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Debra Dean: The Mirrored World

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Debra Dean The Mirrored World

The Mirrored World: краткое содержание, описание и аннотация

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The bestselling author of returns with a breathtaking novel of love, madness, and devotion set against the extravagant royal court of eighteenth-century St. Petersburg. Born to a Russian family of lower nobility, Xenia, an eccentric dreamer who cares little for social conventions, falls in love with Andrei, a charismatic soldier and singer in the Empress's Imperial choir. Though husband and wife adore each other, their happiness is overshadowed by the absurd demands of life at the royal court and by Xenia's growing obsession with having a child—a desperate need that is at last fulfilled with the birth of her daughter. But then a tragic vision comes true, and a shattered Xenia descends into grief, undergoing a profound transformation that alters the course of her life. Turning away from family and friends, she begins giving all her money and possessions to the poor. Then, one day, she mysteriously vanishes. Years later, dressed in the tatters of her husband's military uniform and answering only to his name, Xenia is discovered tending the paupers of St. Petersburg's slums. Revered as a soothsayer and a blessed healer to the downtrodden, she is feared by the royal court and its new Empress, Catherine, who perceives her deeds as a rebuke to their lavish excesses. In this evocative and elegantly written tale, Dean reimagines the intriguing life of Xenia of St. Petersburg, a patron saint of her city and one of Russia's most mysterious and beloved holy figures. This is an exploration of the blessings of loyal friendship, the limits of reason, and the true costs of loving deeply. Review “In her excellent second novel, THE MIRRORED WORLD, Debra Dean has composed a resonant and compelling tale…. Dean’s writing is superb; she uses imagery natural to the story and an earlier time.” Seattle Times “For those familiar with the story of St. Xenia, this is a gratifying take on a compelling woman. For others, Dean’s vivid prose and deft pacing make for a quick and entertaining read.” Publishers Weekly “Love affairs, rivalries, intrigues, prophecy, cross-dressing, madness, sorrow, poverty—THE MIRRORED WORLD is a litany of both the homely and the miraculous. Intimate and richly appointed, Debra Dean’s Imperial St. Petersburg is as sumptuous and enchanted as the Winter Palace.” Stewart O’Nan, bestselling author of “THE MIRRORED WORLD explores the mysteries of love and grief and devotion. Against a vivid backdrop of eighteenth century St. Petersburg and Catherine the Great’s royal court, the woman who would become St. Xenia is brought fully to life. Is there a more imaginative, elegant storyteller than Debra Dean?” Ann Hood, bestselling author of “With evocative, rich prose and deep emotional resonance, Debra Dean delivers a compelling and captivating story that touches the soul. Truly a wonderful read.” Garth Stein, bestselling author of “Transporting readers to St. Petersburg during the reign of Catherine the Great, Dean brilliantly reconstructs and reimagines the life of St. Xenia, one of Russia’s most revered and mysterious holy figures, in a richly told and thought-provoking work of historical fiction.” Bookreporter.com “Dean’s novel grows more profound and affecting with every page.” Booklist “In Debra Dean’s skilled hands, history comes alive…. Though the world she creates is harsh and cold at times, it is the warmth at its center— the power of love — that stays with you in the end.” Miami Herald

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However, it was not only from her injuries that she suffered. The woman was large with a child, and the blow had jarred it in her womb. They had tried already to carry her from the street, but the woman was too broken to endure being moved. It seemed evident she would die. Because no one knew her, the woman’s family could not be located, but a midwife had been found to do what she could.

I think some in the crowd hoped that Xenia might save her, for they parted to allow us to come next to the woman, and even the midwife did not object when Xenia squatted down and, rocking on her heels, began to whisper soft noises near the woman’s ear.

The midwife had made a tent of the woman’s skirts and said to me, “Hold up your cloak. At the least, she should not be exposed to all these eyes.” I did as I was told. It was a small mercy, perhaps, that the woman was too far gone to take notice of those about her. She lay there with her eyes closed, insensible in her pain, by all appearances near death. Then all at once, her face contorted and she arched up and let loose a long, terrible scream, as though she were being torn apart on the rack. The midwife bid her to bear down, though the woman seemed incapable of hearing. When her pains subsided, she panted jaggedly. Xenia’s soft babbling increased.

This continued for what might have been an hour, the woman reviving only when the child stirred within her and caused her to shriek. Increasingly, she was too exhausted even for this and only opened and closed her mouth like a fish. The police came and went away again. The carriage and its occupants left also. Much of the crowd had dispersed and because my arms were too weary, I had long since let the cloak drop.

The woman arched in a final agony, then deflated and went still. “Get the knife from my pack.” The midwife reached back a hand without looking and waggled her fingers. She took it from me. “And the rags as well.” She reached under the woman’s skirts and working there at last extracted a small, bloody mass. She slapped it till a shrill cry broke loose. Then she wiped it clean with the rags and wrapped the scrawny thing in a swath of muslin. She handed me the bundle, no larger or heavier than a loaf of bread, while she finished tending to the poor woman.

Framed in the swaddling was a tiny face, dark and shriveled. Its pale eyes squinted into the light—they were surprisingly patient and knowing. It is perhaps foolish to say it, but I felt I glimpsed some recognition in them—not of me, but of unseen things—as though it had carried into this world some perception from its former realm. I looked to Xenia, but she had gone, slipped away without my notice.

Its mother had died. There being no one to claim the infant, I said I would take it until the family could be found. The weary midwife said it was probably too small to live.

“Poor little motherless thing.” She sighed. “It’s probably just as well it returns to God.”

It was already too late for me to share this view.

For the safety of his soul, I had him baptized at once. I hired a wet nurse, and then we waited to see if he would last the night. He did, and the next day as well, and my anxiety for him lessened by fractions as each day passed. A notice appeared in the Gazette of the accident, the death of the woman, and of the surviving infant. I anticipated the grieving husband or grandmother who would arrive at my door. I imagined, too, how their sorrow might be a little lessened when I put this child in their arms. But despite my noble intentions, I was vastly relieved when many weeks had gone by without such a scene. For a year or two after, though, I carried in my breast an apprehension that was awakened by every knock on my door.

I did not name him straightaway, for I did not yet believe he was mine to name. Having need to call him something, I called him Matvey, gift of God. I thought of the son whom God gave to Sarah in her old age. Sarah laughed at God’s messenger when he said she would bear a son. She was ninety-nine years old, who would believe such a thing? And who would believe that the widow of a eunuch might also become a mother? But when the child is delivered and put into your arms, how can you continue to scoff?

I will grant it is possible that Xenia may have come upon the carriage accident quite by happenstance. I have considered this myself. She may have perceived that the mother would die from her injuries and then come to fetch me there. Even my poor intellect can conceive an argument against divine interference. But any mother must surely feel as I did when she first holds her child. Against this wondrous and inexplicable goodness, reason is a poor adversary. Matvey was my faith, and I was foolish for him.

When he was older and had need of a patronymic, I gave him Gaspari’s name. I did not deceive him concerning his parentage; of course, he knows we are not his true parents. Still, I think of him as our child, as much ours as if he were from our flesh. I sometimes see Gaspari’s gentleness in him. I see, also, Gaspari’s heightened consciousness of his place outside the tightly drawn circles of society. Without relations to advance his cause, an orphan may breach them, if at all, only by great talents or extraordinary charms. Matvey lacks these—he is like me in this—but he will work at a thing until his back is bent and his fingers raw, and for this reason he has recently found a good position on an estate to the south of Moscow. Though he would not have left Petersburg otherwise, and though he asked me to move there with him, there was no question in the end but that he would go and I would not. We are like two stout Tatar horses: made for the humble work of pulling whatever is yoked to us. This is our way.

Chapter Sixteen

We had only just sat down at table last month when the bell was ringing downstairs. Briefly, absurdly, my heart rose, thinking it was Xenia come to bid Matvey farewell, but she had not visited here for nearly half a year and she never rings. Masha came to the table to say there was a woman downstairs wanting food for her child. “Well, invite her in,” I said, but Masha replied that I should come to the door. I excused myself from my company and made my way down the stairs, feeling vexed by each of the fourteen steps to the bottom, and lifted the latch.

The woman on the far side of the door had the thin and exhausted look of one who has lived from hand to mouth for some time. I told her she was welcome and stepped back to let her pass.

“God bless,” she answered, but she showed reluctance to cross the threshold. “It’s not for me that I come.” She drew forward a child hidden in her skirts. Of perhaps three or four years, it was pale and bruised-looking. “I was told I might leave her here. Only for an hour or two.”

“There is enough for you as well.”

“God bless,” she repeated. “It’s only that…” Her glance strayed nervously to the street. My eyes followed, but there was only the drowse of midday and nothing out of the ordinary. The sky outside had turned woolly, signaling that it would snow before long. I had felt it in my joints since I woke that morning, age making me as prescient as Xenia, though my predictions are confined to the weather.

“I left a blanket,” she said. “Near the Anichkov Bridge. I’m afraid someone may steal it. If you will take her, I’ll go back and fetch it.”

I nodded, and she began to pry the child’s fingers loose from her skirt. “The good babushka here will look after you,” she said. The child eyed me with the wariness of a feral cat and desperately tried to reattach herself to her mother. “It cannot be helped,” the mother said sternly, but she was visibly distressed also, and turned and ran away.

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