Эдвард Бульвер-Литтон: A Strange Story — Volume 03

"Oh, nothing so discordant as a child's wail. I hate discords. I am pleased with the company of children; but they must be children who laugh and play. Well, why do you look at me so sternly? What have I said to shock you?"

"Shock me! you shock manhood itself! Go; I cannot talk to you now. I am busy."

But he did not go; and his voice was so sweet, and his ways so winning, that disgust insensibly melted into that sort of forgiveness one accords (let me repeat the illustration) to the deer that forsakes its comrade. The poor thing knows no better. And what a graceful beautiful thing this was!

The fascination—I can give it no other name—which Margrave exercised, was not confined to me; it was universal,—old, young, high, low, man, woman, child, all felt it. Never in Low Town had stranger, even the most distinguished by fame, met with a reception so cordial, so flattering. His frank confession that he was a natural son, far from being to his injury, served to interest people more in him, and to prevent all those inquiries in regard to his connections and antecedents which would otherwise have been afloat. To be sure, he was evidently rich,—at least he had plenty of money. He lived in the best rooms in the principal hotel; was very hospitable; entertained the families with whom he had grown intimate; made them bring their children,—music and dancing after dinner. Among the houses in which he had established familiar acquaintance was that of the mayor of the town, who had bought Dr. Lloyd's collection of subjects in natural history. To that collection the mayor had added largely by a very recent purchase. He had arranged these various specimens, which his last acquisitions had enriched by the interesting carcasses of an elephant and a hippopotamus, in a large wooden building contiguous to his dwelling, which had been constructed by a former proprietor (a retired fox-hunter) as a riding-house; and being a man who much affected the diffusion of knowledge, he proposed to open this museum to the admiration of the general public, and, at his death, to bequeath it to the Athenaeum or Literary Institute of his native town. Margrave, seconded by the influence of the mayor's daughters, had scarcely been three days at L—— before he had persuaded this excellent and public-spirited functionary to inaugurate the opening of his museum by the popular ceremony of a ball. A temporary corridor should unite the drawing-rooms, which were on the ground floor, with the building that contained the collection; and thus the fete would be elevated above the frivolous character of a fashionable amusement, and consecrated to the solemnization of an intellectual institute. Dazzled by the brilliancy of this idea, the mayor announced his intention to give a ball that should include the surrounding neighbourhood, and be worthy, in all expensive respects, of the dignity of himself and the occasion. A night had been fixed for the ball,—a night that became memorable indeed to me! The entertainment was anticipated with a lively interest, in which even the Hill condescended to share. The Hill did not much patronize mayors in general; but when a Mayor gave a ball for a purpose so patriotic, and on a scale so splendid, the Hill liberally acknowledged that Commerce was, on the whole, a thing which the Eminence might, now and then, condescend to acknowledge without absolutely derogating from the rank which Providence had assigned to it amongst the High Places of earth. Accordingly, the Hill was permitted by its Queen to honour the first magistrate of Low Town by a promise to attend his ball. Now, as this festivity had originated in the suggestion of Margrave, so, by a natural association of ideas, every one, in talking of the ball, talked also of Margrave.

The Hill had at first affected to ignore a stranger whose debut had been made in the mercantile circle of Low Town. But the Queen of the Hill now said, sententiously, "This new man in a few days has become a Celebrity. It is the policy of the Hill to adopt Celebrities, if the Celebrities pay respect to the Proprieties. Dr. Fenwick is requested to procure Mr. Margrave the advantage of being known to the Hill."

I found it somewhat difficult to persuade Margrave to accept the Hill's condescending overture. He seemed to have a dislike to all societies pretending to aristocratic distinction,—a dislike expressed with a fierceness so unwonted, that it made one suppose he had, at some time or other, been subjected to mortification by the supercilious airs that blow upon heights so elevated. However, he yielded to my instances, and accompanied me one evening to Mrs. Poyntz's house. The Hill was encamped there for the occasion. Mrs. Poyntz was exceedingly civil to him, and after a few commonplace speeches, hearing that he was fond of music, consigned him to the caressing care of Miss Brabazon, who was at the head of the musical department in the Queen of the Hill's administration.

Mrs. Poyntz retired to her favourite seat near the window, inviting me to sit beside her; and while she knitted in silence, in silence my eye glanced towards Margrave, in the midst of the group assembled round the piano.

Whether he was in more than usually high spirits, or whether he was actuated by a malign and impish desire to upset the established laws of decorum by which the gayeties of the Hill were habitually subdued into a serene and somewhat pensive pleasantness, I know not; but it was not many minutes before the orderly aspect of the place was grotesquely changed.

Miss Brabazon having come to the close of a complicated and dreary sonata, I heard Margrave abruptly ask her if she could play the Tarantella, that famous Neapolitan air which is founded on the legendary belief that the bite of the tarantula excites an irresistible desire to dance. On that highbred spinster's confession that she was ignorant of the air, and had not even heard of the legend, Margrave said, "Let me play it to you, with variations of my own." Miss Brabazon graciously yielded her place at the instrument. Margrave seated himself,—there was great curiosity to hear his performance. Margrave's fingers rushed over the keys, and there was a general start, the prelude was so unlike any known combination of harmonious sounds. Then he began a chant—song I can scarcely call it—words certainly not in Italian, perhaps in some uncivilized tongue, perhaps in impromptu gibberish. And the torture of the instrument now commenced in good earnest: it shrieked, it groaned, wilder and noisier. Beethoven's Storm, roused by the fell touch of a German pianist, were mild in comparison; and the mighty voice, dominating the anguish of the cracking keys, had the full diapason of a chorus. Certainly I am no judge of music, but to my ear the discord was terrific,—to the ears of better informed amateurs it seemed ravishing. All were spellbound; even Mrs. Poyntz paused from her knitting, as the Fates paused from their web at the lyre of Orpheus. To this breathless delight, however, soon succeeded a general desire for movement. To my amazement, I beheld these formal matrons and sober fathers of families forming themselves into a dance, turbulent as a children's ball at Christmas; and when, suddenly desisting from his music, Margrave started up, caught the skeleton hand of lean Miss Brabazon, and whirled her into the centre of the dance, I could have fancied myself at a witch's sabbat. My eye turned in scandalized alarm towards Mrs. Poyntz. That great creature seemed as much astounded as myself. Her eyes were fixed on the scene in a stare of positive stupor. For the first time, no doubt, in her life, she was overcome, deposed, dethroned. The awe of her presence was literally whirled away. The dance ceased as suddenly as it had begun. Darting from the galvanized mummy whom he had selected as his partner, Margrave shot to Mrs. Poyntz's side, and said, "Ten thousand pardons for quitting you so soon, but the clock warns me that I have an engagement elsewhere." In another moment he was gone.