Эдвард Бульвер-Литтон - Lucretia — Volume 04

The century has advanced. The rush of the deluge has ebbed back; the old landmarks have reappeared; the dynasties Napoleon willed into life have crumbled to the dust; the plough has passed over Waterloo; autumn after autumn the harvests have glittered on that grave of an empire. Through the immense ocean of universal change we look back on the single track which our frail boat has cut through the waste. As a star shines impartially over the measureless expanse, though it seems to gild but one broken line into each eye, so, as our memory gazes on the past, the light spreads not over all the breadth of the waste where nations have battled and argosies gone down,—it falls narrow and confined along the single course we have taken; we lean over the small raft on which we float, and see the sparkles but reflected from the waves that it divides.

On the terrace at Laughton but one step paces slowly. The bride clings not now to the bridegroom's arm. Though pale and worn, it is still the same gentle face; but the blush of woman's love has gone from it evermore.

Charles Vernon (to call him still by the name in which he is best known to us) sleeps in the vault of the St. Johns. He had lived longer than he himself had expected, than his physician had hoped,—lived, cheerful and happy, amidst quiet pursuits and innocent excitements. Three sons had blessed his hearth, to mourn over his grave. But the two elder were delicate and sickly. They did not long survive him, and died within a few months of each other. The third seemed formed of a different mould and constitution from his brethren. To him descended the ancient heritage of Laughton, and he promised to enjoy it long.

It is Vernon's widow who walks alone in the stately terrace; sad still, for she loved well the choice of her youth, and she misses yet the children in the grave. From the date of Vernon's death, she wore mourning without and within; and the sorrows that came later broke more the bruised reed,—sad still, but resigned. One son survives, and earth yet has the troubled hopes and the holy fears of affection. Though that son be afar, in sport or in earnest, in pleasure or in toil, working out his destiny as man, still that step is less solitary than it seems. When does the son's image not walk beside the mother? Though she lives in seclusion, though the gay world tempts no more, the gay world is yet linked to her thoughts. From the distance she hears its murmurs in music. Her fancy still mingles with the crowd, and follows on, to her eye, outshining all the rest. Never vain in herself, she is vain now of another; and the small triumphs of the young and well-born seem trophies of renown to the eyes so tenderly deceived.

In the old-fashioned market-town still the business goes on, still the doors of the bank open and close every moment on the great day of the week; but the names over the threshold are partially changed. The junior partner is busy no more at the desk; not wholly forgotten, if his name still is spoken, it is not with thankfulness and praise. A something rests on the name,—that something which dims and attaints; not proven, not certain, but suspected and dubious. The head shakes, the voice whispers; and the attorney now lives in the solid red house at the verge of the town.

In the vicarage, Time, the old scythe-bearer, has not paused from his work. Still employed on Greek texts, little changed, save that his hair is gray and that some lines in his kindly face tell of sorrows as of years, the vicar sits in his parlour; but the children no longer, blithe- voiced and rose-cheeked, dart through the rustling espaliers. Those children, grave men or staid matrons (save one whom Death chose, and therefore now of all best beloved!) are at their posts in the world. The young ones are flown from the nest, and, with anxious wings, here and there, search food in their turn for their young. But the blithe voice and rose-cheek of the child make not that loss which the hearth misses the most. From childhood to manhood, and from manhood to departure, the natural changes are gradual and prepared. The absence most missed is that household life which presided, which kept things in order, and must be coaxed if a chair were displaced. That providence in trifles, that clasp of small links, that dear, bustling agency,—now pleased, now complaining,—dear alike in each change of its humour; that active life which has no self of its own; like the mind of a poet, though its prose be the humblest, transferring self into others, with its right to be cross, and its charter to scold; for the motive is clear,—it takes what it loves too anxiously to heart. The door of the parlour is open, the garden-path still passes before the threshold; but no step now has full right to halt at the door and interrupt the grave thought on Greek texts; no small talk on details and wise sayings chimes in with the wrath of "Medea." The Prudent Genius is gone from the household; and perhaps as the good scholar now wearily pauses, and looks out on the silent garden, he would have given with joy all that Athens produced, from Aeschylus to Plato, to hear again from the old familiar lips the lament on torn jackets, or the statistical economy of eggs.

But see, though the wife is no more, though the children have departed, the vicar's home is not utterly desolate. See, along the same walk on which William soothed Susan's fears and won her consent,—see, what fairy advances? Is it Susan returned to youth? How like! Yet look again, and how unlike! The same, the pure, candid regard; the same, the clear, limpid blue of the eye; the same, that fair hue of the hair,—light, but not auburn; more subdued, more harmonious than that equivocal colour which too nearly approaches to red. But how much more blooming and joyous than Susan's is that exquisite face in which all Hebe smiles forth; how much airier the tread, light with health; how much rounder, if slighter still, the wave of that undulating form! She smiles, her lips move, she is conversing with herself; she cannot be all silent, even when alone, for the sunny gladness of her nature must have vent like a bird's. But do not fancy that that gladness speaks the levity which comes from the absence of thought; it is rather from the depth of thought that it springs, as from the depth of a sea comes its music. See, while she pauses and listens, with her finger half-raised to her lip, as amidst that careless jubilee of birds she hears a note more grave and sustained,—the nightingale singing by day (as sometimes, though rarely, he is heard,—perhaps because he misses his mate; perhaps because he sees from his bower the creeping form of some foe to his race),—see, as she listens now to that plaintive, low-chanted warble, how quickly the smile is sobered, how the shade, soft and pensive, steals over the brow. It is but the mystic sympathy with Nature that bestows the smile or the shade. In that heart lightly moved beats the fine sense of the poet. It is the exquisite sensibility of the nerves that sends its blithe play to those spirits, and from the clearness of the atmosphere comes, warm and ethereal, the ray of that light.

And does the roof of the pastor give shelter to Helen Mainwaring's youth? Has Death taken from her the natural protectors? Those forms which we saw so full of youth and youth's heart in that very spot, has the grave closed on them yet? Yet! How few attain to the age of the Psalmist! Twenty-seven years have passed since that date: how often, in those years, have the dark doors opened for the young as for the old! William Mainwaring died first, careworn and shamebowed; the blot on his name had cankered into his heart. Susan's life, always precarious, had struggled on, while he lived, by the strong power of affection and will; she would not die, for who then could console him? But at his death the power gave way.