Lucy Cooper - THE ELEMENT ENCYCLOPEDIA OF FAIRIES - An A-Z of Fairies, Pixies, and other Fantastical Creatures

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The latest title in the much-loved Element Encyclopedia series, The Element Encyclopedia of Fairies explores the history, legends, and mythology of these little peoples.In the latest instalment of the best-selling Element Encyclopedia series, fairy expert Lucy Cooper examines the long history of fairies in our world, both ancient and modern. From the Fates of ancient Greece and the Sidhe of the Celts to the Cottingley Fairies of Yorkshire and the Djinn of Arabia. Loaded with hundreds upon hundreds of fascinating entries, this is the most comprehensive and definitive book on fairies available today.In addition to the essential A to Z reference guide, The Element Encyclopedia of Fairies also features a series of essays which will illuminate for readers:• How to see a fairy• Fairies in literature and legend• The difference between a “fairy” and a “faerie”• Fairies from around the world• What and where is Fairyland?Whether you’re a seasoned fairy spotter or a new visitor to Fairyland, The Element Encyclopedia of Fairies is an essential addition to your fantastical bookshelf.

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One story tells of the Hero of Clanranald, who lived with his wife and their cow. The cow gave very little milk. One day the hero’s wife saw three crodh mara and went to milk them. That night she heard a voice that told her to spill some milk on the fairy hill. She did, and from that day on the cows appeared for her to milk every day. When she died, they never returned.

In another tale, a couple spotted crodh mara on an island at Lochmaddy. The milk from the fairy cattle supplied the couple with butter and cheese for half a year.

Croker, Thomas Crofton (1798–1854)

The antiquarian and folktale collector Thomas Crofton Croker was born in Cork, Ireland. After a sporadic local education, he joined a mercantile firm in 1813, but soon became more interested in artistic pursuits and developed an interest in the folk and fairy traditions of Ireland. In 1819 he obtained the position of clerk at the Admiralty in London, where he continued to work until his retirement.

His writings were influenced by visits to the province of Munster in the south of Ireland where he collected legends, folk songs, and tales. He wrote the first volume of Fairy Legends and Traditions of the South of Ireland in 1825. The book proved to be very successful; it garnered praise from Sir Walter Scottand was translated into German by Jakob Grimm. The second and third volumes were published in 1828. Croker’s wife, Marianne, was a painter and provided the illustrations for the books. Croker himself is regarded as the first field-collector of folk tales in Ireland.

Croquemitaine

French bogeyman, literally, the “cruncher of mittens.” When French children misbehave, their parents threaten to send them to the croquemitaine , who will gobble them up.

Cú Chulainn

See Cuchullin .

Cú Cuchaind

See Cuchullin .

Cù Sith

(Pronouced coo-shee .) Scottish fairy dog. His dark green color marks him out as distinct from other Celtic fairy hounds. Other fairy dogs are generally described as either white with red ears, or black; the most common type in England are black dogs. As described by J. G. Campbellin Superstitions of the Highlands and Islands of Scotland (1900), the cù sith is the size of a young bull, with a shaggy coat and a long tail coiled or plaited on his back; his huge footprints can often be seen in the mud or the snow. He runs silently, gliding along in a straight line. Three loud barks, which can be heard by sailors far out at sea, are the signal that the cú sith is out hunting.

See also Yeth Hound .

Cuachag

(Pronounced cooachack .) A Scottish river sprite or fuath . It haunted Glen Cuaich and takes its name from this place. Like all fuathan , it is a pernicious spirit.

Cúchulainn

See Cuchullin .

Cuchullin

(Also Cú Chulainn, Cú Cuchaind, or Cúchulainn.) Hero of the Ulster Cycle , one of the first collections of Irish heroic legends, he also appears in Manx and Scottish folklore.

Cuchullin was born a mortal, his name was Sétanta, but he was the son of the god Lugh of the Long Arm and even as a child he displayed great strength. When he was seven years old he killed Culain the Smith’s fierce hound, who guarded the King of Ulster’s court. To make amends he offered to guard Ulster until his death. He was given the name Cuchullin, “Culain’s Hound.”

From the outset Cuchullins striking appearance set him apart as different He - фото 35

From the outset, Cuchullin’s striking appearance set him apart as different. He had seven toes on each foot, seven fingers on each hand and seven pupils in each eye. His red shock of hair was dark brown at the roots, light blond at the tips. He wore 100 strings of gems on his head, his chest glittered with a hundred brooches, and he had many admirers. However, he was prone to fits of battle frenzy. During such fits, he transformed into a monster, turning himself around inside his skin, so that his feet and knees faced backward and his calves and heels faced forward. Each strand of his hair stood up on his scalp with rage, a flame leapt from his mouth, and a jet of black blood spouted from the top of his head. His eyes displaced themselves, one to his cheek, the other the back of his skull. He fought from his chariot, driven by Laég, his faithful charioteer, drawn by his gray and black horses Liath Macha and Dub Sainglend. In this fevered, crazed state, he had to be dipped into three vats of ice-cold water to return him to normal temperature.

When he was 17 years old, he single-handedly defended Ulster against Queen Medhb in the epic battle of the Cattle Raid of Cuailane. Eventually it was Queen Medhb who brought about his demise. Cuchullin bound himself to a pillar or standing stone so that he might stand up and fight his enemies to the very end and thus he died a hero.

See also Lug , Raven .

Curupira

Brazilian guardian spirit of the forest. In Brazilian mythology he is most often depicted as a red-headed boy, with the distinguishing feature of backward-facing feet. The name comes from curu , meaning “boy,” and pira , meaning “body,” in the language of the Tupi people of the Brazilian rainforest. Curupira safeguards trees, plants, and animals from the destructive activities of humans, using his backward feet to confound hunters who try to follow his tracks.

Cutty Soams

A mischievous coal-pit boglefrom the north of England, also known as Old Cutty Soams. Putters were mine workers—sometimes girls—responsible for pushing the wooden wagons that transported coal or ore out of the mine. “Soams” were the ropes that attached the putter to the wagon. Cutty Soams was known for severing these ropes. According to an account in the Monthly Chronicle (1887), when the men went down to work in the morning, it was not uncommon for them to find that Cutty Soams had been busy during the night, and every pair of soams in the colliery had been cut to pieces. Though fond of causing mischief, Cutty Soams was also known to bring about good, at times pouncing upon an unpopular overseer to give him a sound thrashing, much to the delight of the miners.

Cwn Annwn

(Pronounced koon anoon .) Welsh hell hounds. Similar to the Gabriel Ratchets, the wish hounds, and the Seven Whistlers, they are harbingers of death. To hear them is a sure sign that someone’s time is up. Their howls are said to grow softer as they approach; close by, their yelping sounds like the cries of small beagles, yet far away their growling is a loud wild lament.

See also Yeth Hound .

Cyhyraeth

(Pronounced kerherrighth .) Welsh form of the Scottish caoineag , the “weeper.” She is rarely seen, most often manifesting as an invisible, disembodied voice. Her groaning is an omen of death, especially multiple deaths that are the result of a disaster or an epidemic. Like the Irish banshee, she wails for locals who have died in foreign lands away from home. Accompanied by a corpse light or will o’ the wisp, her cries have been heard on the sea off the Welsh Glamorganshire coast before shipwrecks, foretelling the path a corpse would take to the churchyard.

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