Grant Allen - An African Millionaire - Episodes in the Life of the Illustrious Colonel Clay

Dr. Polperro, in spite of his too pronouncedly artistic talk, proved on closer view a most agreeable companion. He diversified his art cleverly with anecdotes and scandals; he told us exactly which famous painters had married their cooks, and which had only married their models; and otherwise showed himself a most diverting talker. Among other things, however, he happened to mention once that he had recently discovered a genuine Rembrandt—a quite undoubted Rembrandt, which had remained for years in the keeping of a certain obscure Dutch family. It had always been allowed to be a masterpiece of the painter, but it had seldom been seen for the last half-century save by a few intimate acquaintances. It was a portrait of one Maria Vanrenen of Haarlem, and he had bought it of her descendants at Gouda, in Holland.

I saw Charles prick up his ears, though he took no open notice. This Maria Vanrenen, as it happened, was a remote collateral ancestress of the Vandrifts, before they emigrated to the Cape in 1780; and the existence of the portrait, though not its whereabouts, was well known in the family. Isabel had often mentioned it. If it was to be had at anything like a reasonable price, it would be a splendid thing for the boys (Sir Charles, I ought to say, has two sons at Eton) to possess an undoubted portrait of an ancestress by Rembrandt.

Dr. Polperro talked a good deal after that about this valuable find. He had tried to sell it at first to the National Gallery; but though the Directors admired the work immensely, and admitted its genuineness, they regretted that the funds at their disposal this year did not permit them to acquire so important a canvas at a proper figure. South Kensington again was too poor; but the Doctor was in treaty at present with the Louvre and with Berlin. Still, it was a pity a fine work of art like that, once brought into the country, should be allowed to go out of it. Some patriotic patron of the fine arts ought to buy it for his own house, or else munificently present it to the nation.

All the time Charles said nothing. But I could feel him cogitating. He even looked behind him once, near a difficult corner (while the guard was actually engaged in tootling his horn to let passers-by know that the coach was coming), and gave Amelia a warning glance to say nothing committing, which had at once the requisite effect of sealing her mouth for the moment. It is a very unusual thing for Charles to look back while driving. I gathered from his doing so that he was inordinately anxious to possess this Rembrandt.

When we arrived at Lewes we put up our horses at the inn, and Charles ordered a lunch on his wonted scale of princely magnificence. Meanwhile we wandered, two and two, about the town and castle. I annexed Lady Belleisle, who is at least amusing. Charles drew me aside before starting. "Look here, Sey," he said, "we must be very careful. This man, Polperro, is a chance acquaintance. There's nothing an astute rogue can take one in over more easily than an Old Master. If the Rembrandt is genuine I ought to have it; if it really represents Maria Vanrenen, it's a duty I owe to the boys to buy it. But I've been done twice lately, and I won't be done a third time. We must go to work cautiously."

"You are right," I answered. "No more seers and curates!"

"If this man's an impostor," Charles went on—"and in spite of what he says about the National Gallery and so forth, we know nothing of him—the story he tells is just the sort of one such a fellow would trump up in a moment to deceive me. He could easily learn who I was—I'm a well-known figure; he knew I was in Brighton, and he may have been sitting on that glass seat on Sunday on purpose to entrap me."

"He introduced your name," I said, "and the moment he found out who I was he plunged into talk with me."

"Yes," Charles continued. "He may have learned about the portrait of Maria Vanrenen, which my grandmother always said was preserved at Gouda; and, indeed, I myself have often mentioned it, as you doubtless remember. If so, what more natural, say, for a rogue than to begin talking about the portrait in that innocent way to Amelia? If he wants a Rembrandt, I believe they can be turned out to order to any amount in Birmingham. The moral of all which is, it behoves us to be careful."

"Right you are," I answered; "and I am keeping my eye upon him."

We drove back by another road, overshadowed by beech-trees in autumnal gold. It was a delightful excursion. Dr. Polperro's heart was elated by lunch and the excellent dry Monopole. He talked amazingly. I never heard a man with a greater or more varied flow of anecdote. He had been everywhere and knew all about everybody. Amelia booked him at once for her "At Home" on Wednesday week, and he promised to introduce her to several artistic and literary celebrities.

That evening, however, about half-past seven, Charles and I strolled out together on the King's Road for a blow before dinner. We dine at eight. The air was delicious. We passed a small new hotel, very smart and exclusive, with a big bow window. There, in evening dress, lights burning and blind up, sat our friend, Dr. Polperro, with a lady facing him, young, graceful, and pretty. A bottle of champagne stood open before him. He was helping himself plentifully to hot-house grapes, and full of good humour. It was clear he and the lady were occupied in the intense enjoyment of some capital joke; for they looked queerly at one another, and burst now and again into merry peals of laughter.

I drew back. So did Sir Charles. One idea passed at once through both our minds. I murmured, "Colonel Clay!" He answered, " and Madame Picardet!"

They were not in the least like the Reverend Richard and Mrs. Brabazon. But that clinched the matter. Nor did I see a sign of the aquiline nose of the Mexican Seer. Still, I had learnt by then to discount appearances. If these were indeed the famous sharper and his wife or accomplice, we must be very careful. We were forewarned this time. Supposing he had the audacity to try a third trick of the sort upon us we had him under our thumbs. Only, we must take steps to prevent his dexterously slipping through our fingers.

"He can wriggle like an eel," said the Commissary at Nice. We both recalled those words, and laid our plans deep to prevent the man's wriggling away from us on this third occasion.

"I tell you what it is, Sey," my brother-in-law said, with impressive slowness. "This time we must deliberately lay ourselves out to be swindled. We must propose of our own accord to buy the picture, making him guarantee it in writing as a genuine Rembrandt, and taking care to tie him down by most stringent conditions. But we must seem at the same time to be unsuspicious and innocent as babes; we must swallow whole whatever lies he tells us; pay his price—nominally—by cheque for the portrait; and then, arrest him the moment the bargain is complete, with the proofs of his guilt then and there upon him. Of course, what he'll try to do will be to vanish into thin air at once, as he did at Nice and Paris; but, this time, we'll have the police in waiting and everything ready. We'll avoid precipitancy, but we'll avoid delay too. We must hold our hands off till he's actually accepted and pocketed the money; and then, we must nab him instantly, and walk him off to the local Bow Street. That's my plan of campaign. Meanwhile, we should appear all trustful innocence and confiding guilelessness."

In pursuance of this well-laid scheme, we called next day on Dr. Polperro at his hotel, and were introduced to his wife, a dainty little woman, in whom we affected not to recognise that arch Madame Picardet or that simple White Heather. The Doctor talked charmingly (as usual) about art—what a well-informed rascal he was, to be sure!—and Sir Charles expressed some interest in the supposed Rembrandt. Our new friend was delighted; we could see by his well-suppressed eagerness of tone that he knew us at once for probable purchasers. He would run up to town next day, he said, and bring down the portrait. And in effect, when Charles and I took our wonted places in the Pullman next morning, on our way up to the half-yearly meeting of Cloetedorp Golcondas, there was our Doctor, leaning back in his arm-chair as if the car belonged to him. Charles gave me an expressive look. "Does it in style," he whispered, "doesn't he? Takes it out of my five thousand; or discounts the amount he means to chouse me of with his spurious Rembrandt."