Эдвард Бульвер-Литтон - The Last of the Barons — Complete

As he spoke, he clasped her hand in his own, and she suffered it for one instant to rest in his. Then withdrawing it, and meeting his enamoured eyes with a strange sadness in her own darker, deeper, and more intelligent orbs, she said,—

“I thank thee,—thank thee for the honour of such kind thoughts; and frankly I answer, as thou hast frankly spoken. It was sweet to me, who have known little in life not hard and bitter,—sweet to wish I had a brother like thee, and, as a brother, I can love and pray for thee. But ask not more, Marmaduke. I have aims in life which forbid all other love.”

“Art thou too aspiring for one who has his spurs to win?”

“Not so; but listen. My mother’s lessons and my own heart have made my poor father the first end and object of all things on earth to me. I live to protect him, work for him, honour him; and for the rest, I have thoughts thou canst not know, an ambition thou canst not feel. Nay,” she added, with that delightful smile which chased away the graver thought which had before saddened her aspect, “what would thy sober friend Master Alwyn say to thee, if he heard thou hadst courted the wizard’s daughter?”

“By my faith,” exclaimed Marmaduke, “thou art a very April,—smiles and clouds in a breath! If what thou despisest in me be my want of bookcraft, and such like, by my halidame I will turn scholar for thy sake; and—”

Here, as he had again taken Sibyll’s hand, with the passionate ardour of his bold nature, not to be lightly daunted by a maiden’s first “No,” a sudden shrill, wild burst of laughter, accompanied with a gusty fit of unmelodious music from the street below, made both maiden and youth start, and turn their eyes; there, weaving their immodest dance, tawdry in their tinsel attire, their naked arms glancing above their heads, as they waved on high their instruments, went the timbrel-girls.

“Ha, ha!” cried their leader, “see the gallant and the witch-leman! The glamour has done its work! Foul is fair! foul is fair! and the devil will have his own!”

But these creatures, whose bold license the ancient chronicler records, were rarely seen alone. They haunted parties of pomp and pleasure; they linked together the extremes of life,—the grotesque Chorus that introduced the terrible truth of foul vice and abandoned wretchedness in the midst of the world’s holiday and pageant. So now, as they wheeled into the silent, squalid street, they heralded a goodly company of dames and cavaliers on horseback, who were passing through the neighbouring plains into the park of Marybone to enjoy the sport of falconry. The splendid dresses of this procession, and the grave and measured dignity with which it swept along, contrasted forcibly with the wild movements and disorderly mirth of the timbrel-players. These last darted round and round the riders, holding out their instruments for largess, and retorting, with laugh and gibe, the disdainful look or sharp rebuke with which their salutations were mostly received.

Suddenly, as the company, two by two, paced up the street, Sibyll uttered a faint exclamation, and strove to snatch her hand from the Nevile’s grasp. Her eye rested upon one of the horsemen, who rode last, and who seemed in earnest conversation with a dame, who, though scarcely in her first youth, excelled all her fair companions in beauty of face and grace of horsemanship, as well as in the costly equipments of the white barb that caracoled beneath her easy hand. At the same moment the horseman looked up and gazed steadily at Sibyll, whose countenance grew pale, and flushed, in a breath. His eye then glanced rapidly at Marmaduke; a half-smile passed his pale, firm lips; he slightly raised the plumed cap from his brow, inclined gravely to Sibyll, and, turning once more to his companion, appeared to answer some question she addressed to him as to the object of his salutation, for her look, which was proud, keen, and lofty, was raised to Sibyll, and then dropped somewhat disdainfully, as she listened to the words addressed her by the cavalier.

The lynx eyes of the tymbesteres had seen the recognition; and their leader, laying her bold hand on the embossed bridle of the horseman, exclaimed, in a voice shrill and loud enough to be heard in the balcony above, “Largess! noble lord, largess! for the sake of the lady thou lovest best!”

The fair equestrian turned away her head at these words; the nobleman watched her a moment, and dropped some coins into the timbrel.

“Ha, ha!” cried the tymbestere, pointing her long arm to Sibyll, and springing towards the balcony,—

Before this rude song was ended, Sibyll had vanished from the place; the cavalcade had disappeared. The timbrel-players, without deigning to notice Marmaduke, darted elsewhere to ply their discordant trade, and the Nevile, crossing himself devoutly, muttered, “Jesu defend us! Those she Will-o’-the-wisps are eno’ to scare all the blood out of one’s body. What—a murrain on them!—do they portend, flitting round and round, and skirting off, as if the devil’s broomstick was behind them! By the Mass! they have frighted away the damozel, and I am not sorry for it. They have left me small heart for the part of Sir Launval.”

His meditations were broken off by the sudden sight of Nicholas Alwyn, mounted on a small palfrey, and followed by a sturdy groom on horseback, leading a steed handsomely caparisoned. In another moment, Marmaduke had descended, opened the door, and drawn Alwyn into the hall.

“Right glad am I,” said Nicholas, “to see you so stout and hearty, for I am the bearer of good news. Though I have been away, I have not forgotten you; and it so chanced that I went yesterday to attend my Lord of Warwick with some nowches [buckles and other ornaments] and knackeries, that he takes out as gifts and exemplars of English work. They were indifferently well wrought, specially a chevesail, of which the—”

“Spare me the fashion of thy mechanicals, and come to the point,” interrupted Marmaduke, impatiently.

“Pardon me, Master Nevile. I interrupt thee not when thou talkest of bassinets and hauberks,—every cobbler to his last. But, as thou sayest, to the point: the stout earl, while scanning my workmanship, for in much the chevesail was mine, was pleased to speak graciously of my skill with the bow, of which he had heard; and he then turned to thyself, of whom my Lord Montagu had already made disparaging mention. When I told the earl somewhat more about thy qualities and disposings, and when I spoke of thy desire to serve him, and the letter of which thou art the bearer, his black brows smoothed mighty graciously, and he bade me tell thee to come to him this afternoon, and he would judge of thee with his own eyes and ears. Wherefore I have ordered the craftsman to have all thy gauds and gear ready at thine hostelrie, and I have engaged thee henchmen and horses for thy fitting appearance. Be quick: time and the great wait for no man. So take whatever thou needest for present want from thy mails, and I will send a porter for the rest ere sunset.”

“But the gittern for the damozel?”

“I have provided that for thee, as is meet.” And Nicholas, stepping back, eased the groom of a case which contained a gittern, whose workmanship and ornaments delighted the Nevile.

“It is of my lord the young Duke of Gloucester’s own musical-vendor; and the duke, though a lad yet, is a notable judge of all appertaining to the gentle craft. [For Richard III.‘s love of music, and patronage of musicians and minstrels, see the discriminating character of that prince in Sharon Turner’s “History of England,” vol. IV. p. 66.] So despatch, and away!”