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Luca Veste: DEAD GONE

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Luca Veste DEAD GONE

DEAD GONE: краткое содержание, описание и аннотация

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The young girl you have found isn’t the first experiment I’ve carried out. She won’t be the last.A tense, unpredictable crime debut that will not only have you gripped, but will chill you to the bone. Perfect for fans of Stuart MacBride and Mark Billingham.A serial killer is stalking the streets of Liverpool, gruesomely murdering victims as part of a series of infamous, unethical and deadly psychological experiments.When it becomes apparent that each victim has ties to the City of Liverpool University, DI David Murphy and DS Laura Rossi realise they're chasing a killer unlike any they've hunted before – one who doesn’t just want his victims’ bodies, but wants their minds too.With a series of psychological twists Dead Gone will keep you guessing until the very end.

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LUCA VESTE

Dead Gone

картинка 1

Copyright

Published by Avon, an imprint of

HarperCollins Publishers Ltd 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by HarperCollins 2013

Copyright © Luca Veste 2013

Cover image: photo of hatch © Glock/Alamy

Cover design: Clarkevanmeurs Design

Luca Veste asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780007525577

Ebook Edition © October 2013 ISBN: 9780007525553

Version: 2016-03-12

For Emma, Abs and Migs – It came true.

Contents

Cover

Title Page LUCA VESTE Dead Gone

Copyright Copyright Published by Avon, an imprint of HarperCollins Publishers Ltd 1 London Bridge Street London SE1 9GF www.harpercollins.co.uk First published in Great Britain by HarperCollins 2013 Copyright © Luca Veste 2013 Cover image: photo of hatch © Glock/Alamy Cover design: Clarkevanmeurs Design Luca Veste asserts the moral right to be identified as the author of this work. A catalogue copy of this book is available from the British Library. This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780007525577 Ebook Edition © October 2013 ISBN: 9780007525553 Version: 2016-03-12

Dedication For Emma, Abs and Migs – It came true.

Part One PART ONE Life is pleasant. Death is peaceful. It’s the transition that’s troublesome. Isaac Asimov We are taught from an early age to fear death, that unknowable force we are all moving towards, simply by existing. However, this aspect of human existence is not one discussed easily amongst those in western society. Death is not an easy topic to discuss openly, without the fear of perhaps upsetting or insulting. This one aspect that binds us all together, touches us all, irrespective of race, gender, or orientation; the one thing we all have in common, yet so often is considered a ‘dark’ subject. Talking about one’s own mortality is considered morbid and morose. One truth remains. We all die. Every single living organism experiences death. Indeed, according to Dr Sigmund Freud, ‘It is the aim of all life.’ We live to die. Homo sapiens as a species have shown great technological advances over the past few centuries. Yet one thing we have not, and will arguably never achieve, is to create a way of dealing with death in a uniform manner as a population. We grieve differently, we die differently. Death touches us all. Should we fear death, try to actively repel it, through attempts to prolong our lives? If technology moved to such a point that death could be avoided, endless life became a possibility, would we ever be able to really live? Without being able to investigate death and the repercussions for the deceased, is it possible to study death in any meaningful way, without being able to experience it? Taken from ‘Life, Death, and Grief’, published in Psychological Society Review, 2008, issue 72.

Experiment Two

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Experiment Two

Chapter 10

Chapter 11

Experiment Four

Chapter 12

Chapter 13

Chapter 14

Experiment Two

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Experiment Two

Chapter 21

Experiment Five

Chapter 22

Chapter 23

Part Two

Experiment Two

Chapter 24

Experiment Six

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Part Three

Chapter 33

Experiment Six

Chapter 34

Chapter 35

Experiment Two

Chapter 36

Experiment Two

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Experiment Two

Chapter 42

Chapter 43

Experiment One

Chapter 44

Chapter 45

Experiment Two

Epilogue

Luca Veste talks serial killers

Acknowledgements

About the Author

About the Publisher

PART ONE

Life is pleasant. Death is peaceful. It’s the transition that’s troublesome.

Isaac Asimov

We are taught from an early age to fear death, that unknowable force we are all moving towards, simply by existing. However, this aspect of human existence is not one discussed easily amongst those in western society. Death is not an easy topic to discuss openly, without the fear of perhaps upsetting or insulting. This one aspect that binds us all together, touches us all, irrespective of race, gender, or orientation; the one thing we all have in common, yet so often is considered a ‘dark’ subject. Talking about one’s own mortality is considered morbid and morose.

One truth remains. We all die. Every single living organism experiences death. Indeed, according to Dr Sigmund Freud, ‘It is the aim of all life.’ We live to die. Homo sapiens as a species have shown great technological advances over the past few centuries. Yet one thing we have not, and will arguably never achieve, is to create a way of dealing with death in a uniform manner as a population. We grieve differently, we die differently.

Death touches us all. Should we fear death, try to actively repel it, through attempts to prolong our lives? If technology moved to such a point that death could be avoided, endless life became a possibility, would we ever be able to really live?

Without being able to investigate death and the repercussions for the deceased, is it possible to study death in any meaningful way, without being able to experience it?

Taken from ‘Life, Death, and Grief’, published in Psychological Society Review, 2008, issue 72.

Experiment Two

She hadn’t been afraid of the dark.

Not before.

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