Angela Clarke - Follow Me - The bestselling crime novel terrifying everyone this year

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**'We've been waiting for a novel that shows just how creepy and scary social media actually is and this is it. Angela Clarke knows exactly which buttons to press. #creepedmeout’ TANIA CARVER**LIKE. SHARE. FOLLOW . . . DIEThe ‘Hashtag Murderer’ posts chilling cryptic clues online, pointing to their next target. Taunting the police. Enthralling the press. Capturing the public’s imagination.But this is no virtual threat.As the number of his followers rises, so does the body count.Eight years ago two young girls did something unforgivable. Now ambitious police officer Nasreen and investigative journalist Freddie are thrown together again in a desperate struggle to catch this cunning, fame-crazed killer. But can they stay one step ahead of him? And can they escape their own past?Time's running out. Everyone is following the #Murderer. But what if he is following you?ONLINE, NO ONE CAN HEAR YOU SCREAM …**Amazon RISING STAR Debut of the Month in January 2016!**Readers everywhere can’t stop talking about FOLLOW ME:‘Written in the sharpest style, the story races along … there’s a verve to it that’s impossible to resist. Clarke is certainly someone to watch!’ DAILY MAIL‘A disturbing narrative … a very contemporary nightmare, delivered with panache’ INDEPENDENT‘An original idea…Freddie is a magnificently monstrous character’ SATURDAY REVIEW, BBC Radio 4‘Slick and clever’ SUN‘A chilling debut’ HELLO!‘Compelling, a proper page-turner’ EMERALD STREET‘Smart, snappy and addictive: Angela Clarke is #killingit’ Holly Williams, INDEPENDENT ON SUNDAY‘An appealing flawed female lead readers who enjoyed THE GIRL ON THE TRAIN … with a dark and filthy wit.’ CRIME SCENE MAGAZINE'Pacey, gripping, and so up-to-the-minute you better read it quick!’ CLAIRE McGOWAN‘Follow Me is literally gripping – the tension levels were forcing me to clutch the book so hard that my hands hurt!’ Daisy Buchanan, GRAZIA‘Clarke brings dazzling wit and a sharp sense of contemporary life to a fast-paced serial killer novel with serious style’ JANE CASEY

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To shut herself up, she stepped forward. Reassuring herself: it was just like the movies. You’ve seen it all before . (The time she’d had to lie down after watching a beheading video online didn’t count. This was different. She was prepared.) She turned.

The floor undulated under Freddie’s feet. The body of what had once been a man was slumped over a desk, his neck cut like deli salami, blood pooling round his bare feet. A computer, its wormhole screensaver winding over the monitor seemed to propel blood toward her. The last thing she heard before the dark red obliterated everything was her childhood friend Nasreen Cudmore’s voice.

‘Freddie Venton, what the hell are you doing here?’

Fifteen hours earlier

14:32

Friday 30 October

Sat on the windowsill, trying to block out the late lunch drinkers in the Queen Elizabeth pub below, Freddie pressed her phone to her ear. How, in Dalston, in the middle of the country’s capital, could this be the only place to get signal in her room? Her new flatmate – what was his name, short guy, wore glasses, worked in ad sales, always out drinking after work. Pete? P – something. Edged into her room, en route to the kitchen, mouthing, ‘Sorry’. Must be his day off.

She nodded. Three people in one pokey two-bed flat had seemed a great money-saving plan. But that was five flatmates ago, when she’d actually known the two girls she shared with. Now she slept in the lounge, the sofa claimed as a bed, and all and sundry crossed her room to get their breakfast cereal. Privacy and mobile reception were for other people.

Freddie gurned at her reflection in the seventies mirror above the faux thirties fireplace opposite. Her brown hair, cut by a mate with kitchen scissors, sprang away from her shoulders like she’d been shocked. Flashes of red hair chalk zigzagged toward her DIY fringe. Her legs, stubbornly plump despite working on her feet and taking more than the recommended 10,000 steps a day, poked out from beneath her nightshirt (a T-shirt that had belonged to a long-forgotten one-night stand). Unless she squished herself in with her hands or a belt, she never looked like she had a waist. Her torso, like her mum’s, was square, with the addition of breasts that practically needed scaffolding to restrain them. She wiggled her black plastic rectangular-framed glasses. Not traditionally beautiful.

The line in her ear clicked, and the noise of the busy newsroom came through. ‘Freddie.’ Sandra, the deputy editor of The Family Paper online, sounded tense and tired. Business as usual. ‘Is there a problem with this week’s copy?’

‘No. No problem.’ Freddie pushed her back into the cold glass, willing the signal to hold. ‘It’s just I’ve been writing the Typical Student column for three years now…’

‘Time flies when you’re having fun.’

Freddie thought of the two years she’d spent on the dole, clawing her way into glass collecting jobs, churning out pitches, unpaid articles and free features during the day – a blur of coffee, cigarettes and unpaid bills since she graduated. ‘Yes, it is fun. And popular. Didn’t I get over 90,000 hits last week?’

Sandra didn’t deign to confirm or deny this figure.

‘Well I was wondering if, given the column’s popularity, I might get paid for writing it?’

There was silence on the other end. Only the sound of the UK’s busiest and most hated newsroom could be heard. The clamorous grind and grunt as the newspaper was conceived in a hail of profanities all journalists told you was the best-paid gig. The one that Freddie had written one hundred and fifty-six eight-hundred-word columns for, and been paid precisely nothing by.

‘Sandra?’

‘We don’t have the budget. If you could get the column into the print edition then you’d be paid,’ Sandra sighed. Freddie noticed it was more from annoyance than shame.

‘How do I do that?’ Surely you could do that for me, you lazy cow.

‘I’ll think about it. I’ll send you some emails.’

Unlikely.

‘Didn’t we try this before?’ Sandra sounded on the verge of dozing off.

We? There’s no we in this, Sandra. You go off with your monthly pay packet, and I sit in my lounge bedroom trying to work out how I’m going to afford to eat this month. ‘Yes.’

‘What did they say?’

‘The student focus was too young for the main paper.’ Snotty baby-boomers.

‘The online readers enjoy your stories of debauched students, Freddie. They really go for it.’

They really go for hating on it. Last week she’d written about getting wasted the night before an exam. Total fabrication. Her and her mates had sat in night after night working in fear, as they watched the collapsing economy swallow everything around it like a dead star: paid internships, graduate schemes, jobs, benefits. She might as well have spent her time downing pints of vodka. ‘I graduated two summers ago, I’m not even at university anymore.’

‘It’s up to you, it’s all good experience.’

Experience. Everything was good experience: writing articles for free for a national newspaper, landing a job in Espress-oh’s coffee chain to pay her bills, pitching, publishing, pumping out all her words for no reward. When was this experience supposed to pay off? When would she have enough experience? ‘I’ll send the copy over now.’

‘Let’s do drinks soon.’

They wouldn’t. That was what people with paid jobs said to get rid of you. They didn’t need contacts. They didn’t need any more drags on their time. When they were done, they wanted to go home and wank off in front of their latest box set. Drinks were for those who needed a way in. Drinks were fucking fictional.

Freddie left the phone on the windowsill. She should sleep. What had she managed? Her shift finished at 6.00am. She’d brainstormed ideas on the way home on the Ginger Line. 9.30am first commission came in. There were three in total today, all wanted them filed within a couple of hours, all under a thousand words, only one of them was paid. Thirty pounds from a privately funded online satire site. Gotta love the rich kids. Awash with their parents’ money, they didn’t have enough business sense to demand that their contributors work for experience .

She clicked refresh on her Mac mail. No new emails. Then she clicked refresh again. Then she did the same on Twitter, Facebook, WhatsApp and Snapchat. Round and round. Waiting. For what? Something. Something big.

She placed her glasses on the coffee table, closed her eyes, and pulled her duvet up. She’d been awake for nineteen, nearly twenty hours. Her flatmate, Pete, whatever, moved quietly through the room, only ruining it when he spilt hot tea on his thumb and swore. She liked him. Good egg. The tug of sleep came easily.

Her head was shaking. No, vibrating. Her hand had the phone and she was answering before her brain caught up.

‘Freddie, it’s Neil here. Neil Sanderson.’

Neil Sanderson. The Post . Broadsheet. She’d met him at the industry awards she’d blagged a ticket to. Built the relationship on Twitter.

‘Neil, hi,’ she gulped from a cold coffee as she climbed up onto the windowsill. Work brain, work.

‘I’ve taken a look at the stuff you’ve sent me and it’s great.’

Fuck!

‘The writing is sound, the points salient and well argued,’ he continued.

Fuck, fuck!

‘But I can’t use it.’

Fuck . ‘Why?’

‘The thing is, Freddie, you’re a great writer, but that’s not enough these days. The world’s full of great writers and the Internet’s only made it easier to find them. You need that extra something to stand out.’

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