Amy Tan - The Hundred Secret Senses

She reached out her arms as far as she could. ‘Then all the water in her belly poured out as tears from her eyes, she was so sad.’ Kwan’s arms fell suddenly to her sides. ‘That poor starving baby in her belly ate a hole in my mother’s heart, and they both died.’

I’m sure Kwan meant some of this figuratively. But as a child, I saw everything Kwan talked about as literal truth: chopped-off hands flying out of a roofless house, my father floating on the China Sea, the little baby sucking on his mother’s heart. The images became phantoms. I was like a kid watching a horror movie, with my hands clapped to my eyes, peering anxiously through the cracks. I was Kwan’s willing captive, and she was my protector.

At the end of her stories, Kwan would always say: ‘You’re the only one who knows. Don’t tell anyone. Never. Promise, Libby-ah?’

And I would always shake my head, then nod, drawn to allegiance through both privilege and fear.

One night, when my eyelids were already heavy with sleep, she started droning again in Chinese: ‘Libby-ah, I must tell you something, a forbidden secret. It’s too much of a burden to keep inside me any longer.’

I yawned, hoping she’d take the hint.

‘I have yin eyes.’

‘What eyes?’

‘It’s true. I have yin eyes. I can see yin people.’

‘What do you mean?’

‘Okay, I’ll tell you. But first you must promise never to tell anyone. Never. Promise, ah?’

‘Okay. Promise.’

‘Yin people, they are those who have already died.’

My eyes popped open. ‘What? You see dead people? … You mean, ghosts ?’

‘Don’t tell anyone. Never. Promise, Libby-ah?’

I stopped breathing. ‘Are there ghosts here now?’ I whispered.

‘Oh yes, many. Many, many good friends.’

I threw the covers over my head. ‘Tell them to go away,’ I pleaded.

‘Don’t be afraid. Libby-ah, come out. They’re your friends too. Oh see, now they’re laughing at you for being so scared.’

I began to cry. After a while, Kwan sighed and said in a disappointed voice, ‘All right, don’t cry anymore. They’re gone.’

So that’s how the business of ghosts got started. When I finally came out from under the covers, I saw Kwan sitting straight up, illuminated by the artificial glow of her American moon, staring out the window as if watching her visitors recede into the night.

The next morning, I went to my mother and did what I promised I’d never do: I told her about Kwan’s yin eyes.

Now that I’m an adult, I realize it wasn’t my fault that Kwan went to the mental hospital. In a way, she brought it on herself. After all, I was just a little kid then, seven years old. I was scared out of my mind. I had to tell my mother what Kwan was saying. I thought Mom would just ask her to stop. Then Daddy Bob found out about Kwan’s ghosts and blew his stack. Mom suggested taking her to Old St. Mary’s for a talk with the priest. But Daddy Bob said no, confession wouldn’t be enough. He booked Kwan into the psychiatric ward at Mary’s Help instead.

When I visited her there the following week, Kwan whispered to me: ‘Libby-ah, listen, I have secret. Don’t tell anyone, ah?’ And then she switched to Chinese. ‘When the doctors and nurses ask me questions, I treat them like American ghosts – I don’t see them, don’t hear them, don’t speak to them. Soon they’ll know they can’t change me, why they must let me go.’ I remember the way she looked, as immovable as a stone palace dog.

Unfortunately, her Chinese silent treatment backfired. The doctors thought Kwan had gone catatonic. Things being what they were back in the early 1960s, the doctors diagnosed Kwan’s Chinese ghosts as a serious mental disorder. They gave her electro-shock treatments, once, she said, then twice, she cried, then over and over again. Even today it hurts my teeth to think about that.

The next time I saw her at the hospital, she again confided in me. ‘All that electricity loosened my tongue so I could no longer stay silent as a fish. I became a country duck, crying gwa-gwa-gwa ! – bragging about the World of Yin. Then four bad ghosts shouted, “How can you tell our secrets?” They gave me a yin-yang tou – forced me to tear out half my hair. That’s why the nurses shaved everything off. I couldn’t stop pulling, until one side of my head was bald like a melon, the other side hairy like a coconut. The ghosts branded me for having two faces: one loyal, one traitor. But I’m not a traitor! Look at me, Libby-ah. Is my face loyal? What do you see?’

What I saw paralyzed me with fear. She looked as if she’d been given a crew cut with a hand-push lawn mower. It was as bad as seeing an animal run over on the street, wondering what it once had been. Except I knew how Kwan’s hair used to be. Before, it flowed past her waist. Before, my fingers swam through its satin-black waves. Before, I’d grab her mane and yank it like the reins of a mule, shouting, ‘Giddyap, Kwan, say hee-haw!’

She took my hand and rubbed it across her sandpapery scalp, whispering about friends and enemies in China. On and on she went, as if the shock treatments had blown off the hinges of her jaw and she could not stop. I was terrified I’d catch her crazy talking disease.

To this day, I don’t know why Kwan never blamed me for what happened. I’m sure she knew I was the one who got her in trouble. After she came back from Mary’s Help, she gave me her plastic ID bracelet as a souvenir. She talked about the Sunday-school children who came to the hospital to sing ‘Silent Night,’ how they screamed when an old man yelled, ‘Shut up!’ She reported that some patients there were possessed by ghosts, how they were not like the nice yin people she knew, and this was a real pity. Not once did she ever say, ‘Libby-ah, why did you tell my secret?’

Yet the way I remember it is the way I have always felt – that I betrayed her and that’s what made her insane. The shock treatments, I believed, were my fault as well. They released all her ghosts.

That was more than thirty years ago, and Kwan still mourns, ‘My hair sooo bea-you-tiful, shiny-smooth like waterfall, slippery-cool like swimming eel. Now look. All that shock treatment, like got me bad home permanent, leave on cheap stuff too long. All my rich color – burnt out. All my softness – crinkle up. My hairs now just stiff wires, pierce message to my brain: No more yin-talking! They do this to me, hah, still I don’t change. See? I stay strong.’

Kwan was right. When her hair grew back, it was bristly, wiry as a terrier’s. And when she brushed it, whole strands would crackle and rise with angry static, popping like the filaments of light bulbs burning out. Kwan explained, ‘All that electricity doctor force into my brain, now run through my body like horse go ’round racetrack.’ She claims that’s the reason she now can’t stand within three feet of a television set without its hissing back. She doesn’t use the Walkman her husband, George, gave her; she has to ground the radio by placing it against her thigh, otherwise no matter what station she tunes it to, all she hears is ‘awful music, boom-pah-pah, boom-pah-pah.’ She can’t wear any kind of watch. She received a digital one as a bingo prize, and after she strapped it on, the numbers started mutating like the fruits on a casino slot machine. Two hours later the watch stopped. ‘I gotta jackpot,’ she reported. ‘Eight-eight-eight-eight-eight. Lucky numbers, bad watch.’

Although Kwan is not technically trained, she can pinpoint in a second the source of a fault in a circuit, whether it’s in a wall outlet or a photo strobe. She’s done that with some of my equipment. Here I am, the commercial photographer, and she can barely operate a point-and-shoot. Yet she’s been able to find the specific part of the camera or cable or battery pack that was defective, and later, when I ship the camera to Cal Precision in Sacramento for troubleshooting, I’ll find she was exactly right. I’ve also seen her temporarily activate a dead cordless phone just by pressing her fingers on the back recharger nodes. She can’t explain any of this, and neither can I. All I can say is, I’ve seen her do these things.