Эдвард Бульвер-Литтон: Godolphin, Volume 2

Lord Erpingham played with his neckcloth, and Lady Erpingham rose to leave the room. "D—d fine girl!" said the earl, as he shut the door upon Constance;—"but d—d sharp!" added he, as he resettled himself on his chair.

It was the evening of the ball to be given in honour of Lord Erpingham's arrival. Constance, dressed for conquest, sat alone in her dressing-room. Her woman had just left her. The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon. As she leaned back in her chair—the fairy foot upon the low Gothic stool, and the hands drooping beside her despondingly—her countenance betrayed much, but not serene, thought; and, mixed with that thought, was something of irresolution and of great and real sadness.

It is not, as I have before hinted, to be supposed that Constance's lot had been hitherto a proud one, even though she was the most admired beauty of her day; even though she lived with, and received adulation from, the high, and noble, and haughty of her land. Often, in the glittering crowd that she attracted around her, her ear, sharpened by the jealousy and pride of her nature, caught words that dashed the cup of pleasure and of vanity with shame and anger. "What! that the Vernon's daughter? Poor girl! dependent entirely on Lady Erpingham! Ah! she'll take in some rich roturier, I hope."

Such words from ill-tempered dowagers and faded beauties were no unfrequent interruption to her brief-lived and wearisome triumphs. She heard manoeuvring mothers caution their booby sons, whom Constance would have looked into the dust had they dared but to touch her hand, against her untitled and undowried charms. She saw cautious earls, who were all courtesy one night, all coldness another, as some report had reached them accusing their hearts of feeling too deeply her attractions, or, as they themselves suspected, for the first time, that a heart was not a word for a poetical nothing, and that to look on so beautiful and glorious a creature was sufficient to convince them, even yet, of the possibility of emotion. She had felt to the quick the condescending patronage of duchesses and chaperons; the oblique hint; the nice and fine distinction which, in polished circles, divides each grade from the other, and allows you to be galled without the pleasure of feeling justified in offence.

All this, which, in the flush and heyday of youth, and gaiety, and loveliness, would have been unnoticed by other women, rankled deep in the mind of Constance Vernon. The image of her dying father, his complaints, his accusations (the justice of which she never for an instant questioned), rose up before her in the brightest hours of the dance and the revel. She was not one of those women whose meek and gentle nature would fly what wounds them: Constance had resolved to conquer. Despising glitter and gaiety, and show, she burned, she thirsted for power—a power which could retaliate the insults she fancied she had received, and should turn condescension into homage. This object, which every casual word, every heedless glance from another, fixed deeper and deeper in her heart, took a sort of sanctity from the associations with which she linked it—her father's memory and his dying breath.

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