Georg Ebers - The Sisters. Volume 1

On the wide, desert plain of the Necropolis of Memphis stands the extensive and stately pile of masonry which constitutes the Greek temple of Serapis; by its side are the smaller sanctuaries of Asclepios, of Anubis and of Astarte, and a row of long, low houses, built of unburnt bricks, stretches away behind them as a troop of beggar children might follow in the train of some splendidly attired king.

The more dazzlingly brilliant the smooth, yellow sandstone walls of the temple appear in the light of the morning sun, the more squalid and mean do the dingy houses look as they crouch in the outskirts. When the winds blow round them and the hot sunbeams fall upon them, the dust rises from them in clouds as from a dry path swept by the gale. Even the rooms inside are never plastered, and as the bricks are of dried Nile-mud mixed with chopped straw, of which the sharp little ends stick out from the wall in every direction, the surface is as disagreeable to touch as it is unpleasing to look at. When they were first built on the ground between the temple itself and the wall which encloses the precincts, and which, on the eastern side, divides the acacia-grove of Serapis in half, they were concealed from the votaries visiting the temple by the back wall of a colonnade on the eastern side of the great forecourt; but a portion of this colonnade has now fallen down, and through the breach, part of these modest structures are plainly visible with their doors and windows opening towards the sanctuary—or, to speak more accurately, certain rudely constructed openings for looking out of or for entering by. Where there is a door there is no window, and where a gap in the wall serves for a window, a door is dispensed with; none of the chambers, however, of this long row of low one-storied buildings communicate with each other.

A narrow and well-trodden path leads through the breach in the wall; the pebbles are thickly strewn with brown dust, and the footway leads past quantities of blocks of stone and portions of columns destined for the construction of a new building which seems only to have been intermitted the night before, for mallets and levers lie on and near the various materials. This path leads directly to the little brick houses, and ends at a small closed wooden door so roughly joined and so ill-hung that between it and the threshold, which is only raised a few inches above the ground, a fine gray cat contrives to squeeze herself through by putting down her head and rubbing through the dust. As soon as she finds herself once more erect on her four legs she proceeds to clean and smooth her ruffled fur, putting up her back, and glancing with gleaming eyes at the house she has just left, behind which at this moment the sun is rising; blinded by its bright rays she turns away and goes on with cautious and silent tread into the court of the temple.

The hovel out of which pussy has crept is small and barely furnished; it would be perfectly dark too, but that the holes in the roof and the rift in the door admit light into this most squalid room. There is nothing standing against its rough gray walls but a wooden chest, near this a few earthen bowls stand on the ground with a wooden cup and a gracefully wrought jug of pure and shining gold, which looks strangely out of place among such humble accessories. Quite in the background lie two mats of woven bast, each covered with a sheepskin. These are the beds of the two girls who inhabit the room, one of whom is now sitting on a low stool made of palm-branches, and she yawns as she begins to arrange her long and shining brown hair. She is not particularly skilful and even less patient over this not very easy task, and presently, when a fresh tangle checks the horn comb with which she is dressing it, she tosses the comb on to the couch. She has not pulled it through her hair with any haste nor with much force, but she shuts her eyes so tightly and sets her white teeth so firmly in her red dewy lip that it might be supposed that she had hurt herself very much.

A shuffling step is now audible outside the door; she opens wide her tawny-hazel eyes, that have a look of gazing on the world in surprise, a smile parts her lips and her whole aspect is as completely changed as that of a butterfly which escapes from the shade into the sunshine where the bright beams are reflected in the metallic lustre of its wings.

A hasty hand knocks at the ill-hung door, so roughly that it trembles on its hinges, and the instant after a wooden trencher is shoved in through the wide chink by which the cat made her escape; on it are a thin round cake of bread and a shallow earthen saucer containing a little olive-oil; there is no more than might perhaps be contained in half an ordinary egg- shell, but it looks fresh and sweet, and shines in clear, golden purity. The girl goes to the door, pulls in the platter, and, as she measures the allowance with a glance, exclaims half in lament and half in reproach:

"So little! and is that for both of us?"

As she speaks her expressive features have changed again and her flashing eyes are directed towards the door with a glance of as much dismay as though the sun and stars had been suddenly extinguished; and yet her only grief is the smallness of the loaf, which certainly is hardly large enough to stay the hunger of one young creature—and two must share it; what is a mere nothing in one man's life, to another may be of great consequence and of terrible significance.

The reproachful complaint is heard by the messenger outside the door, for the old woman who shoved in the trencher over the threshold answers quickly but not crossly.

"Nothing more to-day, Irene."

"It is disgraceful," cries the girl, her eyes filling with tears, "every day the loaf grows smaller, and if we were sparrows we should not have enough to satisfy us. You know what is due to us and I will never cease to complain and petition. Serapion shall draw up a fresh address for us, and when the king knows how shamefully we are treated—"

"Aye! when he knows," interrupted the old woman. But the cry of the poor is tossed about by many winds before it reaches the king's ear. I might find a shorter way than that for you and your sister if fasting comes so much amiss to you. Girls with faces like hers and yours, my little Irene, need never come to want."

"And pray what is my face like?" asked the girl, and her pretty features once more seemed to catch a gleam of sunshine.

"Why, so handsome that you may always venture to show it beside your sister's; and yesterday, in the procession, the great Roman sitting by the queen looked as often at her as at Cleopatra herself. If you had been there too he would not have had a glance for the queen, for you are a pretty thing, as I can tell you. And there are many girls would sooner hear those words then have a whole loaf—besides you have a mirror I suppose, look in that next time you are hungry."

The old woman's shuffling steps retreated again and the girl snatched up the golden jar, opened the door a little way to let in the daylight and looked at herself in the bright surface; but the curve of the costly vase showed her features all distorted, and she gaily breathed on the hideous travestie that met her eyes, so that it was all blurred out by the moisture. Then she smilingly put down the jar, and opening the chest took from it a small metal mirror into which she looked again and yet again, arranging her shining hair first in one way and then in another; and she only laid it down when she remembered a certain bunch of violets which had attracted her attention when she first woke, and which must have been placed in their saucer of water by her sister some time the day before. Without pausing to consider she took up the softly scented blossoms, dried their green stems on her dress, took up the mirror again and stuck the flowers in her hair.