Charlie Brooker - Inside Black Mirror

Twickenham Studios 221

Twilight Zone, The (TV show) 10, 11, 12, 159, 178, 239

Twilight Zone: The Movie (film, 1983) 103

Twin Peaks (TV show) 177–8

Twitter 11, 26, 29, 32, 64

U

Uber 130

Unabomber 218

Under the Skin (film, 2013) 279

Unnovations (TV show) 118

V

Van Patten, Tim 274, 279

Verbruggen, Jakob 193, 194, 196, 200

Verhoeven, Paul 196

virtual reality (VR) 178–9, 226, 241, 269, 312

visual effects (VFX) 18, 36, 120, 150, 153, 196, 211, 215, 216, 239, 280, 290, 292, 296

see also Computer Graphics

W

Walsh, Darren 93–6

War You Don’t See, The (documentary) 194

Ward, Natalie 193, 200

Watkins, James 161, 164–7, 170–1

Weinstein, Harvey 241

Welsh, Brian 49, 50, 53, 54, 56–7

WestWorld (TV series) 174

Whittaker, Jodie 49, 53–5, 56–7

Whole 19 Yards, The (TV gameshow) 36

Wicker Man, The (film, 1973) 78, 81, 85

Wilson, Laura 291

Winfrey, Oprah 222

Winstead, Mary Elizabeth 150

Wipe (TV show) 9, 123, 124

Wizzard 118, 119

Wohlenberg, Sanne 205, 209–10, 215, 217–18, 257, 261, 263, 266–7, 269

Woman in Black, The (film, 2012) 164

Wong, Benedict 215

Woodward, Edward 85

Wright, Joe 129, 135–6, 135 , 137–41, 143, 147

Wright, Letitia 295, 299, 300–2, 306–8, 309

X

X Factor (TV show) 32, 46

Xbox 360 32

Xbox Kinect 32

Xtra Factor (TV show) 32

Y

Year of the Sex Olympic, The (play) 32

Young Ones, The (documentary) 174

YouTube 246

Z

Zeppotron 9

zombies 9, 10, 78

Zucker Brothers 206

Thanks are due to many people for their help and assistance in making this book: everyone at Ebury, especially Jake Lingwood who first suggested we do it. Elen Jones and Lisa Pendreigh who made it happen despite our best efforts. Tess Henderson, Caroline Butler and Lucy Harrison. And Zoe Bather who designed the book.

Our literary agent Jo Unwin for her perseverance and her assistant Milly Reilly for her patience. At House of Tomorrow, David Girvan and Chandni Lakhani for helping to organise everything, Jo Kay our long-standing Head of Production who kicks everything into shape and Nick Irving who makes that shape legal.

And Jason Arnopp, for enduring our tedious witterings and making sense of them.

On a personal note I [Annabel] would like to thank my parents, Susan and Glen, for their endless love and support. But most importantly I have to thank my children, Arthur, Beatrice and Magnus, for being the best huggers in the whole world and their father, Craig, for being a worthy runner-up.

Whereas I [Charlie] would like to thank MY parents, my wife Konnie for constantly withstanding my bullshit and my offspring Covey and Huxley for refusing to withstand it at all.

Image credits:All images © House of Tomorrow/Zeppotron/Netflix except pages 02 Jonathan Prime/House of Tomorrow/Applied Works; 14–15, 256–257 © istock/Applied Works; 16, 17, 19, 20, 24–25 © Ed Miller/House of Tomorrow; 26, 27, 36, 37, 38, 53, 54, 66, 67, 92, 93, 97, 132, 137, 139, 153, 179, 183, 184, 197, 200, 210–211, 214, 236, 238, 239, 249, 252, 260, 262, 274, 275, 278, 298 © Painting Practice/House of Tomorrow; 30–31, 48–49 © Giles Keyte/House of Tomorrow/Applied Works; 32, 33, 34–35, 40–41, 42, 43, 44-45, 47, 51 © Giles Keyte/House of Tomorrow; 62-63 © Liam Daniel/House of Tomorrow/Applied Works; 64, 65, 66, 72–73, 78, 79, 82–83, © Liam Daniel/House of Tomorrow; 76–77, 204–205, 242–243, 282–283 © Painting Practice/House of Tomorrow/Applied Works; 84 © Rockstar Games; 88–89, 104–105 © Hal Shinnie/House of Tomorrow/Applied Works; 90, 91, 94–95, 97, 98, 99, 106, 107, 110–111, 114–115, 117 © Hal Shinnie/House of Tomorrow; 93 © BBC Motion Gallery/Getty Images; 128-129, 172–173 © David Dettmann/House of Tomorrow/Applied Works; 131, 133, 134, 136, 140, 141, 142, 144–145, 174, 175, 176–177, 178, 180–181, 186–187, 188, 191 © David Dettmann/House of Tomorrow; 148-149 © Laurie Sparham/House of Tomorrow/Applied Works; 150, 164–165, 166, 207, 208 © Laurie Sparham/House of Tomorrow; 152 © EDGE Magazine/House of Tomorrow; 158, 159, 229, 231, 232, 233, 286, 287 © Framestore/Painting Practice/House of Tomorrow; 160–161 © Carlos Ramos/House of Tomorrow/Applied Works; 183, 290, 291 © Susie Coulthard/House of Tomorrow; 190, 238, 307 © Billy Butcher/House of Tomorrow; 191-193 © Jay Maidment/House of Tomorrow/Applied Works; 194, 195, 198–199, 200, 201 © Jay Maidment/House of Tomorrow; 224–225, 270–271, 294–295 © House of Tomorrow/Netflix/Applied Works; 226, 234–235, 272, 276–277, 284, 285, 288–289, 296, 300, 304–305 © Jonathan Prime/House of Tomorrow/Netflix; 237 © Maja Meschede/House of Tomorrow; 238 © Bill Elliott/House of Tomorrow; 244, 245, 247, 250–251, 254–255 © Christos Kalohoridis/House of Tomorrow/Netflix; 258, 259, 261, 266, 267 © Arnaldur Halldórsson/House of Tomorrow/Netflix; cover image © Getty Images.

This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorized distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

Epub ISBN: 9781473566460

Version 1.0

1 3 5 7 9 10 8 6 4 2

Ebury Press, an imprint of Ebury Publishing,

20 Vauxhall Bridge Road,

London SW1V 2SA

Ebury Press, is part of the Penguin Random House group of companies whose addresses can be found at global.penguinrandomhouse.com

Copyright © House of Tomorrow Limited, 2018

Cover image © Getty Images

Charlie Brooker & Annabel Jones has asserted their right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988

First published by Ebury Press in 2018

www.eburypublishing.co.uk

A CIP catalogue record for this book is available from the British Library

ISBN 9781529102581

Colour origination by Altaimage

Text:Jason Arnopp

Design:Zoë Bather, with chapter openers by Joe Sharpe, Callum Strachan and Josh Ellis at Applied Works

Project management:Lisa Pendreigh