the high-stakes poker games that will support them both in high style. It is Kate who insists that the couple travel to Dodge City, because 'that's where the money is.'
And that is where the unlikely friendship of Doc Holliday and Wyatt Earp really begins — before Wyatt Earp is the prototype of the square-jawed, fearless lawman; before Doc Holliday is the quintessential frontier gambler; before the gunfight at the O.K. Corral links their names forever in American frontier mythology — when neither man wanted fame or deserved notoriety.
Authentic, moving, and witty, Mary Doria Russell's fifth novel redefines these two towering figures of the American West and brings to life an extraordinary cast of historical characters, including Holliday's unforgettable companion, Kate. First and last, however, Doc is John Henry Holliday's story, written with compassion, humor, and respect by one of our greatest contemporary storytellers.

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“In the race, you mean?” Wyatt had never seen Doc Holliday ride anything. “You sure?”

“Would I make the offer if I were not capable?” Doc cried. “What does a man have to do to be taken at his word in this town? Do I have to shoot someone? Because I am makin’ a list! Yes, damn you, I am sure!”

“Well, I ain’t,” the Driskill kid mumbled, swaying a bit but watching Doc, who was coughing now. “You don’ look too good, mister.”

“Shut up. Nobody asked you,” Wyatt said, still gripping the kid’s ear. But he was inclined to agree with the boy, and Doc must have seen that.

“I can do this, Wyatt,” the dentist insisted. “It’s a short race.”

“Dick don’t know you, Doc. He’s not an easy horse—”

“Let me try! He won’t finish better if you keep him in the stall,” Doc pointed out. “And he’ll be carryin’ less than he’s used to.”

“Tha’s an a’vantage,” young Driskill agreed. Like anybody gave a shit.

“All right,” Wyatt told Doc finally, not because he thought it was a good idea but because he couldn’t make himself say no to what he saw in the skinny Georgian’s shining eyes. “If you can get him saddled, give it a try.”

Doc nodded and set off for the stable.

“Watch out!” Wyatt called. “He bites!”

Without looking back, Doc raised a hand in acknowledgment.

“Don’t hit him for it!” Wyatt yelled.

Doc turned and stared, motionless, while the crowd moved around him.

“Hell,” Wyatt sighed. He already regretted what he’d just said and expected to be told off for it. “What kinda blankety-blank idiot do you take me for?” Doc would ask him. “Are you sayin’ I’m a mean, stupid, s.o.b. who’d hit a horse for bein’ nervy?”

Instead, what Wyatt saw was the long, slow emergence of something that began in John Henry Holliday’s eyes and lifted the high, flat planes of his cheeks just before his mouth dropped open into the biggest, happiest smile Wyatt had ever seen on that boy’s face.

“I knew you’d say that!” Doc hollered back joyously and, coughing, he disappeared into the crowd.

There are many reasons a horse will bite. In the wild, stallions bite during contests for a harem. Boss mares do so to enforce discipline within a herd. Sometimes it’s just in a horse’s nature to be mouthy, the way a retrieving dog is born with the urge to carry things around. Even a good-tempered saddle horse might snap when startled by an abrupt or careless motion. Mend your ways , such a horse is warning, and a human had best pay heed. It’s not good judgment to pick a fight with something that can tear the muscles clean off your bones.

“Watch how he holds his head,” young Robert Holliday counseled the first time he took his little cousin to the Fayetteville stable to meet Robert’s new gelding. “See the tail? If you know what you’re lookin’ at, you can read a horse like one of your damn books.”

Standing on an upturned bucket so he could see into the stall, John Henry knew exactly what he was looking at: the homeliest pony he’d laid eyes on by the tender age of eight, and if nature had produced another who could take the title away, he had not seen evidence of the achievement in all the years since.

Snickers the little horse was unkindly named, in recognition of the response his appearance provoked. He was a dirty white with flecks of black that looked like dried mud missed by a careless groom. Against that grayish mediocrity, the gelding’s pink-rimmed eyes seemed as bloodshot as a drunkard’s. His unloveliness might have been forgiven had it not been for a protruding and slightly wobbly lower lip that made the poor animal look addled.

“Nothin’ wrong with this horse wasn’t wrong with the fool who rode him,” said Robert.

Faced with inconsistent expectations, defeated by unreasonable demands, Snickers would stand still, looking confused. He’d been beaten for his prior owner’s failures, and having learned to fear men, the gelding no longer waited for meanness to be made manifest. Walk by his stall too quickly or too slowly or too carelessly and, like as not, he’d snake his neck out at you and clamp his teeth on whatever he could catch hold of.

“Hittin’ a horse is plain stupid, John Henry. There’s no excuse for it,” Robert declared with the serene instructive confidence of a ten-year-old boy who’s made a careful study of a single subject and knows all there is to know about it. “Horses are mirrors. They’ll show you back whatever you show them. Watch a man with a horse, and you’ll see what’s inside his own self.”

What the stable hands had, inside and out, was an entirely rational eye-rolling fright. They were scared to death of Snickers. John Henry clearly remembered the worried gray-haired uncle who’d set aside a muck shovel and hurried over to warn young Marse Robert not to let his little cousin John go near that crazy damn horse. Looking back now, he realized, there was irony to be discovered. The old man knew exactly who’d be blamed and beaten if a white child was bitten. It sure as hell wasn’t Snickers.

By contrast, what Robert Holliday had inside, even at the age of ten, was a master’s unconscious self-assurance, along with a basic decency that made him patient with a small, shy cousin who still talked funny. Robert had stepped toward Snickers, speaking low and friendly, not a bit scared, even when the pony tossed his head.

“Hey, now,” Robert said, quiet and firm and kind. “Hey, now. Settle down, you.”

That was the voice John Henry Holliday heard as he approached Dick Naylor’s stall. Part of him wanted to look at his watch again, to see how much time he had to get out to the track before the race began, but he could almost feel Robert at his side, saying, Hey, now. Settle down. Take it slow or he’ll make you pay .

At the sound of unfamiliar footsteps in the aisle, Dick faced around and blew a wary snort, halfway between curiosity and fright. There was no answering exhalation in the barn. That would be a source of concern to the horse, who was down in the last stall, away from the corrals where the cowboys’ mounts were penned.

Standing a few yards away, John Henry let Dick take a good look at him before asking sympathetically, “Y’all by your lonesome in here? Where’d all your friends go? Off havin’ a fine time at the fair, I expect, and here you are with nobody for company.”

He reached into a bucket of carrots hanging on a hook nearby, allowing it to clank a bit against the wall so Dick would recognize the sound. He put a couple of carrots in his pocket, keeping another in the palm of his hand, and waited to see how Dick would take this turn of events.

The horse backed away, nostrils flaring, ears flicking in all directions. Tense and ready to shy, he stretched out his neck, measuring the distance to the stranger’s hand.

“That’s right: you don’t know me, but you’d like this carrot, wouldn’t you … Wyatt sends you his best, but he is fully occupied at the moment, diggin’ his political grave. Aurelius on the plains: one law for everyone!” John Henry marveled. “Your master is a stubborn, sanctimonious Republican jackass, but I admire his principles.”

Dick lifted a hoof and hit at the stall gate.

“No, sir,” John Henry said firmly. “I will not be pawed at, thank you very much! But you want what I have … You got decisions to make, son.”

Irritated by flies, a horse will shake his head, or wag it, or jerk it up and back. Irritated by humans, the same moves in rapid succession can signal equine exasperation.

“Mind your manners,” John Henry warned softly, “or I will eat this carrot myself—see if I don’t.”

At last, there was the long, low, guttural nicker he was waiting for, used by horses to greet one another, heard by humans at feeding time.

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