Pat Barker - The Ghost Road

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The Ghost Road: краткое содержание, описание и аннотация

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Winner of the Booker Prize,
is the brilliant conclusion to Pat Barker's World War I fiction trilogy, which began with the acclaimed and prize-winning novels
and
.
In the closing months of World War I, psychologist William Rivers treats the mental casualties of the war, making them whole enough to return to battle. As Dr. Rivers treats his patients, he begins to see the parallels between the culture of death in the tribes of the South Seas, where he served as a young missionary doctor, and in Europe in the grips of World War I. At the same time, Billy Prior, one of Dr. Rivers's patients, returns to France, where millions of men engaged in brutal trench warfare are all "ghosts in the making," to fight a war he no longer believes in.
Combining poetic intensity with gritty realism, Pat Barker both escapsulates history and transcends it in this modern masterpiece.

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Brennan, sensing that Rivers liked him, embarked on what threatened to become his life story, interspersed with swigs of whisky and great breathy revelations of dental decay. He showed Rivers a photograph of his three naked brown babies tumbling over each other in the dust. Behind them, face, neck and breasts covered in tattoos, stood a young girl. 'She must be from Lepers Island,' Rivers said.

Brennan took the photograph back and stared at it. 'Yeh, that's right. Bitch:

He seemed about to say more. Rivers said quickly, 'I didn't realize you'd been in the New Hebrides.'

'Started there.'

He'd started as a 'blackbirder', as so many of the older traders had, kidnapping natives to work on the Queensland plantations, and he was frank about his methods too. Make friends with them, invite them on board ship, get them drunk and Bob's your Uncle. By the time they come round they're out at sea and there's bugger all they can do about it. Used to give the girls a bit of a run round the deck, mind. We-ll Why not, they're all gunna get their arses fucked off when they get to the plantations anyway. 'Do you know,' he went on, leaning across the table in search of somebody to shock, and fixing on Michael, though Hocart't expression might have made him the more obvious choice, 'you can buy a woman— white, mind — for forty quid in Sydney?'

'I'd've thought forty quid was a bit steep,' Hocart said.

'Buy , man, I'm not talking about fucking rent.'

'So why didn't you?'

'Nah,' Brennan said morosely, swishing whisky round his glass. 'Years on their backs.' He turned to Rivers. 'Half way through the honeymoon you'd be pissing hedgehogs backwards. He knows what I mean,' he said, jerking his thumb at Rivers.

'We all know what you mean,' Hocart said.

The skipper leant forward, smiling a positively old-maidish smile. 'How about a nice game of cards?'

And then there was no further talk, only the creaking of the spirit-lamp above their heads, and the plump slap of cards on the table. Rivers, amused, watched Hocart slowly realize that when confronted by a dwindling stock of coins, Father Michael cheated and Brennan didn't.

Next morning — a small triumph for Melanesia— Father Michael, who'd hitherto crouched over a bucket to wash, stripped off with the rest of them, his white arum lily of a body with its improbable stamen looking almost shocking beside Brennan's.

The conversation that morning meandered on amicably enough, as they leaned together, sweating, in their patches of shade, until a smudge of blue-green on the horizon restored them to separateness.

By late afternoon they'd moored by a rotting landing stage on Eddystone, and clambered ashore to supervise the unloading of their stores. Rivers was used to missionized islands where canoes paddled out to meet the incoming steamer, brown faces, white eyes, flashing smiles, while others gathered at the landing stage, ready to carry bags up to the mission station for a few sticks of tobacco or even sheer Christian goodwill. A cheerful picture, as long as you didn't notice the rows and rows of crosses in the mission graveyard, men and women in the prime of life dead of the diseases of the English nursery: whooping cough, measles, diphtheria, chicken pox, scarlet fever — all were fatal here. And the mission boat carried them from island to island, station to station, remorselessly, year after year.

Instead of that — nothing. Nobody appeared. Rivers and Hocart waved till the steamer dwindled to a point on the glittering water, then lugged the tent and enough food for the night up to a small clearing a hundred yards or so above the beach. Spread out below them was the Bay of Narovo. The village, whose huts they could just see between the trees, was also called Narovo.

'Aren't we a bit close?' Hocart asked.

'We don't want to be too far away. If we're isolated we'll be frightening. The wicked witch lives in the wood , remember.'

'What do you suppose they'll do?'

Rivers shrugged. 'They'll be along.'

By the time they'd erected the tent the swift tropical darkness was falling. After sunset the island breathed for a moment in silence; from the bush arose the buzz of different insects, the cries of different birds. Rivers was intensely aware of the fragility of the small lighted area round the tent. He kept peering into the trees and thought he saw dark shapes flitting between the trunks, but still nobody appeared.

After a meal of tinned meat and turnipy pineapple, Hocart said he would lie down. He looked utterly exhausted, and Rivers suspected he might be running a slight fever. Shrouded in his mosquito net, Hocart talked for a while, then switched off his torch and turned over to sleep.

Rivers sat at a table immediately outside the tent, trying to mend the oil-lamp which was smoking badly. A small figure alone in the clearing, in a storm of pale wings, for every moth in the bush appeared and fluttered round the light. Now and then one succeeded in finding a way in, and there was a quick sizzle, a flare, more smoke. Rivers shook out the charred corpse and started again. An oddly nerve-racking business, this. Working so close to the light, he was almost blinded and could see virtually nothing even when he raised his head. He was aware of the thick darkness of the bush around him, but more as a pressure on his mind than through his senses. Once he stopped, thinking he heard a flute being played in the village. He sniffed the oil on his fingers, wiped his chin on the back of his hand, and sat back for a rest, his retinas aching as they do after an optician has shone his torch on to them. He took his glasses off and wiped them on his shirt. When he put them on again he saw a figure had come out from among the trees, and was standing on the edge of the clearing. A man in early middle age, white lime streaks in his hair, around the eye sockets, and along the cheek and jaw-bones, so that it seemed — until he caught the glint of eye white — that he was looking at a skull. He sat absolutely still, as the man came towards him. Alone, or apparently alone. He indicated the other chair, thinking it might be refused, but his visitor sat down, inclined his head slightly, and smiled.

Rivers pointed to himself and said his name.

A thin brown hand raised to his shell necklace. 'Njiru.'

They stared at each other. Rivers thought he ought to offer food, but the only food easily available was the remains of the pineapple, and he was chary of breaking off the encounter by going into the tent to look for it.

Njiru was deformed. Without the curvature of the spine he would have been a tall man — by Melanesian standards very tall — and he carried himself with obvious authority. In addition to the shell necklace he wore ear-rings, arm rings and bracelets all made of shells, and somehow it was immediately apparent that these ornaments had great value. His earlobes, elongated by the constant wearing of heavy shells, almost brushed his shoulders when he moved. The eyes were remarkable: hooded, piercing, intelligent, shrewd. Wary.

They went on staring at each other, reluctant to start exploring their shared resource of pidgin, aware, perhaps, even in these first moments, of how defective an instrument it would be for what they needed to say to each other.

Suddenly Njiru pointed to the lamp. 'Baggerup.'

Rivers was so surprised he laughed out loud. 'No, No baggerup. I mend.'

* * *

Njiru was the eldest son of Rembo, the chief who controlled the most important cults on the island. Because of his deformity, he'd never been able to compete with other young men, in canoeing, fishing, building or war. By way of compensation, he'd devoted himself to thought and learning, and, in particular, to the art of healing. His abilities would have made him remarkable in any society. On Eddystone, his power rested primarily on the number of spirits he controlled. The people made no distinction between knowledge and power, either in their own language or in pidgin. 'Njiru knows Mateana' meant Njiru had the power to cure the diseases caused by Mateana. Similarly, Rivers was told within a few days of arriving on the island that Njiru 'knew' Ave. Without in the least understanding the significance of what he'd been told, he repeated it to Njiru. 'Kundaite he say you know Ave.' A snort of derision. 'Kundaite he speak gammon: He was by far the best interpreter and — when he chose — the most reliable informant, capable of making rigorous distinctions between what he knew and what he merely supposed, between evidence and hypothesis. But he did not generally choose to share information. If knowledge was power, then Njiru kept a firm grasp on his. Indeed, at first he would do no more than translate passively what others said. In particular, he acted as interpreter between Rivers and Rinambesi.

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