James Hise - The Unauthorized Trekkers’ Guide to the Next Generation and Deep Space Nine

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Your complete guide to STAR TREK’s most popular progeny – both spectacular series guidebooks complete in one volume!Originally published in 1997, this edition covers all seven seasons of The Next Generation and seasons one and two of Deep Space Nine.• Episodes detailed – plot setting, action, writers, directors, stars and special guests• Biographies of all major characters• Exclusive profiles of actors and actresses• Alien spacecraft and planet reports• Wormhole and Warp-speed travel tips• Starfleet ship descriptions• Trek-by-Trek series comparisons• Villains you have known and loved• The starship Enterprise connection• Behind-the-scenes beginnings and first steps• Special effects and make-up geniuses

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It seems that Worf may turn out to be a key factor in Klingon-Federation relations. Klingons as a rule do not feel comfortable with humans, often holding them in contempt, and there may be a faction (see “The Drumhead”) that favors improved relations with the Romulans. Even though Klingons have a deeply ingrained hatred of Romulans, they understand them better than humans, whose manners and motivations often must seem strange to the warrior Klingons. Worf occupies a unique position between these two cultures, and may provide the key to future developments between them.

MICHAEL DORN

As a longtime Star Trek fan, Dorn says that this role “was a dream come true. First, because I’m a Trekkie, and second, I’m playing a Klingon, a character so totally different from the nice-guy roles I’d done in the past. Worf is the only Klingon aboard the Enterprise . That makes him an outsider, but that’s okay by me because Worf knows he’s superior to these weak humans. But he never lets the other crew members see that, because he’s a soldier first and second.”

The actor gives enthusiastic praise to series creator Gene Roddenberry for having the “genius and vision” to depict an optimistic future in which a peaceful alliance could be struck between Earth and the Klingon Empire. “Gene believed there is good in everybody—even Klingons!”

But the actor enjoys playing very different kinds of characters, and knows what it’s like to appear in a series after playing a regular on CHIPS for three years. “I love doing cop roles, and as a highway patrolman I got to drive fast and never got hurt.”

Dorn hails from Liling, Texas, but he was raised in Pasadena, California, just minutes away from Hollywood. He performed in a rock band during high school and college and in 1973 moved to San Francisco, where he worked at a variety of jobs. When he returned to L.A., he continued playing in rock bands until a friend’s father, an assistant director of The Mary Tyler Moore Show , suggested the young man try his hand at acting. Dorn can be seen in the background, as a newswriter, in episodes from that classic comedy’s last two seasons.

“I had done a little modeling by this time and had studied drama and TV producing in college. Once I started, I caught the bug.”

THE HUMBLE START

His first acting role was a guest spot on the series WEB , a show based on the satirical film Network . Dorn was introduced to an agent by the producer of the show and began studying with Charles Conrad. Six months later Dorn was cast in CHIPS . Following that series, Dorn resumed acting classes. “I worked very hard; the jobs started coming and the roles got meatier.”

Dorn has made guest appearances on nearly every major series, most notably Hotel, Knots Landing , and Falcon Crest . He has also had recurring roles on Days of Our Lives and Capitol . His feature film credits include Demon Seed, Rocky , and The Jagged Edge .

Dorn hopes eventually to direct, but for now, “I want to take one step at a time and do the best work I can do.” He’s still interested in rock music, plays in a band, does studio work as a bass player, and writes music in his spare time.

DOCTOR BEVERLY CRUSHER

Beverly Crusher worked long and hard to secure her posting aboard the Enterprise , where she is stationed along with her brilliant son, Wesley. Beverly’s husband, Jack Crusher, was killed while serving under Captain Picard aboard the USS Stargazer . Jack Crusher died saving Picard’s life, and to show his respect for the man, Picard accompanied the body back to Earth when it was returned for the funeral.

While Beverly knows that it is not logical to blame Picard, she associated him with her loss and was not, at first, certain how she would react to working with Picard. When Picard offered to have her transferred if she so desired, she declined, since she wouldn’t have been there if she hadn’t requested the position. Any initial misgivings have given way to mutual respect and understanding.

Dr. Crusher chose to sign aboard the starship commanded by Picard because she had an enviable Starfleet record that had earned her this prestigious assignment. As demonstrated by the position held by Dr. McCoy on the Enterprise commanded by James T. Kirk, a starship’s chief medical officer is in no way regarded as a rank inferior to that of Captain. In fact, outside of a court martial, the CMO is the only force capable of removing a starship captain from his or her post.

Beverly is an intelligent and strong-willed diagnostician. She has a profound sense of medicine, the kind of skill that takes years to develop. Often she uses her diagnostic skills to confirm what she has already seen and sensed about a patient’s condition. First and foremost she is a brilliant ship’s doctor.

THE TRUTH REVEALED

In “The Naked Now” there were many truths revealed about various crew members. In Crusher’s case it was revealed that she is interested in Picard, and certainly no longer harbors the suspicion and resentment she feared might affect her job performance. Being in her late thirties to early forties, the attractive Dr. Crusher has not escaped the notice of Captain Picard, but it is doubtful that this could develop into anything, as any good officer knows that complications arise when key personnel become involved.

Dr. Crusher’s most difficult moments on the Enterprise generally involve Wesley, as in “Justice,” when Wesley was sentenced to death for an inadvertent crime, only to be saved by Picard’s intervention. She has also been trapped in a false reality inside a static warp field, which she narrowly escaped from, and recently found romance only to have it shattered by the bizarre secrets of the alien humanoid she’d fallen for in “The Host.”

Her most difficult time with Wesley occurred in “The First Duty,” when Wesley narrowly escaped death in a training exercise off Saturn, in which another cadet did die. Her son admitted to participating in a coverup of the accident. While Wesley Crusher did the right thing at the end, he was humiliated in front of all of his Starfleet Academy peers and was forced to repeat his final year at the Academy.

GATES MCFADDEN

Dr. Crusher is the first regular role in a television series for actress Gates McFadden. Her character is presented with more background than most of the others, as she is the mother of Wesley Crusher, and the widow of the man who died while saving Picard’s life on an earlier mission.

Gates trained to be a dancer when quite young, while growing up in Cuyahoga Falls, Ohio. “I had extraordinary teachers: one was primarily a ballerina and the other had been in a circus. I grew up thinking most ballerinas knew how to ride the unicycle, tap dance, and do handsprings. Consequently, I was an oddball to other dancers.”

Her interest in acting was sparked by community theater and a touring Shakespeare company. “When I was ten, my brother and I attended back-to-back Shakespeare for eight days in a musty, nearly empty theater. There were twelve actors who played all the parts. I couldn’t get over it—the same people in costumes every day, but playing new characters. It was like visiting somewhere but never wanting to leave.”

She earned her Bachelor of Arts in Theater from Brandeis University while continuing to study acting, dance, and mime. Just prior to graduation she met Jack LeCoq and credits the experience with changing her life.

“I attended his first workshop in the United States. His theatrical vision and the breadth of its scope were astonishing. I left for Paris as soon as possible to continue to study acting with LeCoq at his school. We worked constantly in juxtapositions. One explored immobility in order to better understand movement. One explored silence in order to better understand sound and language. It was theatrical research involving many mediums. Just living in a foreign country where you have to speak and think in another language cracks your head open. It was both terrifying and freeing. Suddenly I was taking more risks in my acting.”

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