Ben Elton - Two Brothers

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Two Brothers: краткое содержание, описание и аннотация

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The new novel from this well-loved, bestselling author.
Two Brothers BEN ELTON’s career as both performer and writer encompasses some of the most memorable and incisive comedy of the past twenty years. In addition to his hugely influential work as a stand-up comic, he is the writer of such TV hits as
and
. Most recently he has written the BBC series
on the subject of young parenthood. Elton has written three musicals,
and
and three West End plays. His internationally bestselling novels include *
,
,
,
and
. He wrote and directed the successful film
based on his novel
starring Hugh Laurie and Joely Richardson. About the Author

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Wolfgang got up from his bar stool.

‘Yeah. Maybe you’re right, Katharina,’ he said. ‘Sorry for being an arsehole. And thanks for… well, thanks.’

‘Just get on stage. And make it hot hot hot, eh?’

Wolfgang made his way back towards the band room, passing Helmut who was heading for the men’s toilet leading a shaven-headed military type and a beautiful young man.

‘The party never stops, eh, Wolfgang?’ he said.

Wolfgang smiled. ‘I imagine it will have to stop in the end.’

Two weeks later, on 15 November, the new president of the Reichsbank abolished the worthless Deutschmark and introduced a new emergency currency with draconian restrictions on lending and speculation. The Rentenmark, as it was called, held its value, and almost overnight another German madness was over.

A Screaming Three-year-old

Munich, 1923

THAT SAME MONTH far away in Bavaria another, infinitely more terrible madness was growing stronger. The Nazi Party, that screaming, ranting, violent baby, born on the same day as the Stengel twins, threw a tantrum just before its third birthday. Adolf Hitler, the infant’s voice and psyche, attempted to overthrow the state by force. Kidnapping three local politicians and marching at the head of two thousand armed thugs from a beer hall to the Bavarian Defence Ministry, where he intended to demand dictatorial control not just over Bavaria but over the entire Reich.

Hitler and his gang never reached the ministry. They were instead met by one hundred police officers who blocked their path. Shots were exchanged and four policemen and sixteen Nazis were killed. Hitler fled but another Nazi leader, Hermann Goering, was seriously wounded. He was helped into a nearby bank where first aid was administered. By a Jew.

Modern Jazz

London, 1956

IN THE EVENING Stone could not stand the inside of his flat any longer and decided he must go out. They wouldn’t call now anyway. The Secret Service was like the Foreign Office: it kept office hours whenever possible. Overtime claims were severely frowned on.

So having made himself a solitary meal of eggs and baked beans and drunk a bottle of Guinness, Stone decided to head up to Finsbury Park to drop in at the New Downbeat, a Monday-night jazz club he’d spent quite a bit of time in over the years. He didn’t visit so much any more, not now that he had discovered the scene in Notting Hill. The illegal West Indian clubs were much wilder and hipper than the well-established London jazz circuit, which tended to be frequented by earnest middle-class students. But Stone still loved the music. Tubby Hayes had a regular gig at the New Downbeat and you didn’t hear much better tenor sax than from Tubby Hayes. Stone’s father had always loved the sax but had rarely played it professionally because he usually felt there were better exponents than him in the band. He had played it at home, though, and at jams in local bars. Stone always thought of the tenor sax as a sort of ‘family’ instrument. Dad’s hobby, not his job.

He took a taxi. The New Downbeat Club was held at the Manor House pub, which was right opposite Manor House tube station, but he didn’t like the underground at the end of the day. Even though he was a heavy smoker himself, he found the stale tobacco stench mixed with a day’s accumulation of body odour just too depressing. Settling back in his seat Stone lit up a Lucky Strike and watched the bars of light passing across the interior of the cab as the taxi drove past the streetlamps.

For a moment he had a recollection of watching similar rhythmic flashes. On the Berlin to Rotterdam sleeper. Lying in his little cabin, thundering through the clanking, rattling, shuddering darkness past the lights of some station or other.

Seeing the seconds tick by on his wristwatch.

Stone held up his arm for a moment, letting the light flash once more on that very same watch. Berlin, Rotterdam — London. In a funny way he was still on the same journey.

Stone closed his eyes. Willing himself far away. To somewhere near the start of the journey. Another time. Another place. Where he was happy.

Far away from Camden and Holloway and the Seven Sisters Road. Back in the People’s Park. Laughing and shouting in the Märchenbrunnen, with its fountains and one hundred and six sculptures of characters from fairy tales. He and his brother running in separate directions around the great circular path. Trapping Dagmar between Rapunzel and Little Red Riding Hood. Each holding a soft slim golden arm and begging for a kiss, while Silke sulked nearby and called them both pathetic.

In the taxi Stone smoked his cigarette and found himself wondering if Dagmar ever walked amongst those one hundred and six stone statues and remembered. By some miracle the Märchenbrunnen had survived the Allied bombing and it was now in the Eastern sector. Did Dagmar visit? Did she remember kiss-chase under the watchful gaze of Rapunzel and Little Red Riding Hood, and Snow White and Sleeping Beauty and all the population of Fairy Land?

On her way to work?

At the Stasi?

The taxi driver’s voice intruded on his thoughts. ‘We’re here, mate. The Manor House pub.’

Stone hadn’t even noticed them pulling up.

He was early and there was still plenty of space but he knew from experience the gig would fill up so he staked his claim immediately. Taking his pint and whisky chaser he found a table down at the front, right where he knew the horn section would be standing. Since he was going to have to share a table, he wanted to be sure that it was somewhere where there was as little chance of idle conversation as possible. He’d had too many experiences of being lost in a faraway melody only to have his concentration shattered by some jazz train-spotter feeling the need to demonstrate his encyclopaedic knowledge of the technical side of beauty.

‘Good augmented seventh, don’t you think? And how about that melodic minor? Cool.’

Stone was a loner by choice . He didn’t want to chat, ever. But because he had frequented a lot of jazz clubs over the years, he had learnt to beware of guys plonking their pints and pipes down beside his pack of Luckies on the excuse that they’d seen him at the Florida, the Flamingo or Studio 51, and imagined somehow that this meant they were jazz buddies.

Stone lit a cigarette and took up a newspaper he’d bought at the tube station opposite. Still Suez and Hungary, of course. He didn’t want to read it but a paper wall was a useful blocking device to keep out whoever sat down until the music started.

The room began to fill up. The classic jazz crowd, arty, intense. Duffle coats and corduroy shoes. Like a Labour Party meeting in Hampstead, Stone thought. Except rather fuller. There was a sense of reverence in the room, people spoke in quiet voices, with one or two vainer souls laughing too loudly to show what loose guys they were. How had music that at one time had woken up the whole world become so rarefied? In his father’s day jazz had been loud and drunken, it was party music, you danced, you didn’t sit about and listen. Maybe it was a class thing. Rags and Dixie had once belonged to the poor and to the decadent elite. Now it had settled down firmly between the two and was as middle class as the BBC and Ban the Bomb.

‘Is this seat taken, man?’

Stone looked up. A good result. Student types. They wouldn’t want to talk to a square-looking daddy like him. Four of them. Two cats, two chicks.

Classic beats. The chicks with their short fringes cut straight and high. Stripy jumpers, tight pedal-pusher slacks. Bare calves. Flatties. The cats in polo-necked sweaters. Wispy goatee beards. Black jeans. Desert boots. One wore a beret and had sunglasses in the breast pocket of his corduroy jacket.

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