Melanie McGrath - Hopping

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Hopping: краткое содержание, описание и аннотация

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The sequel to the bestselling Silvertown, which tells the story of Aunt Daisy, and all the other Aunt Daisys – the locals of the old East End.For more than a century, hopping was the main event in the East End calendar – an annual expedition of over 200,000 East Enders out to the Kentish countryside to look for casual work picking hops and stripping bines.Aunt Daisy was one of those day trippers. For her, the train ride from London Bridge to Faversham was a kind of magic that she always passed in a rush of sensation. To be away from the tight hustle of the city and lose herself in the open spaces and pollen mists of the Kentish summer provided her with a succour that would last her through the long winters back in London. Her delicate demeanour had never really suited the smutty terraces of the East End; rather she considered herself a countrywoman who just so happened to be stranded in the city.Married young and yet not unhappily to Harold Baker, a closet homosexual who would never consummate their union, at some early point she wrote an escape clause into her life that shielded her from her life's difficult realities. It was this resolve, a kind of armour born out by her dreamy nature, that more than anything else marked Aunt Daisy out as an East Ender.Thoughtful, moving and beautifully rendered, Hopping captures the essence of ordinary family lives often obscured from history during an extraordinary period in London's past. Regardless of era or circumstance, chartering the shift of the East End from a hive of poverty whose dimmed population toiled daily at the docks, to a Blitzed-out community that defiantly rose to confront the brutalities of World War II, through to the gamble and risk emanating from behind the glass and steel towers of today's Canary Wharf, Hopping stands as testament to the true East Ender disposition - an agility of spirit to endure your lot and get by.

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Later, after a tea of leftovers boiled into soup, Joe rolled Settle’s tobacco into newspaper and sat smoking and shaking his head.

I ain’t saying I’m for that Lansbury cove, nor for socialism neither, but I’ll tell you this for free; it ain’t right what’s happening and that’s that .

The strike lasted nine days and the Baldwin government did everything they could to stop it. In the London docks they continued recruiting volunteer militia police, including some pretty disreputable men, and brought in two navy submarines into the Royals to act as generators for the refrigerated warehouses where 750,000 beef and lamb carcasses were going nowhere. On the fifth day, lorries driven by soldiers broke the picket line and on 12 May the Trades Union Congress admitted defeat and called the strike off. Though the action was a failure, it proved to be iron ore to Joe Crommelin’s moral compass. From that day in May 1926 on, he was almost always to be found at evening meetings of one kind or another: trade unions, workers’ education committees, strike committees, fringe meetings and hustings. Joe didn’t talk about these meetings much, though he often brought home pamphlets, which he kept in the locked drawer in the chest into which Elsie had once placed Daisy and Franny when they were babies. Every so often he would unlock the drawer and remove a pile of leaflets, but he never spoke about what became of the leaflets or of his meetings for that matter, and Daisy did not care to quiz him. It was enough for her that for the first time since before the war, Joe Crommelin seemed happy and, for short periods at least, to be able to forget Elsie’s absence. Unionism had given him a cause less painful, less puzzling and certainly less hopeless than his wife.

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