Hilary Reyl - Lessons in French

The toilet was fixed now. The windows were clean. The boots were sent. The Thanksgiving turkey was preordered from the butcher. The new linens to match the toile were on Portia’s bed. The tulip bulbs had been planted in a row of stone pots in the garden. Since the gardener was not “entirely trustworthy,” I had personally counted eighty bulbs, which was exactly the number Portia told me had been ordered from Holland.

Was I sure? Yes, I was. Had I remembered to reserve La Coupole for her mother and father on October 12, their wedding anniversary? Yes, I had.

Clarence’s chuckle brought me back to the living room. “I wouldn’t quite say I’ll be bringing anything to the street per se, not with my book anyway, Claudia, but I will say there’s nothing wrong with a little pleasure in your seriousness. Always remember that, my girls.” Here he refilled our wineglasses.

When he had to leave the room to take a call from Lydia, Claudia confided in me that she worried Lydia might not be the kind of woman who could value Clarence. “She is very conventional in her fame, you know, very utilitarian, very puritanical.”

“Her photos don’t look puritanical to me.”

“No, no, you miss my meaning. She thinks that anything that doesn’t work or sell or have immediate impact is a little sinful. She’s materialistic in that way, that insidious American way. They call it pragmatism. She’s too American for him. He deserves a European sensibility.”

Clarence came back into the room flush with the excitement of his long-distance conversation. There was a whirl of names and terms—Perestroika and Walesa and Stasi and Ostpolitik—all meant to show how the German uprising had been building for years, all twirling, bright and somewhat abstract in my head, like the first leaves of fall. I knew what they were, but indistinctly.

“You realize,” said Clarence, “now is the most exciting time to be in Germany, right before the East Germans go west. Because it is going to happen anytime now. The Wall is coming down. I mean, East Germany has essentially collapsed. They’ve got fifty thousand people ‘on vacation’ in Hungary, going through to Austria. It’s all on the verge.”

Claudia and I hung on his words.

“People,” he continued, “can watch their revolution on TV as it happens, and it excites them no end. The image of progress engenders progress. It’s all about the image. Last time Lydia was there, she took a whole series of a family in Leipzig one evening watching the day’s protests on an illegal satellite channel. It’s one of the best things she’s ever shot.”

Claudia’s eyes were sweeping the living room. “Such an ugly clock,” she said.

But Clarence was not done with Germany. “No, no, no, don’t you see that Germany is her moment to flourish again? She’s got a chance to save herself here because it’s not as if the demolition of Germany as we know it is going to be some kind of disaster and she’s going to be called a sadist for looking on at the beauty of the destruction. It’s not as if she’ll be filming children dying of starvation. It’s not exploitative or colonial at all. She’s going to be able to show how Germany is our shared destiny, even if we aren’t there with her. She’s got to seize this opportunity to reconnect and to redeem her career.”

“What do you mean ‘redeem’?” I asked. “Redeem from what?”

“Oh, that last book about the Parisians. People are saying she’s become a celebrity-watcher and that she’s lost all sense of responsibility for her point of view. I mean, to lead with Derrida? To put Naomi Campbell facing a striking English coal miner? I think she was trying to make some comment on the death of photojournalism, but the point is she doesn’t truly believe photojournalism is dead, nor should she. So the whole thing came off as disingenuous, and the criticism from people she cares about was brutal. Magnum almost didn’t publish it.”

“But it sold, right?” I tried to sound as if I weren’t sure.

Claudia flashed her eyes at me as if to ask, why was I so afraid of allowing what I knew?

I promised inside to do better.

“It didn’t sell as well as Lydia would have you think. But I’m more worried about her career as an artist, and the work she’s doing now in Germany is so good, so bloody good. I want her to keep at it and not get sidetracked by this Rushdie rot. That man is simply another celebrity tangent and I don’t want her to fall for him. That Olivier character, little star-fucker, got her all excited about Rushdie. He has some crackpot theory about Rushdie’s significance. He’s stopping by tomorrow by the way, Katie. From what I gather, he’s finally leaving Europe.” Clarence’s face melted into a sneer. “He wants to come around noon to pick up his things from Portia’s closet. I won’t be here. I’m meeting Henri for an early lunch. Can you make sure he leaves behind his keys to the apartment? I don’t like the idea of him having keys to my home. He has some nerve, that twit.”

Olivier rose in me, freshly bright. He hadn’t even bothered to let me know he was in Paris. Yet the news that he was here set my inner sky aflame.

I had lost my focus on Clarence. He was saying something about Salman Rushdie again, about Rushdie being beside the point of the Muslim question. Then he was onto Germany and the moment of tension right before the collapse. How poetic such a moment was.

I found it in me to nod.

Claudia nodded too. Her hair undulated.

After she left that night, as Clarence and I were finishing the last of the dishes, he said, “You know, Katie, your father would be very proud of you.”

“You mean for going to a good college?”

“No, no, that goes without saying, my dear. The point is that you are adventurous, intellectually adventurous. You’re not after a way to turn your education into quick money. You’ve taken on something rather difficult and unwieldy, and you are doing a beautiful job.”

“But I don’t really understand what the job is.” For the first time, I felt safe admitting this.

“Of course you don’t. If you thought you did, you’d be an idiot.”

I laughed with relief, said goodnight, climbed the stairs to my attic, turned my skeleton key, saw at once the red envelope slipped under my door, my name written big across the front.

“Dear Kate, So looking forward to seeing you tomorrow. Á bientôt , Olivier.”

Even though I had no way of getting one to him, I composed several versions of a short answer. Letters were my main means of communication, the phone being so expensive, and it was impossible not to respond to one, even in my imagination.

“I hear you are coming at lunchtime. Perhaps we can grab a tomato tart. Can’t wait to hear about life on the Venice canals.”

“Look forward to seeing you too. Hope you won’t feel too landlocked.”

“Don’t let me forget to take your keys. Clarence made me swear to get them back. By the way, why does he hate you so much?”

“Will be good to have closure tomorrow before you go home to Portia. It’s been nice knowing you.”

“ Mon cher, I have such trouble not smiling and laughing that I will surely be pleasant when you stop by, but know, even in the fantasy space of my writing, that you abscond with a little piece of my heart.”

I couldn’t sleep. At one point, I sat up and sketched my left hand with devilish accuracy, getting every skin crease, every suggestion of bone, leaving nothing undrawn, with the fantastic idea that I would give it to him as a keepsake and a proof that, despite my ramblings, I had consistency. Then I lay down and spun more lunatic words under my breath. Somehow I made it to morning.