Ian Holt - Dracula - The Un-Dead

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The official sequel to Bram Stoker's classic novel Dracula, written by his direct descendent and endorsed by the Stoker familyThe story begins in 1912, twenty-five years after the events described in the original novel. Dr. Jack Seward, now a disgraced morphine addict, hunts vampires across Europe with the help of a mysterious benefactor. Meanwhile, Quincey Harker, the grown son of Jonathan and Mina, leaves law school to pursue a career in stage at London's famous Lyceum Theatre.The production of Dracula at the Lyceum, directed and produced by Bram Stoker, has recently lost its star. Luckily, Quincey knows how to contact the famed Hungarian actor Basarab, who agrees to take the lead role.Quincey soon discovers that the play features his parents and their former friends as characters, and seems to reveal much about the terrible secrets he's always suspected them of harbouring. But, before he can confront them, Jonathan Harker is found murdered.The writers were able to access Bram Stoker's hand-written notes and have included in their story characters and plot threads that had been excised by the publisher from the original printing over a century ago.Dracula is one of the most recognized fictional characters in the world, having spawned dozens of multi-media spin-offs. The Un-Dead is the first Dracula story to enjoy the full support of the Stoker estate since the original 1931 movie starring Bela Lugosi.

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Only at night could Seward find peace with the memory of Lucy. In his dreams, he still felt her warm embrace. For a fleeting moment, he could go back to London, to a happier era, when he found meaning through his place in the world and his research. This was the life he had wished to share with Lucy.

The early morning din of milk wagons, fishmongers’ carts, and other merchant vehicles rattling hurriedly across the cobblestone streets of Paris intruded on Seward’s dream and thrust him back into the harsh present. Seward forced his eyes open. They stung worse than fresh iodine on an open wound. As the cracked ceiling of the stale Parisian flophouse room he had been renting came into focus, he reflected on how much his life had changed. It saddened him to see all the muscle tone he had lost. His bicep sagged, resembling one of those hand-sewn muslin tea bags after it had just been removed from a teapot. The veins on his arm were like rivers on a tattered map. He was a shadow of his former self.

Seward prayed that death would come quickly. He had willed his body to science, to be used in a classroom at his alma mater. He took comfort from the fact that in death he would help to inspire future doctors and scientists.

After a time, he remembered the watch, still nestled in his left hand. He turned it over. Half past six! For an instant, panic overtook him. Damn it to hell. He had overslept. Seward staggered to his feet. An empty glass syringe rolled off the table and shattered on the grimy wooden floor. A small, smoked brown bottle of morphine was about to follow the fate of the syringe, but he quickly caught the precious liquid, untying the leather belt from his left bicep with a practiced movement. Normal circulation returned as he rolled down his sleeve and returned the silver monogrammed cuff link to his frayed dress shirt. He buttoned up his vest and slipped on his jacket. Wallingham & Sons were the finest tailors in London. If his suit had been made by anyone else, it would have disintegrated ten years ago. Vanity dies hard, Seward thought to himself with a humorless chuckle.

He had to hurry if he still wanted to make the train. Where was that address? He had put it in a safe place. Now, when he needed it, he could not recall where exactly that was. He overturned the straw-filled mattress, inspected the underside of the wobbly table, and peered under the vegetable crates that served as dining chairs. He sifted through piles of aged newspaper clippings. Their headlines spoke of Seward’s current preoccupation: gruesome stories of Jack the Ripper. Autopsy photos of the five known victims. Mutilated women posed, legs open, as if waiting to accept their deranged killer. The Ripper was deemed a butcher of women—but a butcher is more merciful to the animals he slaughters. Seward had reread the autopsy notes countless times. Loose pages of his theories and ideas written on scrap paper, torn cardboard, and unfolded matchboxes fluttered around him like windblown leaves.

The sweat flowing from Seward’s brow began to sting his bloodshot eyes. Damn, where had he put it? The Benefactor had taken enormous risks to get him this information. Seward could not bear the thought of disappointing the only person who still believed in him. Everyone else—the Harkers, the Holmwoods—all thought he had taken leave of his senses. If they could see this room, Seward knew, they would feel justified in that belief. He scanned the crumbling plaster walls, which bore the evidence of his morphine-induced rants, his wild insights handwritten in ink, coal, wine, even his own blood. No madman would be so obvious. He was certain that these writings would one day prove his sanity.

Amidst it all, there was a page torn from a book, stabbed into the wall with a bone-handled bowie knife whose blade was stained with old blood. The page featured a portrait of an elegant, raven-haired beauty. Beneath the picture, an inscription: Countess Elizabeth Bathory circa 1582.

Of course, that’s where I hid it. He laughed at himself as he pulled the knife out of the wall, seizing the page and turning it over. In his own barely legible handwriting, he found the address of a villa in Marseilles. Seward removed the cross, wooden stake, and garlic wreaths that hung next to Bathory’s picture and scooped up a silver knife from the floor. He placed everything into a false bottom in his medical bag and covered it all with standard medical supplies.

The train left the Gare de Lyon exactly on time. Seeing it pull away just as he was paying for his ticket, Seward sprinted across the flood-stained building to reach the chugging behemoth as it left the seventh bay door. He managed to catch the last Pullman car and hoist himself on before it had a chance to pick up speed. His heart surged with pride as he made the daring leap. He had done this sort of thing in his youth with the Texan Quincey P. Morris and his old friend Arthur Holmwood. Youth was wasted on the young. Seward smiled to himself as he recalled the reckless days of his innocence…and ignorance.

The doctor took a seat in the elaborate dining car as the train lumbered southward. It wasn’t moving quickly enough. He glanced down at his pocket watch; only five minutes had passed. Seward lamented that he could no longer pass the time by writing in his journal, as he was unable to afford the luxury of such a thing. They were not scheduled to reach Marseilles for ten more hours. There, he would finally have the evidence to prove his theories and show those who had shunned him that he was not mad, that he had been right all along.

These were going to be the longest ten hours of Seward’s life.

“Billets, s’il vous plaît!”

Seward stared wide-eyed at the conductor standing over him with a stern look of impatience.

“Forgive me,” Seward said. He handed the conductor his ticket, adjusting his scarf to cover the torn breast pocket.

“You are British?” the conductor asked with a heavy French accent.

“Why, yes.”

“A doctor?” The conductor nodded toward the medical bag between Seward’s feet.

“Yes.”

Seward watched the conductor’s gray eyes catalogue the threadbare person in front of him, the ill-fitting suit and well-worn shoes. He was hardly the image of a respectable doctor. “I will see your bag, please.”

He handed over the bag, for it was not as if he had much choice in the matter. The conductor methodically pulled out medical bottles, read the labels, and dropped them back in with a clink. Seward knew what the conductor was looking for and hoped he wouldn’t dig too deeply.

“Morphine,” announced the conductor in a voice so loud that other passengers glanced over. He held up the brown bottle.

“I sometimes have to prescribe it as a sedative.”

“I will see your license, please.”

Seward searched his pockets. Over a month ago, the International Opium Convention had been signed, prohibiting persons from importing, selling, distributing, and exporting morphine without a medical license. It took him so long to find it that by the time Seward finally produced the license, the conductor was about to pull the cord to stop the train. The conductor examined the paper, frowning, then turned his steely eyes to the travel document. The United Kingdom was the first to use photo identification on their passports. Since that picture had been taken, Seward had lost a tremendous amount of weight. His hair was now much grayer, his beard wild and untrimmed. The man in the train bore little resemblance to the man in the photo.

“Why are you going to Marseilles, doctor?”

“I am treating a patient there.”

“What ails this patient?”

“He’s suffering from a Narcissistic Personality Disorder.”

Qu’est-ce que c’est?

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