Michael Crichton - The Great Train Robbery

The return trip, against the blast of the wind, was much slower. And he was further burdened by the parcel of Agar's clothing, which he clutched to his chest, leaving only one hand free to grip the roofing as he crawled forward along the length of the train. His progress was agonizingly slow. Within minutes he realized that he was going to miss his intended schedule, and badly. He would still be crawling along the rooftops when the train reached Ashford Station; and then he would be spotted, and the jig would be up.

Pierce had a moment of profound rage that this final step in the plan should be, in the end, the only thing to go irretrievably wrong. The fact that the error was entirely his own doing merely increased his fury. He gripped the pitching, swaying carnage roof and swore into the wind, but the blast of air was so loud he did not hear his own voice.

He knew, of course, what he must do, but he did not think about it. He continued forward as best he could. He was midway along the fourth of the seven second-class carriages when he felt the train begin to slow beneath him. The whistle screamed.

Squinting ahead, he saw Ashford Station, a tiny red rectangle with a gray roof in the far distance. He could not make out any details, but he knew that in less than a minute the train would be near enough that passengers on the platform could see him on the roof. For a brief moment, he wondered what they would think if they did see him, and then he got up and ran, sprinting forward, leaping from one car to the next without hesitation, half blinded by the smoke that poured from the engine funnel back toward him.

Somehow he made it safely to the first-class coach, swung down, opened the door, dropped into his compartment, and immediately pulled the blinds. The train was now chugging very slowly, and as Pierce collapsed into his seat he heard the hiss of the brakes and the porter's cry: "Ashford Station… Ashford… Ashford…"

Pierce sighed.

They had done it.

Twenty-seven minutes later, the train arrived at Folkestone, the end of the South Eastern Railway line, and all the passengers disembarked. Pierce emerged from his compartment, appearing, he said, "far better than I deserved, but far from sartorial correctness, to put it lightly."

Although he had hastily employed handkerchief and spittle to clean his face and hands, he had discovered the soot and grime on his flesh to be most recalcitrant. As he had no mirror, he could only guess at the condition of his face, but his hands were no cleaner than a kind of pale gray. Furthermore, he suspected that his sandy-colored hair was now a good deal darker than previously, and he was grateful that most of it would be covered by his top hat.

But except for the top hat, all his clothing fitted poorly. Even in an age when most people's clothing fitted poorly, Pierce felt himself especially noticeable. The trousers were almost two inches short of an acceptable length, and the cut of the coat, although elegant enough, was of the extreme and showy fashion that true gentlemen of breeding avoided as indecently nouveau riche. And, of course, he reeked of dead cat.

Thus Pierce stepped out onto the crowded Folkestone platform with an inner dread. He knew that most observers would put down his appearance as a sham: it was common enough for men who aspired to be gentlemen to obtain secondhand goods, which they wore proudly, oblivious to the ill fit of the garments. But Pierce was all too aware that Henry Fowler, whose entire conscious being was attuned to the nuances of social standing, would spot the peculiarity of Pierce's appearance in an instant, and would wonder what was amiss. He would almost certainly realize that Pierce had changed clothing for some reason during the ride, and he would wonder about that as well.

Pierce's only hope lay in keeping his distance from Fowler. He planned, if he could, to make off with a distant wave of goodbye, and an air of pressing business that precluded social amenities. Fowler would certainly understand a man who looked after business first. And, from a distance, with the intervening throng of people, Pierce's bizarre dress might possibly escape his eye.

As it happened, Fowler came charging through the crowd before Pierce could spot him. Fowler had the woman beside him, and he did not look happy.

"Now, Edward," Fowler began crisply, "I should be forever in your debt if you would--" He broke off, and his mouth fell open.

Dear God, Pierce thought. It's finished.

"Edward," Fowler said, staring at his friend in astonishment.

Pierce's mind was working fast, trying to anticipate questions, trying to come up with answers; he felt himself break into a sweat.

"Edward, my dear fellow, you look terrible."

"I know," Pierce began, "you see--"

"You look ghastly near to death itself. Why, you are positively gray as a corpse. When you told me you suffered from trains, I hardly imagined… Are you all right?"

"I believe so," Pierce said, with a heartfelt sigh. "I expect I shall be much improved after I dine."

"Dine? Yes, of course, you must dine at once, and take a draught of brandy, too. Your circulation is sluggish, from the look of you. I should join you myself, but-- ah, I see they are now unloading the gold which is my deep responsibility. Edward, can you excuse me? Are you truly well?"

"I appreciate your concern," Pierce began, "and--"

"Perhaps I can help him," the girl said.

"Oh, capital idea," Fowler said. "Most splendid. Splendid. She's a charmer, Edward, and I leave her to you." Fowler gave him a queer look at this last comment, and then he hurried off down the platform toward the luggage van, turning back once to call, "Remember, a good strong draught of brandy's the thing." And then he was gone.

Pierce gave an enormous sigh, and turned to the girl "How could he miss my clothes?"

"You should see your countenance," she said. "You look horrible." She glanced at his clothes. "And I see you've a dead man's dunnage."

"Mine were torn by the wind."

"Then you have done the pull?"

Pierce only grinned.

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Pierce left the station shortly before noon. The girl, Brigid Lawson, remained behind to supervise the loading of her brother's coffin onto a cab. Much to the irritation of the porters, she turned down several waiting cabs at the station, claiming she had made arrangements in advance for a particular one.

The cab did not arrive until after one o'clock. The driver, an ugly massive brute with a scar across his forehead, helped with the loading, then whipped up the horses and galloped away. No one noticed when, at the end of the street, the cab halted to pick up another passenger, an ashen-colored gentleman in ill-fitting clothes. Then the cab rattled off, and disappeared from sight.

____________________

By noon, the strongboxes of the Huddleston amp; Bradford Bank had been transferred, under armed guard, from the Folkestone railway station to the Channel steamer, which made the crossing to Ostend in four hours. Allowing for the Continental time change, it was 5 pm. when French customs officials signed the requisite forms and took possession of the strongboxes. These were then transported, under armed guard, to the Ostend railway terminus for shipment to Paris by train the following morning.

On the morning of May 23rd, French representatives of the bank of Louis Bonnard et Fils arrived at Ostend to open the strongboxes and verify their contents, prior to placing them aboard the nine o'clock train to Paris.

Thus, at about 8:15 a.m. on May 23rd, it was discovered that the strongboxes contained a large quantity of lead shot, sewn into individual cloth packets, and no gold at all.

This astounding development was immediately reported to London by telegraph, and the message reached Huddleston amp; Bradford's Westminster offices shortly after 10 a.m. Immediately, it provoked the most profound consternation in that firm's brief but respectable history, and the furor did not abate for months to come.