Роберт Стивенсон - The Letters of Robert Louis Stevenson — Volume 2

God knows where I am driving to. But here comes my lunch.

Which interruption, happily for you, seems to have stayed the issue. I have now nothing to say, that had formerly such a pressure of twaddle. Pray don't fail to come this summer. It will be a great disappointment, now it has been spoken of, if you do. — Yours ever,

Letter: TO W. H. LOW

MY DEAR LOW, — This is the most enchanting picture. Now understand my state: I am really an invalid, but of a mysterious order. I might be a MALADE IMAGINAIRE, but for one too tangible symptom, my tendency to bleed from the lungs. If we could go, (1ST) We must have money enough to travel with LEISURE AND COMFORT — especially the first. (2ND) You must be prepared for a comrade who would go to bed some part of every day and often stay silent (3RD) You would have to play the part of a thoughtful courier, sparing me fatigue, looking out that my bed was warmed, etc. (4TH) If you are very nervous, you must recollect a bad haemorrhage is always on the cards, with its concomitants of anxiety and horror for those who are beside me.

Do you blench? If so, let us say no more about it.

If you are still unafraid, and the money were forthcoming, I believe the trip might do me good, and I feel sure that, working together, we might produce a fine book. The Rhone is the river of Angels. I adore it: have adored it since I was twelve, and first saw it from the train.

Lastly, it would depend on how I keep from now on. I have stood the winter hitherto with some credit, but the dreadful weather still continues, and I cannot holloa till I am through the wood.

Subject to these numerous and gloomy provisos, I embrace the prospect with glorious feelings.

I write this from bed, snow pouring without, and no circumstance of pleasure except your letter. That, however, counts for much. I am glad you liked the doggerel: I have already had a liberal cheque, over which I licked my fingers with a sound conscience. I had not meant to make money by these stumbling feet, but if it comes, it is only too welcome in my handsome but impecunious house.

Let me know soon what is to be expected — as far as it does not hang by that inconstant quantity, my want of health. Remember me to Madam with the best thanks and wishes; and believe me your friend,

Letter: TO MRS. FLEEMING JENKIN

MY DEAR MRS. JENKIN, — I try to tell myself it is good nature, but

I know it is vanity that makes me write.

I have drafted the first part of Chapter VI., Fleeming and his friends, his influence on me, his views on religion and literature, his part at the Savile; it should boil down to about ten pages, and I really do think it admirably good. It has so much evoked Fleeming for myself that I found my conscience stirred just as it used to be after a serious talk with him: surely that means it is good? I had to write and tell you, being alone.

I have excellent news of Fanny, who is much better for the change. My father is still very yellow, and very old, and very weak, but yesterday he seemed happier, and smiled, and followed what was said; even laughed, I think. When he came away, he said to me, 'Take care of yourself, my dearie,' which had a strange sound of childish days, and will not leave my mind.

You must get Litolf's GAVOTTES CELEBRES: I have made another trover there: a musette of Lully's. The second part of it I have not yet got the hang of; but the first — only a few bars! The gavotte is beautiful and pretty hard, I think, and very much of the period; and at the end of it, this musette enters with the most really thrilling effect of simple beauty. O — it's first-rate. I am quite mad over it. If you find other books containing Lully, Rameau, Martini, please let me know; also you might tell me, you who know Bach, where the easiest is to be found. I write all morning, come down, and never leave the piano till about five; write letters, dine, get down again about eight, and never leave the piano till I go to bed. This is a fine life. — Yours most sincerely,

If you get the musette (Lully's), please tell me if I am right, and it was probably written for strings. Anyway, it is as neat as — as neat as Bach — on the piano; or seems so to my ignorance.

I play much of the Rigadoon but it is strange, it don't come off

QUITE so well with me!

[Musical score which cannot be reproduced]

There is the first part of the musette copied (from memory, so I hope there's nothing wrong). Is it not angelic? But it ought, of course, to have the gavotte before. The gavotte is in G, and ends on the keynote thus (if I remember): -

[Musical score which cannot be reproduced]

staccato, I think. Then you sail into the musette.

N.B. — Where I have put an 'A,' is that a dominant eleventh, or what? or just a seventh on the D? and if the latter, is that allowed? It sounds very funny. Never mind all my questions; if I begin about music (which is my leading ignorance and curiosity), I have always to babble questions: all my friends know me now, and take no notice whatever. The whole piece is marked allegro; but surely could easily be played too fast? The dignity must not be lost; the periwig feeling.

Letter: TO THOMAS STEVENSON

MY DEAR FATHER, — The David problem has to-day been decided. I am to leave the door open for a sequel if the public take to it, and this will save me from butchering a lot of good material to no purpose. Your letter from Carlisle was pretty like yourself, sir, as I was pleased to see; the hand of Jekyll, not the hand of Hyde. I am for action quite unfit, and even a letter is beyond me; so pray take these scraps at a vast deal more than their intrinsic worth. I am in great spirits about David, Colvin agreeing with Henley, Fanny, and myself in thinking it far the most human of my labours hitherto. As to whether the long-eared British public may take to it, all think it more than doubtful; I wish they would, for I could do a second volume with ease and pleasure, and Colvin thinks it sin and folly to throw away David and Alan Breck upon so small a field as this one. — Ever your affectionate son,

Letter: TO MRS. FLEEMING JENKIN

MY DEAR MRS. JENKIN, — It is I know not what hour of the night; but

I cannot sleep, have lit the gas, and here goes.

First, all your packet arrived: I have dipped into the Schumann already with great pleasure. Surely, in what concerns us there is a sweet little chirrup; the GOOD WORDS arrived in the morning just when I needed it, and the famous notes that I had lost were recovered also in the nick of time.

And now I am going to bother you with my affairs: premising, first, that this is PRIVATE; second, that whatever I do the LIFE shall be done first, and I am getting on with it well; and third, that I do not quite know why I consult you, but something tells me you will hear with fairness.

Here is my problem. The Curtin women are still miserable prisoners; no one dare buy their farm of them, all the manhood of England and the world stands aghast before a threat of murder. (1) Now, my work can be done anywhere; hence I can take up without loss a back-going Irish farm, and live on, though not (as I had originally written) in it: First Reason. (2) If I should be killed, there are a good many who would feel it: writers are so much in the public eye, that a writer being murdered would attract attention, throw a bull's-eye light upon this cowardly business: Second Reason. (3) I am not unknown in the States, from which the funds come that pay for these brutalities: to some faint extent, my death (if I should be killed) would tell there: Third Reason. (4) NOBODY ELSE IS TAKING UP THIS OBVIOUS AND CRYING DULY: Fourth Reason. (5) I have a crazy health and may die at any moment, my life is of no purchase in an insurance office, it is the less account to husband it, and the business of husbanding a life is dreary and demoralising: Fifth Reason.