CHRISTINA DALCHERearned her doctorate in theoretical linguistics from Georgetown University, specializing in the phonetics of sound change in Italian and British dialects. She and her husband split their time between the American South and Naples, Italy. VOX is her debut novel.
Copyright
An imprint of HarperCollins Publishers Ltd
1 London Bridge Street
London SE1 9GF
First published in Great Britain by HQ in 2018
Copyright © Christina Dalcher 2018
Christina Dalcher asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Ebook Edition © August 2018 ISBN: 9780008300654
‘ VOX is intelligent, suspenseful, provocative, and intensely disturbing – everything a great novel should be.’
Lee Child
‘A petrifying re-imagining of The Handmaid’s Tale in the present, and a timely reminder of the power and importance of language.’
Marta Bausells, ELLE
‘This book will blow your mind. The Handmaid’s Tale meets Only Ever Yours meets The Power . Read it and shout about it in more than 100 words if you need to.’
Nina Pottell, PRIMA
‘A novel ripe for the era of #MeToo.’
Vanity Fair
‘A bold, brilliant and unforgettable debut.’
Alice Feeney
‘A truly compulsive novel.’
Stylist
‘Thought-provoking and thrilling. I was left speechless!’
Woman & Home
‘Any woman who has ever been shamed into silence will recognise the terrifying vista so vividly portrayed in VOX .’
Roisin Ingle, The Irish Times Women’s Podcast
‘A disturbingly prescient cautionary tale. It will also get under your skin and make you extremely angry, regardless of your gender.’
Starburst Magazine
‘My favourite book of the year so far…’
Lisa Hall
‘Chilling and gripping — a real page-turner.’
Karen Cleveland
In memory of Charlie Jones
linguist, professor, friend
Contents
Cover
About the Author
Title Page
Copyright
Praise
Dedication
ONE
TWO
THREE
FOUR
FIVE
SIX
SEVEN
EIGHT
NINE
TEN
ELEVEN
TWELVE
THIRTEEN
FOURTEEN
FIFTEEN
SIXTEEN
SEVENTEEN
EIGHTEEN
NINETEEN
TWENTY
TWENTY-ONE
TWENTY-TWO
TWENTY-THREE
TWENTY-FOUR
TWENTY-FIVE
TWENTY-SIX
TWENTY-SEVEN
TWENTY-EIGHT
TWENTY-NINE
THIRTY
THIRTY-ONE
THIRTY-TWO
THIRTY-THREE
THIRTY-FOUR
THIRTY-FIVE
THIRTY-SIX
THIRTY-SEVEN
THIRTY-EIGHT
THIRTY-NINE
FORTY
FORTY-ONE
FORTY-TWO
FORTY-THREE
FORTY-FOUR
FORTY-FIVE
FORTY-SIX
FORTY-SEVEN
FORTY-EIGHT
FORTY-NINE
FIFTY
FIFTY-ONE
FIFTY-TWO
FIFTY-THREE
FIFTY-FOUR
FIFTY-FIVE
FIFTY-SIX
FIFTY-SEVEN
FIFTY-EIGHT
FIFTY-NINE
SIXTY
SIXTY-ONE
SIXTY-TWO
SIXTY-THREE
SIXTY-FOUR
SIXTY-FIVE
SIXTY-SIX
SIXTY-SEVEN
SIXTY-EIGHT
SIXTY-NINE
SEVENTY
SEVENTY-ONE
SEVENTY-TWO
SEVENTY-THREE
SEVENTY-FOUR
SEVENTY-FIVE
SEVENTY-SIX
SEVENTY-SEVEN
SEVENTY-EIGHT
SEVENTY-NINE
EIGHTY
ACKNOWLEDGEMENTS
About the Publisher
ONE
If anyone told me I could bring down the president, and the Pure Movement, and that incompetent little shit Morgan LeBron in a week’s time, I wouldn’t believe them. But I wouldn’t argue. I wouldn’t say a thing.
I’ve become a woman of few words.
Tonight at supper, before I speak my final syllables of the day, Patrick reaches over and taps the silver-toned device around my left wrist. It’s a light touch, as if he were sharing the pain, or perhaps reminding me to stay quiet until the counter resets itself at midnight. This magic will happen while I sleep, and I’ll begin Tuesday with a virgin slate. My daughter, Sonia’s, counter will do the same.
My boys do not wear word counters.
Over dinner, they are all engaged in the usual chatter about school.
Sonia also attends school, although she never wastes words discussing her days. At supper, between bites of a simple stew I made from memory, Patrick questions her about her progress in home economics, physical fitness, and a new course titled Simple Accounting for Households. Is she obeying the teachers? Will she earn high marks this term? He knows exactly the type of questions to ask: closed-ended, requiring only a nod or a shake of the head.
I watch and listen, my nails carving half-moons into the flesh of my palms. Sonia nods when appropriate, wrinkles her nose when my young twins, not understanding the importance of yes/no interrogatives and finite answer sets, ask their sister to tell them what the teachers are like, how the classes are, which subject she likes best. So many open-ended questions. I refuse to think they do understand, that they’re baiting her, teasing out words. But at eleven, they’re old enough to know. And they’ve seen what happens when we overuse words.
Sonia’s lips quiver as she looks from one brother to another, the pink of her tongue trembling on the edge of her teeth or the plump of her lower lip, a body part with a mind of its own, undulating. Steven, my eldest, extends a hand and touches his forefinger to her mouth.
I could tell them what they want to know: All men at the front of the classrooms now. One-way system. Teachers talk. Students listen. It would cost me sixteen words.
I have five left.
“How is her vocabulary?” Patrick asks, knocking his chin my way. He rephrases. “Is she learning?”
I shrug. By six, Sonia should have an army of ten thousand lexemes, individual troops that assemble and come to attention and obey the orders her small, still-plastic brain issues. Should have, if the three R’s weren’t now reduced to one: simple arithmetic. After all, one day my daughter will be expected to shop and to run a household, to be a devoted and dutiful wife. You need math for that, but not spelling. Not literature. Not a voice.
“You’re the cognitive linguist,” Patrick says, gathering empty plates, urging Steven to do the same.
“Was.”
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