Эдвард Бульвер-Литтон - The Last of the Barons — Complete

“Marry!” said he, pertly, “if a man born in the North were to feed all his cousins, he would soon have a tail as long as my uncle, the stout earl’s. Come, sir cousin, this way.” And without tarrying even to give Nevile information of the name and quality of his new-found relation,—who was no less than Lord Montagu’s son, the sole male heir to the honours of that mighty family, though now learning the apprenticeship of chivalry amongst his uncle’s pages,—the boy passed before Marmaduke with a saunter, that, had they been in plain Westmoreland, might have cost him a cuff from the stout hand of the indignant elder cousin. He raised the tapestry at one end of the room, and ascending a short flight of broad stairs, knocked gently on the panels of an arched door sunk deep in the walls.

“Enter!” said a clear, loud voice, and the next moment Marmaduke was in the presence of the King-maker.

He heard his guide pronounce his name, and saw him smile maliciously at the momentary embarrassment the young man displayed, as the boy passed by Marmaduke, and vanished. The Earl of Warwick was seated near a door that opened upon an inner court, or rather garden, which gave communication to the river. The chamber was painted in the style of Henry III., with huge figures representing the battle of Hastings, or rather, for there were many separate pieces, the conquest of Saxon England. Over each head, to enlighten the ignorant, the artist had taken the precaution to insert a label, which told the name and the subject. The ceiling was groined, vaulted, and emblazoned with the richest gilding and colours. The chimneypiece (a modern ornament) rose to the roof, and represented in bold reliefs, gilt and decorated, the signing of Magna Charta. The floor was strewed thick with dried rushes and odorous herbs; the furniture was scanty, but rich. The low-backed chairs, of which there were but four, carved in ebony, had cushions of velvet with fringes of massive gold; a small cupboard, or beaufet, covered with carpetz de cuir (carpets of gilt and painted leather), of great price, held various quaint and curious ornaments of plate inwrought with precious stones; and beside this—a singular contrast—on a plain Gothic table lay the helmet, the gauntlets, and the battle-axe of the master. Warwick himself, seated before a large, cumbrous desk, was writing,—but slowly and with pain,—and he lifted his finger as the Nevile approached, in token of his wish to conclude a task probably little congenial to his tastes. But Marmaduke was grateful for the moments afforded him to recover his self-possession, and to examine his kinsman.

The earl was in the lusty vigour of his age. His hair, of the deepest black, was worn short, as if in disdain of the effeminate fashions of the day; and fretted bare from the temples by the constant and early friction of his helmet, gave to a forehead naturally lofty yet more majestic appearance of expanse and height. His complexion, though dark and sunburned, glowed with rich health. The beard was closely shaven, and left in all its remarkable beauty the contour of the oval face and strong jaw,—strong as if clasped in iron. The features were marked and aquiline, as was common to those of Norman blood. The form spare, but of prodigious width and depth of chest, the more apparent from the fashion of the short surcoat, which was thrown back, and left in broad expanse a placard, not of holiday velvet and satins, but of steel polished as a mirror, and inlaid with gold. And now as, concluding his task, the earl rose and motioned Marmaduke to a stool by his side, his great stature, which, from the length of his limbs, was not so observable when he sat, actually startled his guest. Tall as Marmaduke was himself, the earl towered [The faded portrait of Richard Nevile, Earl of Warwick, in the Rous Roll, preserved at the Herald’s College, does justice, at least, to the height and majesty of his stature. The portrait of Edward IV. is the only one in that long series which at all rivals the stately proportions of the King-maker.] above him,—with his high, majestic, smooth, unwrinkled forehead,—like some Paladin of the rhyme of poet or romancer; and, perhaps, not only in this masculine advantage, but in the rare and harmonious combination of colossal strength with graceful lightness, a more splendid union of all the outward qualities we are inclined to give to the heroes of old never dazzled the eye or impressed the fancy. But even this effect of mere person was subordinate to that which this eminent nobleman created—upon his inferiors, at least—by a manner so void of all arrogance, yet of all condescension, so simple, open, cordial, and hero-like, that Marmaduke Nevile, peculiarly alive to external impressions, and subdued and fascinated by the earl’s first word, and that word was “Welcome!” dropped on his knee, and kissing the hand extended to him, said, “Noble kinsman, in thy service and for thy sake let me live and die!” Had the young man been prepared by the subtlest master of courtcraft for this interview, so important to his fortunes, he could not have advanced a hundredth part so far with the great earl as he did by that sudden, frank burst of genuine emotion; for Warwick was extremely sensitive to the admiration he excited,—vain or proud of it, it matters not which; grateful as a child for love, and inexorable as a woman for slight or insult: in rude ages, one sex has often the qualities of the other.

“Thou hast thy father’s warm heart and hasty thought, Marmaduke,” said Warwick, raising him; “and now he is gone where, we trust, brave men, shrived of their sins, look down upon us, who should be thy friend but Richard Nevile? So—so—yes, let me look at thee. Ha! stout Guy’s honest face, every line of it: but to the girls, perhaps, comelier, for wanting a scar or two. Never blush,—thou shalt win the scars yet. So thou hast a letter from thy father?”

“It is here, noble lord.”

“And why,” said the earl, cutting the silk with his dagger—“why hast thou so long hung back from presenting it? But I need not ask thee. These uncivil times have made kith and kin doubt worse of each other than thy delay did of me. Sir Guy’s mark, sure eno’! Brave old man! I loved him the better for that, like me, the sword was more meet than the pen for his bold hand.” Here Warwick scanned, with some slowness, the lines dictated by the dead to the priest; and when he had done, he laid the letter respectfully on his desk, and bowing his head over it, muttered to himself,—it might be an Ave for the deceased. “Well,” he said, reseating himself, and again motioning Marmaduke to follow his example, “thy father was, in sooth, to blame for the side he took in the Wars. What son of the Norman could bow knee or vail plume to that shadow of a king, Henry of Windsor? And for his bloody wife—she knew no more of an Englishman’s pith and pride than I know of the rhymes and roundels of old Rene, her father. Guy Nevile—good Guy—many a day in my boyhood did he teach me how to bear my lance at the crest, and direct my sword at the mail joints. He was cunning at fence—thy worshipful father—but I was ever a bad scholar; and my dull arm, to this day, hopes more from its strength than its craft.”

“I have heard it said, noble earl, that the stoutest hand can scarcely lift your battle-axe.”

“Fables! romaunt!” answered the earl, smiling; “there it lies,—go and lift it.”

Marmaduke went to the table, and, though with some difficulty, raised and swung this formidable weapon.

“By my halidame, well swung, cousin mine! Its use depends not on the strength, but the practice. Why, look you now, there is the boy Richard of Gloucester, who comes not up to thy shoulder, and by dint of custom each day can wield mace or axe with as much ease as a jester doth his lathesword. Ah, trust me, Marmaduke, the York House is a princely one; and if we must have a king, we barons, by stout Saint George, let no meaner race ever furnish our lieges. But to thyself, Marmaduke—what are thy views and thy wishes?”