Эдвард Бульвер-Литтон: "My Novel" — Volume 12

"Again," quoth my father,—"again behold us! We who greeted the commencement of your narrative, who absented ourselves in the midcourse when we could but obstruct the current of events, and jostle personages more important,—we now gather round the close. Still, as the chorus to the drama, we circle round the altar with the solemn but dubious chant which prepares the audience for the completion of the appointed destinies; though still, ourselves, unaware how the skein is to be unravelled, and where the shears are to descend."

So there they stood, the Family of Caxton,—all grouping round me, all eager officiously to question, some over-anxious prematurely to criticise.

"Violante can't have voluntarily gone off with that horrid count," said my mother; "but perhaps she was deceived, like Eugenia by Mr. Bellamy, in the novel of 'CAMILLA'."

"Ha!" said my father, "and in that case it is time yet to steal a hint from Clarissa Harlowe, and make Violante die less of a broken heart than a sullied honour. She is one of those girls who ought to be killed! All things about her forebode an early tomb!"

"Dear, dear!" cried Mrs. Caxton, "I hope not!"

"Pooh, brother," said the captain, "we have had enough of the tomb in the history of poor Nora. The whole story grows out of a grave, and if to a grave it must return—if, Pisistratus, you must kill somebody— kill Levy."

"Or the count," said my mother, with unusual truculence. "Or Randal Leslie," said Squills. "I should like to have a post-mortem cast of his head,—it would be an instructive study."

Here there was a general confusion of tongues, all present conspiring to bewilder the unfortunate author with their various and discordant counsels how to wind up his story and dispose of his characters.

"Silence!" cried Pisistratus, clapping his hands to both ears. "I can no more alter the fate allotted to each of the personages whom you honour with your interest than I can change your own; like you, they must go where events lead there, urged on by their own characters and the agencies of others. Providence so pervadingly governs the universe, that you cannot strike it even out of a book. The author may beget a character, but the moment the character comes into action, it escapes from his hands,—plays its own part, and fulfils its own inevitable doom."

"Besides," said Squills, "it is easy to see, from the phrenological development of the organs in those several heads which Pisistratus has allowed us to examine, that we have seen no creations of mere fiction, but living persons, whose true history has set in movement their various bumps of Amativeness, Constructiveness, Acquisitiveness, Idealty, Wonder, Comparison, etc. They must act, and they must end, according to the influences of their crania. Thus we find in Randal Leslie the predominant organs of Constructiveness, Secretiveness, Comparison, and Eventuality, while Benevolence, Conscientiousness, Adhesiveness, are utterly nil. Now, to divine how such a man must end, we must first see what is the general composition of the society in which he moves, in short, what other gases are brought into contact with his phlogiston. As to Leonard, and Harley, and Audley Egerton, surveying them phrenologically, I should say that—"

"Hush!" said my father, "Pisistratus has dipped his pen in the ink, and it seems to me easier for the wisest man that ever lived to account for what others have done than to predict what they should do. Phrenologists discovered that Mr. Thurtell had a very fine organ of Conscientiousness; yet, somehow or other, that erring personage contrived to knock the brains out of his friend's organ of Individuality. Therefore I rise to propose a Resolution,—that this meeting be adjourned till Pisistratus has completed his narrative; and we shall then have the satisfaction of knowing that it ought, according to every principle of nature, science, and art, to have been completed differently. Why should we deprive ourselves of that pleasure?"

"I second the motion," said the captain; "but if Levy be not hanged, I shall say that there is an end of all poetical justice."

"Take care of poor Helen," said Blanche, tenderly: "nor, that I would have you forget Violante."

"Pish! and sit down, or they shall both die old maids." Frightened at that threat, Blanche, with a deprecating look, drew her stool quietly near me, as if to place her two /proteges/ in an atmosphere mesmerized to matrimonial attractions; and my mother set hard to work—at a new frock for the baby. Unsoftened by these undue female influences, Pisistratus wrote on at the dictation of the relentless Fates. His pen was of iron, and his heart was of granite. He was as insensible to the existence of wife and baby as if he had never paid a house bill, nor rushed from a nursery at the sound of an infant squall. O blessed privilege of Authorship!

["O Muse, who dost temper the sweet sound of the golden shell of the tortoise, and couldst also give, were it needed, to silent fishes the song of the swan."]

It is necessary to go somewhat back in the course of this narrative, and account to the reader for the disappearance of Violante.

It may be remembered that Peschiera, scared by the sudden approach of Lord L'Estrange, had little time for further words to the young Italian, than those which expressed his intention to renew the conference, and press for her decision. But the next day, when he re-entered the garden, secretly and stealthily, as before, Violante did not appear. And after watching round the precincts till dusk, the count retreated, with an indignant conviction that his arts had failed to enlist on his side either the heart or the imagination of his intended victim. He began now to revolve and to discuss with Levy the possibilities of one of those bold and violent measures, which were favoured by his reckless daring and desperate condition. But Levy treated with such just ridicule any suggestion to abstract Violante by force from Lord Lansmere's house, so scouted the notions of nocturnal assault, with the devices of scaling windows and rope-ladders, that the count reluctantly abandoned that romance of villany so unsuited to our sober capital, and which would no doubt have terminated in his capture by the police, with the prospect of committal to the House of Correction.

Levy himself found his invention at fault, and Randal Leslie was called into consultation. The usurer had contrived that Randal's schemes of fortune and advancement were so based upon Levy's aid and connivance, that the young man, with all his desire rather to make instruments of other men, than to be himself their instrument, found his superior intellect as completely a slave to Levy's more experienced craft, as ever subtle Genius of air was subject to the vulgar Sorcerer of earth.

His acquisition of the ancestral acres, his anticipated seat in parliament, his chance of ousting Frank from the heritage of Hazeldean, were all as strings that pulled him to and fro, like a puppet in the sleek, filbert-nailed fingers of the smiling showman, who could exhibit him to the admiration of a crowd, or cast him away into dust and lumber.

Randal gnawed his lip in the sullen wrath of a man who bides his hour of future emancipation, and lent his brain to the hire of the present servitude, in mechanical acquiescence. The inherent superiority of the profound young schemer became instantly apparent over the courage of Peschiera and the practised wit of the baron.