Émile Zola - Abbe Mouret's Transgression

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‘Let us make haste, be quick!’ he exclaimed, clapping his hands lightly.

‘Goodness knows I would rather be in my bed,’ grumbled La Teuse. ‘It’s not so easy as you think to fasten all these bits of stuff.’

Finally, however, she succeeded in setting some lofty plumes of foliage between the candlesticks. Next she folded the steps, which were laid behind the high altar by Catherine. And then she only had to arrange two clumps of greenery at the sides of the altar table. The last boughs sufficed for this, and indeed there were some left which the girls strewed over the sanctuary floor up to the wooden rails. The Lady altar now looked like a grove, a shrubbery with a verdant lawn before it.

At present La Teuse was willing to make way for Abbe Mouret, who ascended the altar steps, and, again lightly clapping his hands, exclaimed: ‘Young ladies, to-morrow we will continue the devotions of the month of Mary. Those who may be unable to come ought at least to say their Rosary at home.’

He knelt, and the peasant girls, with a mighty rustle of skirts, sank down and settled themselves on their heels. They followed his prayer with a confused muttering, through which burst here and there a giggle. One of them, on being pinched from behind, burst into a scream, which she attempted to stifle with a sudden fit of coughing; and this so diverted the others that for a moment after the Amen they remained writhing with merriment, their noses close to the stone flags.

La Teuse dismissed them; while the priest, after crossing himself, remained absorbed before the altar, no longer hearing what went on behind him.

‘Come, now, clear out,’ muttered the old woman. ‘You’re a pack of good-for-nothings, who can’t even respect God. It’s shameful, it’s unheard of, for girls to roll about on the floor in church like beasts in a meadow – What are you doing there, La Rousse? If I see you pinching any one, you’ll have to deal with me! Oh, yes, you may put out your tongue at me; I’ll tell his reverence about it. Out you get; out you get, you minxes!’

She drove them slowly towards the door, while running and bobbling round them frantically. And she had succeeded, as she thought, in getting every one of them outside, when she caught sight of Catherine and Vincent calmly installed in the confessional, where they were eating something with an air of great enjoyment. She drove them away; and as she popped her head outside the church, before closing the door, she espied Rosalie throwing her arm over the shoulder of Fortune, who had been waiting for her. The pair of them vanished in the darkness amid a faint sound of kisses.

‘To think that such creatures dare to come to our Lady’s altar!’ La Teuse stuttered as she shot the bolts. ‘The others are no better, I am sure. If they came to-night with their boughs, it was only for a bit of fun and to get kissed by the lads on going off! Not one of them will put herself out of the way to-morrow; his reverence will have to say his Aves by himself – We shall only see the jades who have got assignations.’

Thus soliloquising, she thrust the chairs back into their places, and looked round to see if anything suspicious was lying about before going off to bed. In the confessional she picked up a handful of apple-parings, which she threw behind the high altar. And she also found a bit of ribbon torn from some cap, and a lock of black hair, which she made up into a small parcel, with the view of opening an inquiry into the matter. With these exceptions the church seemed to her tidy. There was oil enough for the night in the bracket-lamp of the sanctuary, and as to the flags of the choir, they could do without washing till Saturday.

‘It’s nearly ten o’clock, Monsieur le Cure,’ she said, drawing near the priest, who was still on his knees. ‘You might as well come up now.’

He made no answer, but only bowed his head.

‘All right, I know what that means,’ continued La Teuse. ‘In another hour he will still be on the stones there, giving himself a stomach-ache. I’m off, as I shall only bore him. All the same, I can’t see much sense in it, eating one’s lunch when others are at dinner, and going to bed when the fowls get up! – I worry you, don’t I, your reverence? Good-night. You’re not at all reasonable!’

She made ready to go, but suddenly came back to put out one of the two lamps, muttering the while that such late prayers spelt ruination in oil. Then, at last, she did go off, after passing her sleeve brushwise over the cloth of the high altar, which seemed to her grey with dust. Abbe Mouret, his eyes uplifted, his arms tightly clasped against his breast, then remained alone.

XIV

With only one lamp burning amid the verdure on the altar of the Virgin, huge floating shadows filled the church at either end. From the pulpit a sheet of gloom projected to the rafters of the ceiling. The confessional looked quite black under the gallery, showing strange outlines suggestive of a ruined sentry-box. All the light, softened and tinted as it were by the green foliage, rested slumberingly upon the tall gilded Virgin, who seemed to descend with queenly mien, borne upon the cloud round which gambolled the winged cherubim. At sight of that round lamp gleaming amid the boughs one might have thought the pallid moon was rising on the verge of a wood, casting its light upon a regal apparition, a princess of heaven, crowned and clothed with gold, who with her nude and Divine Infant had come to stroll in the mysterious woodland avenues. Between the leaves, along the lofty plumes of greenery, within the large ogival arbour, and even along the branches strewing the flagstones, star-like beams glided drowsily, like the milky rain of light that filters through the bushes on moonlit nights. Vague sounds and creakings came from the dusky ends of the church; the large clock on the left of the chancel throbbed slowly, with the heavy breathing of a machine asleep. And the radiant vision, the Mother with slender bands of chestnut hair, as if reassured by the nocturnal quiet of the nave, came lower and lower, scarce bending the blades of grass in the clearings beneath the gentle flight of her cloudy chariot.

Abbe Mouret gazed at her. This was the hour when he most loved the church. He forgot the woeful figure on the cross, the Victim bedaubed with carmine and ochre, who gasped out His life behind him, in the chapel of the Dead. His thoughts were no longer distracted by the garish light from the windows, by the gayness of morning coming in with the sun, by the irruption of outdoor life – the sparrows and the boughs invading the nave through the shattered panes. At that hour of night Nature was dead; shadows hung the whitewashed walls with crape; a chill fell upon his shoulders like a salutary penance-shirt. He could now wholly surrender himself to the supremest love, without fear of any flickering ray of light, any caressing breeze or scent, any buzzing of an insect’s wing disturbing him amidst the delight of loving. Never had his morning mass afforded him the superhuman joys of his nightly prayers.

With quivering lips Abbe Mouret now gazed at the tall Virgin. He could see her coming towards him from the depths of her green bower in ever-increasing splendour. No longer did a flood of moonlight seem to float across the tree-tops. She seemed to him clothed with the sun; she advanced majestically, glorious, colossal, and so all-powerful that he was tempted at times to cast himself face downwards to shun the flaming splendour of that gate opening into heaven. Then, amidst the adoration of his whole being, which stayed his words upon his lips, he remembered Brother Archangias’s final rebuke, as he might have remembered words of blasphemy. The Brother often reproved him for his devotion to the Virgin, which he declared was veritable robbery of devotion due to God. In the Brother’s opinion it enervated the soul, put religion into petticoats, created and fostered a state of sentimentalism quite unworthy of the strong. He bore the Virgin a grudge for her womanhood, her beauty, her maternity; he was ever on his guard against her, possessed by a covert fear of feeling tempted by her gracious mien, of succumbing to her seductive sweetness. ‘She will lead you far!’ he had cried one day to the young priest, for in her he saw the commencement of human passion. From contemplating her one might glide to delight in lovely chestnut hair, in large bright eyes, and the mystery of garments falling from neck to toes. His was the blunt rebellion of a saint who roughly parted the Mother from the Son, asking as He did: ‘Woman, what have we in common, thou and I?’

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