Debra Dean - The Mirrored World

More troubling than what came into the house was what left it. I discovered that in addition to the bread, Xenia had been tucking into her basket whatever other thing caught her eye—the porcelain bonbonniere on her dressing table, a silvered candlestick. I could not curb her generosity. I tried bargaining her down to sensible sacrifices—an apple in place of the inkwell, an earthenware mug for a porcelain cup—but the ploy failed, and so I began to hide certain of her more precious things, reasoning that she might otherwise regret later having given them away.

One day, she pulled from the basket a particularly fine pair of gloves and handed them to an orphan. They were made of delicate white kid worked with silver thread, and I had coveted them once. When the child pulled them onto her filthy hands, I flinched.

“Xenia, if you must, it would be better to sell the finer things and then give the profits to the poor.”

She didn’t answer but looked on me with something like pity. I felt that she could read my thoughts.

“They are too thin,” I protested. “They will not even keep her hands warm.”

Perhaps it was to appease me that some days later she determined to pack up her court dresses and the rest of her finery and take them to a pawn shop. Heaped on the bed and floor was a colorful froth of skirts and bodices.

“Oh no, darling, I did not mean that you should sell these,” I said.

“I cannot stand the sight of them.”

“Maybe not now…” Someday, I thought, she would come out of mourning and return to society. She would want to marry again. I started to pick up a matching bodice and skirt, yellow brocade with gold lace trim, that I might return them to the wardrobe. “Later, you may think differently.”

“She is gone !” Xenia shrieked. “Are you too dull to see it? There is no point in keeping her things.”

She snatched the bodice from my hands and in doing so tore loose a piece of lace. Fiercely, she ripped it away from the sleeve and then tore the lace from the other sleeve for good measure. She grabbed up two handfuls of the skirt, meaning to rend this to pieces also, but the fabric would not give. Her features strained with the effort and then went slack, and quick as the storm had erupted it was spent, and she was overcome with remorse.

“I’m sorry.” She held the skirt back out to me. “Please take it. You should have something pretty to wear when your husband calls.”

“I do not need your dresses or your pity either.”

She nodded and let it fall to the floor. “You are right to be offended. I should not try to buy your forgiveness with rubbish. You see its worth. Oh, Dasha”—her face contorted in anguish—“when I recall my terrible thoughtlessness. I have let people starve that I might wear that lace.” She looked about her. “But I shall be naked before God. How shall I ever account for all this?”

The pawnbroker was more than willing to relieve her of her finery. Fingering a pink moiré silk, he tried to mask his greed with appraising looks, frowning at imaginary flaws and clucking. After thus inspecting each dress, he offered a very small sum for the lot, less than the worth of one alone. Xenia was content to take whatever he offered, but I would not allow it and haggled with the miser. He raised his price a little, then seeing Xenia’s disinterest in the outcome of our bargaining returned his attention to her.

“I can see that you know the worth of discretion. It is worth more than money, and I can promise you, no one shall know where these came from. I will be a cipher, a stone.”

She was as impassive as the Sphinx in reply.

Only by irritating him like a fly was I able to extract another fifty kopeks. From the shop to the church, I vented my annoyance at her having been swindled, but I could not persuade Xenia to share my grievance. She was as blasé about money as the Empress herself. When we reached the church, she handed the profits, purse and all, to the first beggar who held out his hand.

Gaspari called again, and again Xenia was at her prayers but said that I should entertain him in her place. Had he relied on me for this, we should have sat in silence. I am often tongue-tied with strangers and have what the philosopher Monsieur Diderot calls l’esprit de l’escalier , staircase wit: only long after a remark is made to me will my imagination supply the thing I should have said in reply. But I was further stricken with self-consciousness by Gaspari. There were no rules by which to steer conversation with a person who was neither man nor woman.

As it happened, though, Gaspari liked to talk, and even hampered by his poor Russian he was gifted at this. Left to choose a theme, he told me of his village in the north of Italy and described for me its varied charms—hillsides dotted with sheep, a sun that shone far warmer than it does here, the scents of rosemary and drying grasses that perfume the air.

“My mother’s garden has a fig tree in it,” he said, “and to eat one of these figs is to taste music on the tongue. I dream of this, to sit in the warm sun and eat a plate of these figs.”

I nodded.

He flattered me that I had a talent to listen. “Most persons, they are intent only to make the impression. But you are not this way. I see you at the ball; you do not care for what you look like, only to help your cousin.”

“I was mortified,” I admitted.

“I do not know this word.”

“Embarrassed.”

“Ah.” He nodded. “Mortified. It is the condition of life, yes?”

I gradually forgot my discomfort and even came to anticipate his next visit. If Xenia did not show herself—and she rarely did—he was content to pass an hour entertaining me with accounts of who had attended his performance on the previous night, what they had worn and said, who had snubbed or flattered whom. A keen mimic, he would adopt the guttural voice of a well-known attaché and this man’s habit of adjusting the weight of his stomach as he spoke, and then with the next breath he would answer in a comical falsetto that I recognized as belonging to a certain lady-in-waiting.

I confess, I wondered at first if Xenia might be fodder for amusement on his subsequent calls—she would be so easy to mock. I did not know how few doors were open to him, how alone he was in Russia. But more important, I did not know then how Gaspari judged the world, upside down. His barbed wit was reserved for his betters; those whom the rest of the world disdained he treated with courtesy. I think this accounted for the tolerance he showed to Xenia. When I apologized for her, he assured me there was no need.

“She is herself,” he said.

Though I could not agree, I did not correct him.

Xenia and I continued to work at cross-purposes, she pillaging her possessions and I hiding what of them I could in my room. Her methods were haphazard: when I went with her to Andrei’s grave, I might find small tokens she had left there on a previous visit—a swollen folio of music and the glass stopper that had belonged to a decanter—and I could only guess at what else may have been taken away by grave robbers. On one day, she went to the church with only an onion and a linen rag, but on the next she pulled from her basket pieces of silver that had been put away for Lent, handing a soupspoon to a bewildered beggar and a fork to the next. Coming to a lean man with leather skin and a beard so ratty it appeared to grow uninterrupted from his sheepskin, she fished about in the basket. She dug out something but then stopped short of giving it. Her eyes softened. “It is such a little thing,” she mused, turning the object in her palm. “The material world is so strong, Dasha. These things are worth nothing, yet they cling to my soul like vines.”