Simone Beauvoir - The Mandarins

‘Certainly less than you. And anyhow, the punch has nothing to do with it.’

‘Ah! You admit it!’ Robert said triumphantly. ‘Something is the matter and the punch has nothing to do with it. What is it then?’

‘Scriassine,’ I answered, laughing. ‘He explained to me why French intellectuals are done for.’

‘He’d like that!’

‘I know, but he frightened me anyhow.’

‘A great big girl like you who lets herself be frightened by the first prophet who comes along! I get a big kick out of Scriassine; he’s restless, he rambles on, boils up, makes you know he’s there. But you shouldn’t take him seriously.’

‘He said that politics will eat you up, that you’ll stop writing.’

‘And you believed him?’ Robert said gaily.

‘Well, it is true you’re not showing any sign of finishing your memoirs,’ I replied.

Robert paused for a second and then said, ‘That’s a special case.’

‘But why?’

‘There are too many weapons in those memoirs that can be used against me.’

‘That’s precisely why the thing is worth what it’s worth,’ I said spiritedly. ‘It’s so rare to find a man who dares to come out in the open! And when he does accept the dare, he invariably wins in the end.’

‘Yes,’ Robert said, ‘after he’s dead.’ He shrugged his shoulders. ‘Now that I’m back in politics I have a lot of enemies. Do you realize how delighted they’d be the day those memoirs appeared in print?’

‘Your enemies will always find weapons to use against you, the ones in the journal or others,’ I said.

‘Just imagine those memoirs in the hands of Lafaurie, or Lachaume, or young Lambert. Or in the hands of any journalist, for that matter,’ Robert said.

Cut off completely from politics, from the future, from the public, not even knowing whether his journal would ever be published, Robert had rediscovered in its writing the adventure of the explorer venturing into an unnamed wilderness at random, without a trail to follow, without signs to warn him of its dangers. In my opinion, he had never written anything better. ‘If you become involved in politics,’ I said impatiently, ‘then you no longer have the right to write sincere books. Is that it?’

‘No, you can write sincere books but not scandalous ones,’ Robert replied. ‘And you know very well that nowadays there are a thousand things a man can’t speak about without causing a scandal.’ He smiled. ‘To tell the truth there isn’t much about any individual that doesn’t lend itself to scandal.’

We walked a few steps in silence and then I said, ‘You spent three years writing those memoirs. Doesn’t it bother you to leave them lying in the bottom of a drawer?’

‘I’ve stopped thinking about them. I have another book on my mind now.’

‘What’s it about?’

‘I’ll tell you all about it in a few days.’

I looked at Robert suspiciously. ‘And do you really believe you’ll find enough time to write?’

‘Of course.’

‘It doesn’t seem that certain to me. At the moment you don’t have a minute to yourself.’

‘In politics, it’s the beginning that’s the hardest. Afterwards you can take it easier.’

His voice sounded too confident. ‘And what if it doesn’t become easier?’ I persisted. ‘Would you get out of politics or would you stop writing?’

‘You know, it really wouldn’t be a great tragedy if I stopped writing for a little while,’ Robert answered with a smile. ‘I’ve scribbled a lot of words on a lot of paper in my life!’

I felt a wrench at my heart. ‘Just the other day you were saying your best works are still ahead of you.’

‘And I still think so. But they can wait a while.’

‘How long? A month? A year? Ten years?’ I asked.

‘Listen,’ Robert said in a conciliatory tone of voice, ‘one book more or less on earth isn’t as important as all that. And the political situation at present is extremely stimulating; I hope you realize that. This is the first time the left has ever held its fate in its own hands, the first chance to try to organize a group independent of the Communists without running the risk of serving the cause of the right. I’m not going to let this opportunity slip by! I’ve been waiting for it all my life.’

‘For my part, I think your books are more important,’ I said. ‘They bring people something unique and different. But when it comes to politics, you’re not the only one about who can become involved in it.’

‘But I’m the only one who can steer things in the direction I want them to take,’ Robert said cheerfully. ‘You of all people ought to understand me. The vigilance committees and the Resistance were useful, all right, but they were negative things. Today, it’s a question of building, and that’s much more interesting.’

‘I understand you very well, but your writing interests me more.’

‘Haven’t we always agreed that one doesn’t write just for the sake of writing?’ Robert said. ‘At certain times, other forms of action become more urgent.’

‘Not for you,’ I replied. ‘First and foremost, you’re a writer.’

‘You know that’s not true,’ Robert said reproachfully. ‘For me, the revolution comes first.’

‘Yes,’ I said, ‘but you can best serve the revolution by writing your books.’

Robert shook his head. ‘That depends on the circumstances. We’re at a critical moment of history just now; first we have to win the political battle.’

‘And what happens if we don’t win it?’ I asked. ‘Do you really believe there’s a chance of a new war?’

‘I don’t believe a new war is going to start tomorrow,’ Robert replied. ‘But what has to be avoided at all cost is the creation of a situation in the world which might easily lead to war. If that happens, then we’ll sooner or later come to blows again. And we also have to prevent this victory from being exploited by capitalism.’ He shrugged his shoulders. ‘There are a lot of things that have to be prevented before one can afford to amuse oneself writing books that no one might ever read.’

I stopped dead in the middle of the street. ‘What? Do you believe that too? That people will lose interest in literature?’

‘Believe me, they’ll have a lot of other things to keep themselves busy with,’ Robert said in a voice that again seemed to me too reassuring.

‘The prospect doesn’t seem to bother you at all,’ I said indignantly. ‘But a world without literature and art would be horribly sad.’

‘In any event, there are millions of men at this very moment to whom literature means absolutely nothing,’ Robert replied.

‘Yes, but you always expected that to change.’

‘I still expect it to. What makes you think I don’t?’ Robert asked. ‘But that’s precisely it,’ he went on without waiting for me to answer. ‘If the world decides to change, there’s no doubt we’ll go through a period in which literature will be almost completely out of the picture.’

We went into the study and I sat down on the arm of one of the leather chairs. Yes, I had certainly drunk too much punch; the walls were spinning crazily. I looked at the table on which Robert had been writing night and day for twenty years. He was sixty now, and if this period of political upheaval dragged on for very long he ran the risk of never seeing the end of it. He couldn’t possibly be as indifferent to such a prospect as he tried to appear.

‘Let’s look into this thing a little,’ I said. ‘You believe your major works are still ahead of you and just five minutes ago you said you were going to begin a new book. That implies that you believe there are people around who want to read what you’ve written …’