Эдвард Бульвер-Литтон - The Last of the Barons — Complete

I dedicate to you, my indulgent Critic and long-tried Friend, the work which owes its origin to your suggestion. Long since, you urged me to attempt a fiction which might borrow its characters from our own Records, and serve to illustrate some of those truths which History is too often compelled to leave to the Tale-teller, the Dramatist, and the Poet. Unquestionably, Fiction, when aspiring to something higher than mere romance, does not pervert, but elucidate Facts. He who employs it worthily must, like a biographer, study the time and the characters he selects, with a minute and earnest diligence which the general historian, whose range extends over centuries, can scarcely be expected to bestow upon the things and the men of a single epoch. His descriptions should fill up with colour and detail the cold outlines of the rapid chronicler; and in spite of all that has been argued by pseudo-critics, the very fancy which urged and animated his theme should necessarily tend to increase the reader’s practical and familiar acquaintance with the habits, the motives, and the modes of thought which constitute the true idiosyncrasy of an age. More than all, to Fiction is permitted that liberal use of Analogical Hypothesis which is denied to History, and which, if sobered by research, and enlightened by that knowledge of mankind (without which Fiction can neither harm nor profit, for it becomes unreadable), tends to clear up much that were otherwise obscure, and to solve the disputes and difficulties of contradictory evidence by the philosophy of the human heart.

My own impression of the greatness of the labour to which you invited me made me the more diffident of success, inasmuch as the field of English historical fiction had been so amply cultivated, not only by the most brilliant of our many glorious Novelists, but by later writers of high and merited reputation. But however the annals of our History have been exhausted by the industry of romance, the subject you finally pressed on my choice is unquestionably one which, whether in the delineation of character, the expression of passion, or the suggestion of historical truths, can hardly fail to direct the Novelist to paths wholly untrodden by his predecessors in the Land of Fiction.

Encouraged by you, I commenced my task; encouraged by you, I venture, on concluding it, to believe that, despite the partial adoption of that established compromise between the modern and the elder diction, which Sir Walter Scott so artistically improved from the more rugged phraseology employed by Strutt, and which later writers have perhaps somewhat overhackneyed, I may yet have avoided all material trespass upon ground which others have already redeemed from the waste. Whatever the produce of the soil I have selected, I claim, at least, to have cleared it with my own labour, and ploughed it with my own heifer.

The reign of Edward IV. is in itself suggestive of new considerations and unexhausted interest to those who accurately regard it. Then commenced the policy consummated by Henry VII.; then were broken up the great elements of the old feudal order; a new Nobility was called into power, to aid the growing Middle Class in its struggles with the ancient; and in the fate of the hero of the age, Richard Nevile, Earl of Warwick, popularly called the King-maker, “the greatest as well as the last of those mighty Barons who formerly overawed the Crown,” [Hume adds, “and rendered the people incapable of civil government,”—a sentence which, perhaps, judges too hastily the whole question at issue in our earlier history, between the jealousy of the barons and the authority of the king.] was involved the very principle of our existing civilization. It adds to the wide scope of Fiction, which ever loves to explore the twilight, that, as Hume has truly observed, “No part of English history since the Conquest is so obscure, so uncertain, so little authentic or consistent, as that of the Wars between the two Roses.” It adds also to the importance of that conjectural research in which Fiction may be made so interesting and so useful, that “this profound darkness falls upon us just on the eve of the restoration of letters;” [Hume] while amidst the gloom, we perceive the movement of those great and heroic passions in which Fiction finds delineations everlastingly new, and are brought in contact with characters sufficiently familiar for interest, sufficiently remote for adaptation to romance, and above all, so frequently obscured by contradictory evidence, that we lend ourselves willingly to any one who seeks to help our judgment of the individual by tests taken from the general knowledge of mankind.

Round the great image of the “Last of the Barons” group Edward the Fourth, at once frank and false; the brilliant but ominous boyhood of Richard the Third; the accomplished Hastings, “a good knight and gentle, but somewhat dissolute of living;” [Chronicle of Edward V., in Stowe] the vehement and fiery Margaret of Anjou; the meek image of her “holy Henry,” and the pale shadow of their son. There may we see, also, the gorgeous Prelate, refining in policy and wile, as the enthusiasm and energy which had formerly upheld the Ancient Church pass into the stern and persecuted votaries of the New; we behold, in that social transition, the sober Trader—outgrowing the prejudices of the rude retainer or rustic franklin, from whom he is sprung—recognizing sagaciously, and supporting sturdily, the sectarian interests of his order, and preparing the way for the mighty Middle Class, in which our Modern Civilization, with its faults and its merits, has established its stronghold; while, in contrast to the measured and thoughtful notions of liberty which prudent Commerce entertains, we are reminded of the political fanaticism of the secret Lollard,—of the jacquerie of the turbulent mob-leader; and perceive, amidst the various tyrannies of the time, and often partially allied with the warlike seignorie, [For it is noticeable that in nearly all the popular risings—that of Cade, of Robin of Redesdale, and afterwards of that which Perkin Warbeck made subservient to his extraordinary enterprise—the proclamations of the rebels always announced, among their popular grievances, the depression of the ancient nobles and the elevation of new men.]—ever jealous against all kingly despotism,—the restless and ignorant movement of a democratic principle, ultimately suppressed, though not destroyed, under the Tudors, by the strong union of a Middle Class, anxious for security and order, with an Executive Authority determined upon absolute sway.

Nor should we obtain a complete and comprehensive view of that most interesting Period of Transition, unless we saw something of the influence which the sombre and sinister wisdom of Italian policy began to exercise over the councils of the great,—a policy of refined stratagem, of complicated intrigue, of systematic falsehood, of ruthless, but secret violence; a policy which actuated the fell statecraft of Louis XI.; which darkened, whenever he paused to think and to scheme, the gaudy and jovial character of Edward IV.; which appeared in its fullest combination of profound guile and resolute will in Richard III.; and, softened down into more plausible and specious purpose by the unimpassioned sagacity of Henry VII., finally attained the object which justified all its villanies to the princes of its native land,—namely, the tranquillity of a settled State, and the establishment of a civilized but imperious despotism.

Again, in that twilight time, upon which was dawning the great invention that gave to Letters and to Science the precision and durability of the printed page, it is interesting to conjecture what would have been the fate of any scientific achievement for which the world was less prepared.