Nicola Barker - In the Approaches

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Nicola Barker’s readers are primed to expect surprises, but her tenth novel delivers mind-meld on a metaphysical scale. From quiet beginnings in the picturesque English seaside enclave of Pett Level, ‘In The Approaches’ ultimately constructs its own anarchic city-state on the previously undiscovered common ground between G.K. Chesterton and Philip K. Dick. On the one hand, this is an old-fashioned romantic comedy of fused buttocks, shrunken heads and Irish-Aboriginal saints; on the other it’s Barker’s wildest and most haunting book since 2007’s Booker Prize-shortlisted ‘Darkmans’.Following previous celebrations of the enduring allure of the posted letter (’Burley Cross Postbox Theft’) and the pre-lapsarian innocence of pre-Twitter celebrity (Booker-longlisted ‘The Yips’), this concluding instalment of Barker’s subliminally affiliated ‘digital trilogy’ imagines a basis for the internet in Catholic theology. Set in a 1984 which seems almost as distantly located in the past as Orwell’s was in the future, ‘In the Approaches’ offers a captivating glimpse of something more shocking than any dystopia – the possibility of faith.

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Copyright

Fourth Estate

An imprint of HarperCollins Publishers

1 London Bridge Street

London SE1 9GF

www.4thestate.co.uk

This eBook edition first published in Great Britain by Fourth Estate in 2014

Copyright © Nicola Barker 2014

Nicola Barker asserts the moral right to

be identified as the author of this work

A catalogue record of this book is

available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780007583706

Ebook Edition © June 2014 ISBN: 9780007583713

Version 2015-03-31

Contents

Cover

Title Page

Copyright

Dedication

1 Miss Carla Hahn

2 Mr Franklin D. Huff

3 Miss Carla Hahn

4 Mr Franklin D. Huff

5 Miss Carla Hahn

6 Teobaldo

7 Mr Franklin D. Huff

8 Miss Carla Hahn

9 Mr Franklin D. Huff

10 Miss Carla Hahn

11 Mr Clifford Bickerton

12 Mr Franklin D. Huff

13 Miss Carla Hahn

14 Teobaldo

15 Mr Franklin D. Huff

16 Miss Carla Hahn

17 Mr Franklin D. Huff

18 Miss Carla Hahn

19 Mr Franklin D. Huff

20 Teobaldo

21 Miss Carla Hahn

22 Mr Clifford Bickerton

23 Mr Franklin D. Huff

24 Miss Carla Hahn

25 Mr Franklin D. Huff

26 Teobaldo

27 Miss Carla Hahn

28 Mr Franklin D. Huff

29 Miss Carla Hahn

30 Mr Clifford Bickerton

31 Mr Franklin D. Huff

32 Miss Carla Hahn

33 Mr Clifford Bickerton

34 Miss Carla Hahn

35 Mr Franklin D. Huff

36 Miss Carla Hahn

37 Mr Franklin D. Huff

38 Miss Carla Hahn

39 Mr Clifford Bickerton

40 Miss Carla Hahn

41 Mr Franklin D. Huff

42 Miss Carla Hahn

43 Mr Franklin D. Huff

44 Miss Carla Hahn

45 Mr Franklin D. Huff

46 Miss Alys Jane Drury (and Baldo!)

47 Mr Franklin D. Huff

48 Miss Carla Hahn

49 Mr Franklin D. Huff

50 Miss Carla Hahn

51 Mr Franklin D. Huff

52 Miss Carla Hahn

53 Mr Franklin D. Huff

Also by Nicola Barker

About the Publisher

Dedication

For my dear friend, Claire Clifton;

Hastings’ favourite Floridian

1

Miss Carla Hahn

‘Well I suppose as we must all seem very dull and pedestrian to such a bold and cosmopolitan gentleman as the likes of our Mr Franklin B. Huff!’ Mrs Barrow ruminates, borderline resentful, as I hand over a crisp, ten pound note and she shoves it – unacknowledged – into the pocket of her pristine housecoat. ‘What with all his escapades amongst them hordes of filthy banditos and drug-smugglers and what-not in the dusty prairies of Mexicano.’

‘Mr Franklin D . Huff,’ I correct her.

‘He was only telling me the other day as how he keeps a collection of shrunken heads,’ she continues, eyes widening. ‘Stores ’em in an old suitcase, he does. No word of a lie, Carla! Thinks as they’re historical artlifacts!’ she snorts. ‘I says, “Wouldn’t those be the actual heads of real-life dead folk, Mr Huff? Isn’t that a sort of sacrelig?” But he just lowers his book and peers at me over his spectacles, all lofty-like. “It’s the culture there, Mrs Barrow. They have a different way of going about things. Everything’s fast and loose. Life is cheap.”

‘“The men are men and the women are glad of it!” I jokes, but he just returns to his reading, face sour as a slapped arse. So I says, “It must all seem very dull and pedestrian here in Pett Level to a chap such as yourself, Mr Huff, what with all your adventurings amongst them buckaroos and rancheros and the shrunken heads and what-not …” and he says, “I can’t pretend I’m not finding it a little flat, Mrs Barrow, a tad wispy and windswept and prarochial for my tastes, perhaps.”’

As Mrs Barrow finishes speaking we both gaze up from the bus-stop, in unison, towards the large, concrete block of the old Look Out which crowns the top end of Toot Rock. It is here that Mr Franklin D. Huff is currently sitting, in glorious isolation, fully suited and booted, intermittently gusted by the sea wind, partaking of a picnic lunch.

‘They say as he “went native” out amongst all them strumpets and gunsels,’ Mrs Barrow murmurs, squinting, ominously, into the eternally drab yet still pitifully hopeful early autumn light, ‘but I find that hard to believe, Carla, when I sees him of a morning, sitting on the balcony in his socks and his braces, smoking his pipe like one of those right and proper gentlemen straight off the cover of an old sewing pattern.’

Who says that, exactly?’ I ask, frowning.

‘I beg yours?’

Who says he—?’

‘Them Sullivan boys down at the New Beach Club for one,’ Mrs Barrow interrupts. ‘Seems as he’s got his-self temporary membership,’ she snorts, ‘by hook or by crook …’

She gives me a significant look. ‘Glory O’Dowd says as how he drank up their whole stock of gin in the first week after Mrs Huff left. On the second week he comes out in hives. Both cheeks was covered!’ She chuckles. ‘I thought, That’s the gin, that is! Mother’s Ruin! But I kept it schtum as your old dad would say.’

She taps her lips with a thick, brown, heavily calloused finger.

‘You mentioned that he’d broken the dining table,’ I interject, ‘and a chair in the living room?’

Mrs Barrow promptly removes the finger. ‘I’ve never known a man so accident-prone!’ she gasps. ‘This morning I heard a yell as I was hanging out the washing. I rushes round there, Carla, and Mr Huff – as God is my witness – is lying flat on his face in the middle of the allotment, his head in the last of the season’s cabbages. Turns out as he tripped in a badger hole! Sprained his wrist! I says, “Did you put out them monkey nuts for the badgers last night, Mr Huff? You know them’s the rules at Mulberry Cottage. Miss Hahn is very particular on the monkey nuts being put out. She has herself an arrangement with them badgers, Mr Huff, and they don’t likes it one bit if gets itself broke.”’

She shakes her head, forlornly. ‘I mean there was holes dug all over the lawn, Carla! The leeks was all pulled up! It was chaos – pure chaos! But he just cusses and rolls about, belly-aching like a big girl! I mean imagine a man such as that surviving in the tundra, Carla, where there’s no laws and no pavements and no manners and no taps? Doesn’t bear thinking of!’

‘The dining table …’ I persist.

‘Later on I see as he’s thrown some old soup tins, a fly paper and a broken milk bottle into the flower bed by the little girl’s shrine,’ she adds, scowling. ‘I thought, Well that’s as why you ended up arse-over-tit, Mr Huff! Shrunken heads or no! You don’t need to be messing around with forces beyond your ken, my friend. The tundra’s your business, Mr Huff, but we has our own ways of going about things up here on Toot Rock. Wispy and prarochial , indeed! Ignore ’em at your peril, sir!’

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