Pat Barker - The Ghost Road

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The Ghost Road: краткое содержание, описание и аннотация

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Winner of the Booker Prize,
is the brilliant conclusion to Pat Barker's World War I fiction trilogy, which began with the acclaimed and prize-winning novels
and
.
In the closing months of World War I, psychologist William Rivers treats the mental casualties of the war, making them whole enough to return to battle. As Dr. Rivers treats his patients, he begins to see the parallels between the culture of death in the tribes of the South Seas, where he served as a young missionary doctor, and in Europe in the grips of World War I. At the same time, Billy Prior, one of Dr. Rivers's patients, returns to France, where millions of men engaged in brutal trench warfare are all "ghosts in the making," to fight a war he no longer believes in.
Combining poetic intensity with gritty realism, Pat Barker both escapsulates history and transcends it in this modern masterpiece.

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Rinambesi was the oldest man on the island, the liveliest, and, after Njiru, the most vigorous. He seemed immune to the apathy and depression that many of the younger islanders seemed to feel, perhaps because he lived so much in the glories of the past. Like very old people the world over, he was hazy about yesterday's events, but vividly remembered the triumphs of his youth. He'd been a great head-hunter once, ferocious enough to have secured the rare privilege of a second wife. His memory for the genealogies of the islanders was phenomenal, and this was chiefly what brought Rivers to him. And yet, time and time again, the flow of information faltered, though it was not immediately obvious why.

Sexual intercourse between unmarried young people was very free, though 'free' was perhaps the wrong word, since every act had to be preceded by a payment of shells by the young man to the girl's parents. After marriage complete fidelity was required, and one expression of this was that one must never utter the name of an ex-lover.

All the women's names in Rinambesi's generation had to be left blank. Looking at the row of cards in front of him, Rivers turned to Njiru. 'This fellow make fuck-fuck all women?'

A gleam of amusement. 'Yes.'

Rivers threw the pencil down. Rinambesi, grinning toothlessly, was making a deeply unsuccessful attempt to look modest. Rivers started to laugh and after a moment Njiru joined in, a curious moment of kinship across the gulf of culture.

* * *

A thread-like wail from the baby Njiru held in his hands, one palm cradling the head, the other the buttocks, a morsel of black-eyed misery squirming in between.

Her name was Kwini and her mother was dead. Worse than that, she'd died in childbirth, which made her an evil spirit, likely to attempt to reclaim her child. The body had been dumped at sea, a bundle of rags strapped between the breasts to fool the mother into thinking she had her baby with her, but still… Kwini's failure to thrive was attributed to her mother's attempts to get her back.

She certainly wasn't thriving: skin hung in loose folds from her thighs. Rivers looked round the circle at her grandmother's wrinkled dugs, the flat chest of her nine-year-old sister, the highly developed pectoral muscles of her father. He asked what she was being fed on. Mashed-up yams softened by spit was the answer. The tiny hands clawed the air as if she would wring life out of it.

Njiru passed the leaves he was holding several times between his legs and then, stretching to his full height, attached them to the rafters at the gable end, where the scare ghost shivered in the draught. 'Come down and depart, you ghost, her mother; do not haunt this child and let her live.'

'Will she live?' Rivers asked.

He had his own opinion, but wanted to know what Njiru would say. Njiru spread his hands.

On their way back to Narovo, Rivers questioned him about the ghosts of women who died in childbirth. This was not a rare form of death, since the custom was for women to give birth alone, and there was no tradition of midwifery. Such ghosts could not be named, he already knew that. In the genealogies they were referred to as evil spirits. It had startled him at first to be told quite casually that such and such a man had married 'an evil spirit'.

They were called tomate pa na savo —the ghosts of the confining house — Njiru explained, and they were dreaded, since their chief aim was to ensure that as many other women as possible should die in the same way.

One ghost in particular inspired dread: Ange Mate. She was more powerful, more vengeful than any other ghost of the confining house. Rivers had been taken to see Ange Mate's well, a hole in the ground which had once been living spring, now choked with coconut husks. Still, he sensed there was something more that Njiru was reluctant to tell him. 'What does she do?' he wanted to know. It puzzled him that the men were obviously frightened of her, if it were true that the tomate pa na savo selected women as their victims.

Reluctantly, Njiru said she lay in wait for men, particularly for men who fell asleep on the beach at Pa Njale. 'But what does she do?' A ripple of amusement among Njiru's retinue, a strange response in view of the obvious terror she inspired. Then he guessed. When Ange Mate came upon a man sleeping she forced him to have sex with her. 'Is he good-fellow after?' Rivers asked.

No, seemed to be the answer, he suffered from a long list of complaints, not the least of which was a disappearing penis. Rivers would have liked to ask about the psychological effects, but that was almost impossible. The language of introspection was simply not available.

By the time they reached Narovo, the sun was low in the sky. Rivers went down to the beach, following the narrow bush path that petered out into fine white sand. Hocart's head was a dark sleek ball, far out, but then he saw Rivers, waved and shouted.

Slowly Rivers waded out, looking down, rather liking the dislocation the refraction of the light produced, the misalignment of knees and feet. As usual he was joined by a shoal of little darting black fish who piloted him out into deeper waters — always a moment of absolute magic. Behind him, the bluish shadows of rocks crept over the white sand.

After their swim they lay in the shallows, talking over the events of the day. In the rough division of labour they'd mapped out between them, death, funerary rites and skull houses belonged to Hocart, ghosts, sex, marriage and kinship to Rivers, but it had already become clear that no division really made sense. Each of them was constantly acquiring information relating to one of the other's specialities.

Hocart, though, was in a mood to tease. 'Why've I got death when you've got sex?' he wanted to know. 'Ghosts and sex don't go together. Now ghosts and death…'

'All right, you can have ghosts.'

' No… ' Hocart began, and then laughed.

Not true anyway, Rivers thought. On Eddystone ghosts and sex did go together, or so at least it must seem to men who fell asleep on the beach at Pa Njale and woke between the ravening thighs of Ange Mate.

They lay in silence, almost too lazy to speak, as the shadows lengthened and the sun began its precipitate descent. Nightfall on Eddystone was abrupt, as if some positive force of darkness in the waters of the bay had risen up and swallowed the sun. At last, driven back to shore by the cooling water, they snatched up their clothes and ran, laughing, back to the tent.

* * *

Mbuko was dying of a disease caused by the spirits of Kita, and had no more than a few hours to live.

Kita, Njiru explained, causes a man to waste away 'till he too small all bone he got no meat'. Certainly Mbuko could not have been more emaciated. He looked more like an anatomical drawing than a man, except for the persistent flutter of his heart under the stretched skin. He lay on the raised wooden platform that was used for sleeping, though nobody else now slept in the hut. Njiru said they were afraid. Outside, bright sunshine, people coming and going. Now and then a neighbour would look in to see if he were still alive, 'Soon,' the people sitting round would say, indifferently, shaking their heads. Some were obviously amused or repelled by his plight. ' Rakiana' was the word one heard over and over again. Rakiana . Thin.

Even Njiru who, within the framework of his culture, was a compassionate man (and we can none of us claim more, Rivers thought), seemed to feel, not indifference or contempt exactly, but that Mbuko had become merely a problem to be solved. Njiru looked across the barely breathing heap of bones at Rivers and said, ' Mate.'

'Mate ' in all the dictionaries was translated as 'dead'.

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