Эдвард Бульвер-Литтон: Godolphin, Volume 6

In Leicester Square there is a dim old house, which I have but this instant visited, in order to bring back more vividly to my recollection the wild and unhappy being who, for some short time, inhabited its old-fashioned and gloomy chambers.

In that house, at the time I now speak of, lodged the mysterious Liehbur. It was late at noon, and she sat alone in her apartment, which was darkened so as to exclude the broad and peering sun. There was no trick, nor sign of the fallacious art she professed, visible in the large and melancholy room. One or two books in the German language lay on the table beside which she sat: but they were of the recent poetry, and not of the departed dogmas, of the genius of that tongue. The enthusiast was alone; and, with her hand supporting her chin, and her eyes fixed on vacancy, she seemed feeding in silence the thoughts that flitted to and fro athwart a brain which had for years lost its certain guide; a deserted mansion, whence the lord had departed, and where spirits not of this common life had taken up their haunted and desolate abode. And never was there a countenance better suited to the character which this singular woman had assumed. Rich, thick, auburn hair was parted loosely over a brow in which the large and full temples would have betrayed to a phrenologist the great preponderance which the dreaming and the imaginative bore over the sterner faculties. Her eyes were deep, intense, but of the bright and wandering glitter which is so powerful in its effect on the beholder, because it betokens that thought which is not of this daily world and inspires that fear, that sadness, that awe, which few have looked on the face of the insane and not experienced. Her features were still noble, and of the fair Greek symmetry of the painter's Sibyl; but the cheeks were worn and hollow, and one bright spot alone broke their marble paleness; her lips were, however, full, and yet red, and by their uncertain and varying play, gave frequent glimpses of teeth lustrously white; which, while completing the beauty of her face, aided—with somewhat of a fearful effect—the burning light of her strange eyes, and the vague, mystic expression of her abrupt and unjoyous smile. You might see when her features were, as now, in a momentary repose, that her health was broken, and that she was not long sentenced to wander over that world where the soul had already ceased to find its home; but the instant she spoke, her colour deepened, and the brilliant and rapid alternations of her countenance deceived the eye, and concealed the ravages of the worm that preyed within.

"Yes," said she, at last breaking silence, and soliloquising in the English tongue, but with somewhat of a foreign accent; "yes, I am in his city; within a few paces of his home; I have seen him, I have heard him. Night after night—in rain, and in the teeth of the biting winds, I have wandered round his home. Ay! and I could have raised my voice, and shrieked a warning and a prophecy, that should have startled him from his sleep as the trumpet of the last angel! but I hushed the sound within my soul, and covered the vision with a thick silence. O God! what have I seen, and felt, and known, since he last saw me! But we shall meet again; and ere the year has rolled round, I shall feel the touch of his lips and die! Die! what calmness, what luxury in the word! The fiery burthen of this dread knowledge I have heaped upon me, shuffled off; memory no more; the past, the present, the future exorcised; and a long sleep, with bright dreams of a lulling sky, and a silver voice, and his presence!"

The door opened, and a black girl of about ten years old, in the costume of her Moorish tribe, announced the arrival of a new visitor. The countenance of Madame Liehbur changed at once into an expression of cold and settled calmness; she ordered the visitor to be admitted; and presently, Stainforth Radclyffe entered the room.

"Thou mistakest me and my lore," said the diviner; "I meddle not with the tricks and schemes of the worldly; I show the truth, not garble it."

"Pshaw!" said Radclyffe, impatiently; "this jargon cannot deceive me. You exhibit your skill for money. I ask one exertion of it, and desire you to name your reward. Let us talk after the fashion of this world, and leave that of the other to our dupes."

"Yet, thou hast known grief too," said the diviner, musingly, "and those who have sorrowed ought to judge more gently of each other. Wilt thou try my art on thyself, ere thou askest it for others?"

"Ay, if you could restore the dead to my dreams."

"I can!" replied the soothsayer, sternly.

Radclyffe laughed bitterly. "Away with this talk to me; or, if you would convince me, raise at once the spectre I desire to see!"

"And dost thou think, vain man," replied Liehbur, haughtily, "that I pretend to the power thou speakest of? Yes; but not as the impostors of old (dull and gross, appealing to outward spells, and spells wrought by themselves alone) affected to do. I can bring the dead before thee, but thou thyself must act upon thyself."

"Mummery! What would you drive at?"

"Wilt thou fast three days, and for three nights abstain from sleep, and then visit me once again?"

"No, fair deluder; such a preliminary is too much to ask of a Neophyte. Three days without food, and three nights without sleep! Why, you would have to raise myself from the dead!"

"And canst thou," said the diviner, with great dignity, "canst thou hope that thou wouldst be worthy of a revelation from a higher world—that for thee the keys of the grave should unlock their awful treasure, and the dead return to life, when thou scruplest to mortify thy flesh and. loosen the earthly bonds that cumber and chain the spirit? I tell thee, that only as the soul detaches itself from the frame, can its inner and purer sense awaken, and the full consciousness of the invisible and divine things that surround it descend upon its powers."

"And what," said Radclyffe, startled more by the countenance and voice than the words themselves of the soothsayer; "what would you then do, supposing that I perform this penance?"

"Awaken to their utmost sense, even to pain and torture, the naked nerves of that Great Power thou callest the Imagination; that Power which presides over dreams and visions, which kindles song, and lives in the heart of Melodies; which inspired the Magian of the East and the Pythian voices—and, in the storms and thunder of savage lands originated the notion of a God and the seeds of human worship; that vast presiding Power which, to the things of mind, is what the Deity is to the Universe itself—the creator of all. I would awaken, I say, that Power from its customary sleep where, buried in the heart, it folds its wings, and lives but by fits and starts, unquiet, but unaroused; and by that Power thou wouldst see, and feel, and know, and through it only thou wouldst exist. So that it would be with thee, as if the body were not: as if thou wert already all-spiritual, all-living. So thou wouldst learn in life that which may be open to thee after death; and so, soul might now, as hereafter, converse with soul, and revoke the Past, and sail prescient down the dark tides of the Future. A brief and fleeting privilege, but dearly purchased: be wise, and disbelieve in it; be happy, and reject it!"

Radclyffe was impressed, despite himself, by the solemn novelty of this language, and the deep mournfulness with which the soothsayer's last sentence died away.

"And how," said he, after a pause, "how, and by what arts would you so awaken the imaginative faculty?"