Ben Elton - Two Brothers

The concierge of Karlsruhen’s building gave Frieda the usual dubious glance as she let her in, clearly under the impression that nude models must be whores. Frieda returned the woman’s look with proud disdain before making her way up the stairs to the attic studio in which Karlsruhen worked. The door was half open and she could hear him singing along to a gramophone recording of Götterdämmerung . He always had music on while he worked but he did not normally sing. Frieda wondered if he might be a little drunk. Karlsruhen loved his beer and schnapps.

She knocked firmly, causing the door to swing fully open under the force of her fist. She knew that Karlsruhen would shake his head at this. He had once rebuked her for ‘banging on the door like a stevedore’, admonishing her to be more ‘gentle and reserved’ and a credit to her sex. This of course made Frieda knock all the louder the next time, and from then on she was always sure to give his door a knuckle-rattling bang whenever she visited. Such displays of spirit, however, seemed only to increase Karlsruhen’s attraction to her. He would giggle with silly indulgence as if she were a naughty girl and he her long-suffering father.

All this made Frieda pretty uncomfortable, but she had final exams to prepare for and standing about naked had to be the easiest way to make money in Berlin. She knew plenty of girls who would kill for her luck.

Recently, it was true, Karlsruhen’s behaviour has begun to get a little bolder. He had taken to calling her his ‘cheeky pet’ and his ‘little bud’, which made her squirm. Wolfgang had said she should demand a pay rise. Instead she had taken strength from reminding herself that once she qualified as a doctor she would never have to see the silly old fool again.

‘Enter,’ came the familiar, self-important voice from within. ‘Advance, sweet child, and be recognized.’

Karlsruhen had never served in the army but he loved to affect a slightly military air.

He was alone, of course, as Frieda had been certain he would be. Before, there had always been one or two young men busying themselves with plaster and tools in distant corners of the studio, Karlsruhen’s ‘pupils’, as he called them. He made much of the fact that he had ‘pupils’ (although to Frieda’s eye they seemed more like paid assistants), clearly fancying himself in the Michelangelo mode. Recently, however, Karlsruhen had taken to ensuring that these pupils were away purchasing supplies or on some other errand when the time came for Frieda’s sittings.

Frieda entered the huge space, which spanned the entire length and width of the building. In the daytime the studio was flooded with beautiful natural light, which shone through the skylights even on cloudy days. But night was falling and Karlsruhen had turned on the meagre forty-watt bulbs that hung from the ceiling eaves and cast eerie shadows across the silent plaster figures standing about the room.

At the far end of the studio a desk lamp stood on an empty plinth, its shaded bulb pointing to the place where Frieda would be posing, like a theatrical spotlight.

The great man was standing at his usual place, wearing his habitual white smock and beret, although Frieda did not think he had been doing much work as there was a schnapps bottle in his hand.

Karlsruhen worked mostly in clay, producing mildly erotic figures from which a mould was cast and numerous plaster replicas made to be sold at markets. But he also had pretentions to greater things and sometimes worked in bronze and occasionally even marble, although such materials were of course not readily available.

The white-clad figure watched in silence as Frieda walked the length of the room, her shoes clicking on the dusty bare floorboards. Past half-finished heroic figures and shy nymphs, round stepladders and sacks of plaster powder, over brushes and palettes, past trestle tables laden with knives, chisels, pencils and paper. Perhaps twenty metres in all with Karlsruhen’s eyes on her every step of the way before finally she arrived at the little screen in the corner, which Karlsruhen referred to as her dressing room.

It made Frieda laugh inwardly that he insisted on this ludicrous ‘courtesy’. After all, there was no ‘dressing’ to be done, only undressing, which she did as quickly as possible because her hours only began once she stood naked and in position. It would have been simpler to strip off beside her podium. Frieda had pointed this out but Karlsruhen insisted that there was a proper way to do things and she must disrobe in ‘private’, as feminine modesty demanded. Recently Frieda had noticed that her screen had moved further and further away from her podium. Clearly Karlsruhen enjoyed watching her walk naked across the studio — more fun, no doubt, than leering at her in frozen immobility.

‘Good evening, Fräulein,’ Karlsruhen said. ‘What joy it is to see you, the sun has set but its light still shines in your smile.’

‘I’m not smiling today, Herr Karlsruhen. Have you heard? They shot Walther Rathenau.’ She had not really meant to bring it up, she always tried to avoid exchanging views with Karlsruhen on any subject, but it was better than engaging with the leaden and saccharine horror of his unwanted compliments.

‘Yes, I heard,’ Karlsruhen remarked dismissively. ‘But don’t think of it so much as losing a Foreign Minister as getting rid of a Jew!’

And he laughed as if he had made an excellent joke.

Frieda didn’t reply. She was used to casual anti-Semitism. It was generally assumed that she herself was not a Jew and so she heard it all the time. It was as common in Berlin as remarks about the weather. Nothing much was meant by it, and if she had spent her days confronting it she would have had no time for anything else.

‘I can’t claim credit for that line,’ Karlsruhen went on, ‘a friend phoned me with it. He heard it on the Tiergarten within moments of the assassination. People are so clever, aren’t they?’

‘Perhaps we should start,’ Frieda said.

‘Yes! At once, little one. Let us not dwell on Germany’s terrible present, but instead journey together to her mythical past! Although I fear that my poor talent cannot hope to match the beauty with which you grace my studio, and no cold clay nor bronze nor even marble could ever aspire to capture the warm and subtle tones of your exquisite soft, pale skin.’

On another evening Frieda might have tried to force a smile at the man’s creepy compliments, if only to cover her nauseous embarrassment at them, but this time she remained stony-faced as she disappeared behind the disrobing curtain. There was something a little different in the atmosphere. Karlsruhen was more confident than usual, more full of himself. Clearly the schnapps had emboldened him. Frieda hoped he wouldn’t drink any more.

She threw off her clothes as quickly as possible and emerged naked, feeling unaccustomedly embarrassed. She was used to Karlsruhen’s hungry gaze and normally almost indifferent to it, but this time as she felt his eyes explore her she felt suddenly revolted. She took her place on the little podium and assumed the pose on which they had been working over the previous session, perched delicately on a stool that Karlsruhen assured her would later be transformed into the rock on which a bewitching Rhinemaiden would disport herself within the foaming fury of the great river.

Karlsruhen turned on the reading lamp and Frieda blinked as she felt herself bathed in its glare.

‘My dear, is it a little cold for you?’ she heard the shadowy figure behind the lamp enquire. ‘I see that the points of your breasts are proud. A lovely detail for me as an artist, particularly since my mythical creation is to be depicted in freezing mountain water, but I fear you might catch a chill.’