George Meredith - The Tragic Comedians - A Study in a Well-known Story. Complete

In those very colours, strange to tell, Clotilde was dressed; Prince Marko had recognized her by miraculous divination, he assured her he could have staked his life on the guess as he bowed to her. Adieu to Count Constantine. Fate had interposed the prince opportunely, we have to suppose, for she received a strong impression of his coming straight from her invisible guardian; and the stroke was consequently trenchant which sent the conquering Tartar raving of her fickleness. She struck, like fate, one blow. She discovered that the prince, in addition to his beauty and sweet manners and gift of song, was good; she fell in love with goodness, whereof Count Constantine was not an example: so she set her face another way, soon discovering that there may be fragility in goodness. And now first her imagination conceived the hero who was to subdue her. Could Prince Marko be he, soft as he was, pliable, a docile infant, burning to please her, enraptured in obeying?—the hero who would wrestle with her, overcome and hold her bound? Siegfried could not be dreamed in him, or a Siegfried’s baby son-in-arms. She caught a glorious image of the woman rejecting him and his rival, and it informed her that she, dissatisfied with an Adonis, and more than a match for a famous conqueror, was a woman of decisive and independent, perhaps unexampled, force of character. Her idea of a spiritual superiority that could soar over those two men, the bad and the good—the bad because of his vileness, the good because of his frailness—whispered to her of deserving, possibly of attracting, the best of men: the best, that is, in the woman’s view of us—the strongest, the great eagle of men, lord of earth and air.

One who will dominate me, she thought.

Now when a young lady of lively intelligence and taking charm has brought her mind to believe that she possesses force of character, she persuades the rest of the world easily to agree with her, and so long as her pretensions are not directly opposed to their habits of thought, her parents will be the loudest in proclaiming it, fortifying so the maid’s presumption, which is ready to take root in any shadow of subserviency. Her father was a gouty general of infantry in the diplomatic service, disinclined to unnecessary disputes, out of consideration for his vehement irritability when roused. Her mother had been one of the beauties of her set, and was preserving an attenuated reign, through the conversational arts, to save herself from fading into the wall. Her brothers and sisters were not of an age to contest her lead. The temper of the period was revolutionary in society by reflection of the state of politics, and juniors were sturdy democrats, letting their elders know that they had come to their inheritance, while the elders, confused by the impudent topsy-turvy, put on the gaping mask (not unfamiliar to history) of the disestablished conservative, whose astounded state paralyzes his wrath.

Clotilde maintained a decent measure in the liberty she claimed, and it was exercised in wildness of dialogue rather than in capricious behaviour. If her flowing tongue was imperfectly controlled, it was because she discoursed by preference to men upon our various affairs and tangles, and they encouraged her with the tickled wonder which bids the bold advance yet farther into bogland. Becoming the renowned original of her society, wherever it might be, in Germany, Italy, Southern France, she grew chillily sensible of the solitude decreed for their heritage to our loftiest souls. Her Indian Bacchus, as a learned professor supplied Prince Marko’s title for her, was a pet, not a companion. She to him was what she sought for in another. As much as she pitied herself for not lighting on the predestined man, she pitied him for having met the woman, so that her tenderness for both inspired many signs of warm affection, not very unlike the thing it moaned secretly the not being. For she could not but distinguish a more poignant sorrow in the seeing of the object we yearn to vainly than in vainly yearning to one unseen. Dressed, to delight him, in Prince Marko’s colours, the care she bestowed on her dressing was for the one absent, the shrouded comer: so she pleased the prince to be pleasing to her soul’s lord, and this, owing to an appearance of satisfactory deception that it bore, led to her thinking guiltily. We may ask it: an eagle is expected, and how is he to declare his eagleship save by breaking through our mean conventional systems, tearing links asunder, taking his own in the teeth of vulgar ordinances? Clotilde’s imagination drew on her reading for the knots it tied and untied, and its ideas of grandeur. Her reading was an interfusion of philosophy skimmed, and realistic romances deep-sounded. She tried hard, but could get no other terrible tangle for her hero’s exhibition of flaming azure divineness than the vile one of the wedded woman. Further thinking of it, she revived and recovered; she despised the complication, yet without perceiving how else he was to manifest himself legitimately in a dull modern world. The rescuing her from death would be a poor imitation of worn-out heroes. His publication of a trumpeting book fell appallingly flat in her survey. Deeds of gallantry done as an officer in war (defending his country too) distinguished the soldier, but failed to add the eagle feather to the man. She had a mind of considerable soaring scope, and eclectic: it analyzed a Napoleon, and declined the position of his empress. The man must be a gentleman. Poets, princes, warriors, potentates, marched before her speculative fancy unselected.

So far, as far as she can be portrayed introductorily, she is not without exemplars in the sex. Young women have been known to turn from us altogether, never to turn back, so poor and shrunken, or so fleshly-bulgy have we all appeared in the fairy jacket they wove for the right one of us to wear becomingly. But the busy great world was round Clotilde while she was malleable, though she might be losing her fresh ideas of the hammer and the block, and that is a world of much solicitation to induce a vivid girl to merge an ideal in a living image. Supposing, when she has accomplished it, that men justify her choice, the living will retain the colours of the ideal. We have it on record that he may seem an eagle.

‘You talk curiously like Alvan, do you know,’ a gentleman of her country said to her as they were descending the rock of Capri, one day. He said it musingly.

He belonged to a circle beneath her own: the learned and artistic. She had not heard of this Alvan, or had forgotten him; but professing universal knowledge, especially of celebrities, besides having an envious eye for that particular circle, which can pretend to be the choicest of all, she was unwilling to betray her ignorance, and she dimpled her cheek, as one who had often heard the thing said to her before. She smiled musingly.

‘Who is the man they call Alvan?’ She put the question at the first opportunity to an aunt of hers.

Up went five-fingered hands. This violent natural sign of horror was comforting: she saw that he was a celebrity indeed.

‘Alvan! My dear Clotilde! What on earth can you want to know about a creature who is the worst of demagogues, a disreputable person, and a Jew!’

Clotilde remarked that she had asked only who he was. ‘Is he clever?’

‘He is one of the basest of those wretches who are for upsetting the Throne and Society to gratify their own wicked passions: that is what he is.’

‘But is he clever?’

‘Able as Satan himself, they say. He is a really dangerous, bad man. You could not have been curious about a worse one.’

‘Politically, you mean.’

‘Of course I do.’

The lady had not thought of any other kind of danger from a man of that station.

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