Randall Wallace - Braveheart

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For love of country, for love of maiden, for love of freedom… he became the hammer and scourge of England. In one of history’s darkest hours there arose from humble beginnings a man of courage and honor—the likes of whom the world may never see again. Amid the color, pageantry, and violence of medieval Scotland unfurls the resplendent tale of the legendary William Wallace, farmer by birth, rebel by fate, who banded together his valiant army of Scots to crush the cruel tyranny of the English Plantagenet king.
Mel Gibson is William Wallace, the valiant highlander whose epic adventures changed the course of history.

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Isabella, queen of England, had a son. The boy, who became Edward III, was nothing at all like the man who is listed in the royal registry as his father.

And so we come to the end of my telling of the story of William Wallace. Whether I have told of him as he was or only as I wish him to have been, I cannot say.

But as I write these final lines, I think back to the last time I visited the place of his execution. The section of the Tower of London where he was imprisoned is known to this day as the Wallace Tower, and a visitor can stand in Westminster Hall and look up at the same windows he stared at when they condemned him, but it is at Smithfield, a place of slaughterhouses even now, where I have felt most reminded of how he lived and how he died; and it was the last time I was there when I felt it the most.

I had been there several times, always with others, but the last time, I went alone. I walked around the spot; a plaque hanging on an outer wall of Saint Bart’s Hospital marks the area and commemorates Wallace’s life as well as his death. There, too, is a small, ancient church, some of which was standing when William Wallace was put to death. On our first visit Smithfield, my wife and I, thinking of Wallace would likely have seen this church with his own eyes from the platform of his execution, entered the sanctuary; we found a beautiful, serene place, and there we stood in a majestic, beautiful, and tragic silence. On the day I last returned, I wanted to visit that sanctuary again to find a private place away from the crowded street, where people passed neither knowing or caring about the long-dead Scot remembered upon the plaque or the American who stopped before it, gazing up at it with tears in his eyes.

The church was closed that day. So I stood in the arched shelter of its entryway, beside its graveyard. I had meant to pray inside the church, but where I now found myself seemed no less fine a place for prayer. So I thanked God for my family and friends and for my calling as a storyteller. And I thanked God for William Wallace.

I wondered if William Wallace was just as grateful that I had come upon his story.

And then something strange happened. I can’t say that I saw him; it may be an overstatement even to say that I felt his presence. But I felt… that I could talk to him there. And so I thanked him personally. I told him I had no idea if we were related by blood, but I had come to feel a kinship with him and felt that somehow I was meant to be there, seven hundred years after he was, to tell his story. I told him there were few promises that I could make him as to what would become of this telling of his tale, but I could make him the same one I had made to God and to myself: I would do my best to convey the truth as I saw it to those around me.

Maybe all that happened that day was that I talked to myself. Maybe the gift of any great person is the power to make us converse with our own hearts. And maybe as I stood there, I stood there all alone.

But when I walked away, I glanced one last time at the plaque. Someone had left flowers at its base. They were buttercups, and they were beautiful.

Copyright

© 2011 Randall Wallace

All rights reserved.

CAUTION: “BRAVEHEART” is fully protected under the copyright laws of the United States of America and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), the Berne Convention, the Pan-American Copyright Convention and the Universal Copyright Convention as well as all countries with which the United States has reciprocal copyright relations. All rights, including excerpting, professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, information storage and retrieval systems and photocopying, and the rights of translation into foreign languages, are strictly reserved.

Inquiries concerning rights should be addressed to:

William Morris Endeavor Entertainment, LLC

1325 Avenue of the Americas

New York, New York 10019

Attn: Britton Schey

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