Jennifer Haigh - Faith

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One woman's search for the truth after scandal rocks her family, and the explosive family secrets she uncovers, in this complex, moving fourth novel from bestselling and award-winning author Jennifer Haigh.In THE LOST GOSPEL, Jennifer Haigh explores the repercussions of one family's history of silence, when a priest's sex scandal forces his family's untold past to surface. Art, Sheila, and Mike are siblings in a large extended Irish-American family from the Boston suburbs. Though their father is a non-believer, their mother is Lace Curtain Irish-Catholic, having raised her children to keep family secrets just that, secrets, in a home where most subjects are taboo.Sheila is concerned when Art, beloved priest leading a major Catholic parish outside Boston, seems to fall off the grid just days before Easter. Then the news breaks that he has been accused of sexual misconduct. The media coverage shatters the community and pits Art's family members against one another, leaving Sheila determined to uncover the truth and-she hopes-clear his name.Now that Sheila's in town and determined to help prove Art's innocence, she finds herself locking horns with her younger brother, Mike, who cannot shake the feeling that Art might be guilty.By turns disturbed by what Art might have done and furious at the seemingly unfair accusations, the truth remains elusive for readers in this artfully-crafted family drama.

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FAITH a novel JENNIFER HAIGH For Jimmy my first friend Its a fight youll - фото 1

FAITH

a novel

JENNIFER HAIGH

картинка 2

For Jimmy, my first friend

It’s a fight you’ll never win

And now you bow your head in shame

For a sin no one forgives

—DROPKICK MURPHYS, “THIS IS YOUR LIFE”

He lives for God, who lives by the Rule.

—ST. BENEDICT

Contents

Cover

Title Page FAITH a novel JENNIFER HAIGH

Epigraph It’s a fight you’ll never win And now you bow your head in shame For a sin no one forgives —DROPKICK MURPHYS, “THIS IS YOUR LIFE” He lives for God, who lives by the Rule. —ST. BENEDICT

Chapter 1

Chapter 2

Chapter 3

Part 1 - 2002

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Part 2 - May

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Acknowledgments

About the Author

Also by Jennifer Haigh

Copyright

Credits

About the Publisher

Chapter 1

Here is a story my mother has never told me.

It is a day she’s relived a thousand times, the twenty-first of June, 1951, the longest day of that or any year. A day that still hasn’t ended, as some part of her still paces that dark apartment in Jamaica Plain, waiting. I imagine the curtains closed against the five o’clock sun, hot and bright as midday; her baby boy peacefully asleep; her young self with nothing to do but wander from room to room, still filled with her dead mother-in-law’s things.

At the time she’d thought it a grand apartment, her from Roxbury where the children slept three to a bed. Even as a boy her husband had had his own bedroom, an unimaginable luxury. His mother had been injured somehow giving birth and there had been no more children. This fact alone made the Breens wealthier than most, though Harry’s father had only worked at Filene’s stacking crates in the warehouse. The entire apartment had come from Filene’s, on the employee discount, the lamps and brocade divan and what she had learned were called Oriental rugs. Mary herself had never bought a thing at Filene’s. Her own mother shopped at Sears.

In the bedroom the baby slept deeply. She parted the curtains and let the sun shine on his face. Harry, when he came home, would pull them shut, worried someone might see him dressing or undressing through their third-floor windows. Sure, it was possible—the windows faced Pond Street, also lined with three-deckers—though why he cared was a puzzle. He was a man, after all. And there was nothing wrong with the sight of him. The first morning of their marriage, lying in the too-soft bed in the tourist cabin in Wellfleet, she had looked up at him in wonderment, her first time seeing him in daylight, his bare chest and shoulders, and her already four months along. Nothing wrong with him at all, her husband tall and blue-eyed, with shiny dark hair that fell into his eyes when he ducked his head, a habit left over from a bashful adolescence, though nobody, now, would call him shy. Harry Breen could talk to anyone. Behind the counter at Old Colony Hardware he had a way with the customers, got them going about their clogged pipes and screen doors and cabinets they were installing. He complimented their plans, suggested small improvements, sent them out the door with twice what they’d come in for. A natural salesman, never mind that he couldn’t, himself, hit a nail with a hammer. When a fuse blew at the apartment it was Mary who ventured into the dark basement with a flashlight.

What did you do before? she’d asked, half astonished, when she returned to the lit apartment and found Harry and his mother sitting placidly in the kitchen, stirring sugar into teacups.

We didn’t burn so many lights before, the old lady said.

It was a reminder among many others that Mary’s presence was unwelcome, that Mrs. Breen, at least, had not invited her into their lives, this grimy interloper with her swollen belly and her skirts and blouses from Sears. As though her condition were a mystery on the order of the Virgin Birth, as though Harry Breen had had nothing to do with it.

She lifted Arthur from his crib and gave his bottom a pat. He wriggled, squealed, fumbled blindly for her breast. The sodden diaper would have to be changed, the baby fed. In this way minutes would pass, and finally an hour. The stubborn sun would begin its grudging descent. Across town, in Roxbury, girls would be dressing for the dances, Clare Boyle and her sister and whoever else they ran with now, setting out by twos and threes down the hill to Dudley Street.

She finished with the diaper, then sat at the window and unbuttoned her blouse, aware of the open curtains. If Harry came upon her like this, her swollen breast exposed, what would he do then? The thought was thrilling in a way she couldn’t have explained. But it was after six, and still there was no sign of him. When his mother was alive he’d come straight home after work. You could set your watch by it, his footsteps on the stairs at five-thirty exactly, even on Fridays when the other men stopped at the pub for a taste. Lately, though, his habits had shifted. Mondays and Tuesdays he played cards at the Vets.

Once, leaving church, he’d nodded to some men she didn’t recognize, a short one and a tall one sharing a cigarette on the sidewalk. See you tomorrow, then, Harry called in a friendly tone. The short man had muttered under his breath, and the tall one had guffawed loudly. To Mary it couldn’t have been plainer that they were not Harry’s friends.

THEY’D MET the way everyone met, at the dances. Last summer the Intercolonial was the place to be; now it might be the Hibernian or the Winslow or the Rose Croix for all she knew. On a Saturday night, with Johnny Powell’s band playing, a thousand or more would crowd upstairs at the Intercolonial, a mirrored globe hanging from the ceiling so that the walls shivered with light.

She was seventeen then, too young for such pleasures. But it had been easy enough to slip out on a Friday night with Ma dead asleep, exhausted by the work of getting three small ones bathed and in their beds. And it wasn’t even a lie to go dancing on a Wednesday, when Mary really did attend the novena at nine o’clock as she was supposed to, the church packed with other overdressed girls and men who’d already had a drink or two, who’d meet up later across the street at Fontaine’s Café and make their plans for the evening. All right, then. See you at the hall. The men were deep on Wednesdays; you could change partners all night long if you wanted. Thursdays were a different story, maids’ night out, the halls packed with Irish girls. There was almost no point in going on a Thursday, the numbers were so against you. On a Thursday you were lucky to get a single dance.

Harry Breen hadn’t chosen her, not at first. That first time they’d danced purely by chance. She knew all the dances—the reels and jigs, the wild céilí. At the Intercolonial waltzes were the thing, though once each night Johnny Powell would force the dreamy couples apart. Line up, everybody, for the Siege of Ennis. A mad crush, then, as they formed two long lines, men and girls facing. You’d take your turn with every one, herself and Clare Boyle laughing the whole way through. Some of the men were clumsy, some so strong they’d nearly swing you off your feet.

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