The Magazine - The Artist’s Watercolour Problem Solver

Copyright

Published by Collins,

An imprint of HarperCollins Publishers

77-85 Fulham Palace Road

Hammersmith London W6 8JB

www.harpercollins.co.uk

First published in 2003 Great Britain by HarperCollins Publishers Ltd

Collins is a registered trademark of HarperCollins Publishers Ltd

© The Artist magazine, 2003

Editor: Geraldine Christy

Designer: Penny Dawes

Indexer: Susan Bosanko

The text and illustrations in this book were previously published in The Artist magazine.

The Artist magazine asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library

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Source ISBN: 9780007149483

Ebook Edition © OCTOBER 2014 ISBN: 9780008108489

Version: 2014-10-15

Vin Rouge , Paul Riley

Parisian Side Street , Gerald Green

Portuguese Creek , Tom Robb

CONTENTS

Cover

Title Page

Copyright

Introductionby Sally Bulgin(Publishing Editor, The Artist )

Artists’ Biographies

About the Publisher

INTRODUCTION

Following the worldwide success and popularity of The Artist’s Problem Solver , first published in 2001 by HarperCollins from the long-running series in the UK’s The Artist magazine, we decided to collaborate on this second publication, concentrating this time on the most helpful watercolour problem-solving articles from the magazine series.

As I mention in my introduction to the first book, the aim of the ongoing series on which this most recent book is based is to tackle painting enthusiasts’ most common problems by posing their questions to top-class artist-tutors, who offer advice and possible solutions to each problem through down-to-earth instruction and demonstrations.

Pears in the Studio

(Anuk Naumann)

20.5 × 20.5 cm (8 × 8 in)

In this latest publication, the problems covered are those encountered specifically by watercolourists, although you may find that the ideas are relevant to painting subject matter in other media too. Watercolour is a wonderfully expressive medium, offering endless opportunities for portraying subjects, but it can be unpredictable and you may need guidance to overcome sticking points and reach your full potential. Here you will find a myriad of different watercolour problems which cover topics ranging from finding inspiration, using your chosen colours to their greatest effect and working up pictures from sketchbooks, to creating impact through tone control and recognizing the point at which to stop work on a painting. The subjects covered are also numerous and feature landscapes, seascapes, interiors and still-life paintings, as well as nudes, flowers and fabrics amongst others. There is something of value to every painter, whatever their level of skill.

Venice(Judi Whitton)

25.5 × 33 cm (10 × 13 in)

Each of the questions posed has been tackled by well-known practising artist-tutors with empathy for students’ concerns and needs. These include John Lidzey, Paul Riley, Ray Balkwill, Tom Robb and Judi Whitton, who offer advice based on their own approach to the subject or problem in hand. The result is a cornucopia of information, advice and inspiration to encourage watercolour painters of all levels of experience.

Publishing Editor, The Artist

1

A MATTER OF SUBJECT

What shall I paint next? Can you suggest new subjects that will stimulate renewed inspiration?

Answered by:

John Lidzey

The problem of finding a subject to paint seems to affect many artists, while others appear to have no trouble at all. From my own early experience I know the frustration of wasting a morning in failing to find something worthwhile to paint. It might be seen, I suppose, as a condition that is similar to writer’s block.