Honoré Balzac - Domestic Peace

The incident recorded in this sketch took place towards the end of the month of November, 1809, the moment when Napoleon’s fugitive empire attained the apogee of its splendor. The trumpet-blasts of Wagram were still sounding an echo in the heart of the Austrian monarchy. Peace was being signed between France and the Coalition. Kings and princes came to perform their orbits, like stars, round Napoleon, who gave himself the pleasure of dragging all Europe in his train – a magnificent experiment in the power he afterwards displayed at Dresden. Never, as contemporaries tell us, did Paris see entertainments more superb than those which preceded and followed the sovereign’s marriage with an Austrian archduchess. Never, in the most splendid days of the Monarchy, had so many crowned heads thronged the shores of the Seine, never had the French aristocracy been so rich or so splendid. The diamonds lavishly scattered over the women’s dresses, and the gold and silver embroidery on the uniforms contrasted so strongly with the penury of the Republic, that the wealth of the globe seemed to be rolling through the drawing-rooms of Paris. Intoxication seemed to have turned the brains of this Empire of a day. All the military, not excepting their chief, reveled like parvenus in the treasure conquered for them by a million men with worsted epaulettes, whose demands were satisfied by a few yards of red ribbon.

At this time most women affected that lightness of conduct and facility of morals which distinguished the reign of Louis XV. Whether it were in imitation of the tone of the fallen monarchy, or because certain members of the Imperial family had set the example – as certain malcontents of the Faubourg Saint-Germain chose to say – it is certain that men and women alike flung themselves into a life of pleasure with an intrepidity which seemed to forbode the end of the world. But there was at that time another cause for such license. The infatuation of women for the military became a frenzy, and was too consonant to the Emperor’s views for him to try to check it. The frequent calls to arms, which gave every treaty concluded between Napoleon and the rest of Europe the character of an armistice, left every passion open to a termination as sudden as the decisions of the Commander-in-chief of all these busbys, pelisses, and aiguillettes, which so fascinated the fair sex. Hearts were as nomadic as the regiments. Between the first and fifth bulletins from the Grand Armee a woman might be in succession mistress, wife, mother, and widow.

Was it the prospect of early widowhood, the hope of a jointure, or that of bearing a name promised to history, which made the soldiers so attractive? Were women drawn to them by the certainty that the secret of their passions would be buried on the field of battle? or may we find the reason of this gentle fanaticism in the noble charm that courage has for a woman? Perhaps all these reasons, which the future historian of the manners of the Empire will no doubt amuse himself by weighing, counted for something in their facile readiness to abandon themselves to love intrigues. Be that as it may, it must here be confessed that at that time laurels hid many errors, women showed an ardent preference for the brave adventurers, whom they regarded as the true fount of honor, wealth, or pleasure; and in the eyes of young girls, an epaulette – the hieroglyphic of a future – signified happiness and liberty.

One feature, and a characteristic one, of this unique period in our history was an unbridled mania for everything glittering. Never were fireworks so much in vogue, never were diamonds so highly prized. The men, as greedy as the women of these translucent pebbles, displayed them no less lavishly. Possibly the necessity for carrying plunder in the most portable form made gems the fashion in the army. A man was not ridiculous then, as he would be now, if his shirt-frill or his fingers blazed with large diamonds. Murat, an Oriental by nature, set the example of preposterous luxury to modern soldiers.

The Comte de Gondreville, formerly known as Citizen Malin, whose elevation had made him famous, having become a Lucullus of the Conservative Senate, which “conserved” nothing, had postponed an entertainment in honor of the peace only that he might the better pay his court to Napoleon by his efforts to eclipse those flatterers who had been before-hand with him. The ambassadors from all the Powers friendly with France, with an eye to favors to come, the most important personages of the Empire, and even a few princes, were at this hour assembled in the wealthy senator’s drawing-rooms. Dancing flagged; every one was watching for the Emperor, whose presence the Count had promised his guests. And Napoleon would have kept his word but for the scene which had broken out that very evening between him and Josephine – the scene which portended the impending divorce of the august pair. The report of this incident, at the time kept very secret, but recorded by history, did not reach the ears of the courtiers, and had no effect on the gaiety of Comte de Gondreville’s party beyond keeping Napoleon away.

The prettiest women in Paris, eager to be at the Count’s on the strength of mere hearsay, at this moment were a besieging force of luxury, coquettishness, elegance, and beauty. The financial world, proud of its riches, challenged the splendor of the generals and high officials of the Empire, so recently gorged with orders, titles, and honors. These grand balls were always an opportunity seized upon by wealthy families for introducing their heiresses to Napoleon’s Praetorian Guard, in the foolish hope of exchanging their splendid fortunes for uncertain favors. The women who believed themselves strong enough in their beauty alone came to test their power. There, as elsewhere, amusement was but a blind. Calm and smiling faces and placid brows covered sordid interests, expressions of friendship were a lie, and more than one man was less distrustful of his enemies than of his friends.

These remarks are necessary to explain the incidents of the little imbroglio which is the subject of this study, and the picture, softened as it is, of the tone then dominant in Paris drawing-rooms.

“Turn your eyes a little towards the pedestal supporting that candelabrum – do you see a young lady with her hair drawn back a la Chinoise ! – There, in the corner to the left; she has bluebells in the knot of chestnut curls which fall in clusters on her head. Do not you see her? She is so pale you might fancy she was ill, delicate-looking, and very small; there – now she is turning her head this way; her almond-shaped blue eyes, so delightfully soft, look as if they were made expressly for tears. Look, look! She is bending forward to see Madame de Vaudremont below the crowd of heads in constant motion; the high head-dresses prevent her having a clear view.”

“I see her now, my dear fellow. You had only to say that she had the whitest skin of all the women here; I should have known whom you meant. I had noticed her before; she has the loveliest complexion I ever admired. From hence I defy you to see against her throat the pearls between the sapphires of her necklace. But she is a prude or a coquette, for the tucker of her bodice scarcely lets one suspect the beauty of her bust. What shoulders! what lily-whiteness!”

“Who is she?” asked the first speaker.

“Ah! that I do not know.”

“Aristocrat! – Do you want to keep them all to yourself, Montcornet?”

“You of all men to banter me!” replied Montcornet, with a smile. “Do you think you have a right to insult a poor general like me because, being a happy rival of Soulanges, you cannot even turn on your heel without alarming Madame de Vaudremont? Or is it because I came only a month ago into the Promised Land? How insolent you can be, you men in office, who sit glued to your chairs while we are dodging shot and shell! Come, Monsieur le Maitre des Requetes, allow us to glean in the field of which you can only have precarious possession from the moment when we evacuate it. The deuce is in it! We have a right to live! My good friend, if you knew the German women, you would, I believe, do me a good turn with the Parisian you love best.”