Dermot Bolger - The Family on Paradise Pier

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A stunning historical saga set in the early decades of the twentieth century which follows the lives and loves of one extraordinary family.We first meet the Goold Verschoyle children in 1915. Though there is a war going on in the world outside, they seem hardly touched by it – midnight swims, flower fairies and regatta parties form the backdrop to their enchanted childhood. But as they grow older, changes within Ireland and the wider world encroach upon the family’s private paradise.Turbulent times – the Irish war of independence, the Spanish Civil War, and World War II – are woven into the tapestry upon which this magical story is spun. Events in Spain, Russia and London draw the children in different directions: one travels to Moscow to witness Communism at first had; another runs away to England to take part in the General Strike and then heads off to the Civil War in Spain; another follows the more conventional route of marriage and family.Based upon the extraordinary lives of a real-life Anglo-Irish family, Bolger’s novel superbly recreates a family in flux, driven by idealism, wracked by argument and united by love and the vivid memories of childhood. ‘The Family on Paradise Pier’ shows Bolger at the height of his powers as a master storyteller. A spellbinding and magnificent achievement.

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‘Are you feeling okay?’ she asked. ‘Would you like to do something?’

Art looked up. ‘I will later. I just want to see if I can make a wireless.’

Brendan appeared in the doorway, having sneaked out of bed in hopes of being with his oldest brother. He was fascinated by anything Art did and pleaded to be allowed to help with the complex arrangements of wire. Eva left them there, knowing that soon Thomas would join them to question each decision with his impeccable logic, becoming even more determined than Art to construct this contraption. She knew that she would not see Art for the rest of the night, with the boys locked away, fixated by crackling siren voices as they attempted to construct their wireless set.

Returning to the house she found that the adults and the girls had moved into the drawing room. The front door was open and several local people had wandered in, attracted by the sound of the piano. Eva liked how people always spilled into the Manor House. There was old Dr O’Donnell from Killaghtee House, waylaid on his way home from a sick call, and two soldiers home on leave who clapped loudly when Maud finished her party piece. Eva took a window seat in the crowded room as Father sang the tone poem for violin and orchestra in his still unperformed Tir na n-Og symphony:

Far, far away, across the sea

There lies an island divinely fair

Where spirits blest forever dwell

And breathe its radiant enchanted air.

Everyone applauded, taking pride in this local composition. A hush came as Mr Ffrench took Father’s place at the piano. This striking young officer was still a novelty in Dunkineely and few people had previously heard him sing. Mr Ffrench announced that while travelling with the Royal Navy he had encountered strange men, but none as unusual as the hero of Mr Percy French’s song, Abdullah Bulbul Amir. He commenced the opening bars, then stopped to stare at Eva.

‘What are you sketching, Eva?’

‘You.’

Mr Ffrench beckoned Eva forward. She felt embarrassed, unused to anyone except Mother paying attention to her sketching. Heads craned forward to await the officer’s opinion. He considered her drawing in a silence that seemed to last for ever.

‘Well, Eva, do you know what this officer thinks?’

‘No, sir.’

‘That you will be a true artist when you grow up. Let no one steer you from that path. Can I keep this?’

Eva nodded, too overcome to speak, and returned to her seat, watching as Mr Ffrench began to play, with no sheet music in front of him, but an unfinished sketch balanced on the holder instead. She longed to get back the drawing, to sketch in Mother and Father and all the other faces in the crowded drawing room as Mr Ffrench smiled at her, then began to sing in a wondrous voice. People demanded an encore and it was midnight before all the party pieces were performed, with the visitors departing into the night, calling their farewells as the cart moved off along the dark street.

Eva and Maud had hot milk and bread in the kitchen before being sent to bed. Eva was glad to go, but Maud felt that she should be allowed to stay up with the adults who would talk late into the night. The wooden shutters blocked out any moonlight. Both sisters lay quietly, awaiting Mother’s final visit. Eva gazed up at the picture of a young girl kneeling beside a bed in prayer. She could not remember a time when this picture had not hung on her wall. She listened for Mother’s shoes on the creaky step near the bend of the stairs. The door was ajar, gaslight filtering in from the corridor. Mother ascended the stairs and Eva heard her soft voice in Art’s room before she pushed their door fully open. Framed in the light she looked beautiful in her dark grey hostess gown. She sat for a time on each bed. There was no hugging. She never took them on her knee for cuddles. Instead they sensed the aura of her love as she quietly asked each daughter if they had enjoyed their day. Mother’s fingers played with Eva’s hair while they talked, braiding imaginary plaits as a faint fragrance filled the air. It emanated from the hand lotion Mother always rubbed into her palms after gardening. She wore no makeup or perfume, just this scent as her fingers stroked Eva’s hair for a final few seconds before she said goodnight and the door closed.

Maud turned over, quickly falling asleep. Eva lay awake for a while, still able to smell Mother’s hand lotion. It had been a perfect day after all and there was still her birthday to come. The story about being rejected at birth for being a girl seemed less scary now. She fell asleep, filled with warm milk and bread and knowing that she was truly loved.

TWO The News

Easter 1916

Last night the maid had gone out walking and saw the lights of a German submarine rising from the dark sea at St John’s Point. She ran back to the house, hysterical for her country and her virginity, calling out for Mr Tim. Mr Timothy Goold Verschoyle had cycled out along the Bruckless road to watch the lights approach, stopping Dr O’Donnell on his way home from a sick call to tell him how he’d been mistaken for the vanguard of an invading force. On the deserted road the two men had laughed but tension lurked behind their good humour because for once the maid’s hysterics might have contained an edge of truth. The declaration of martial law in Dublin City and environs did not extend to Donegal, where life appeared normal. But amidst the constant bushfire of rumours about an armed insurrection in that city there was so little confirmed news that nobody was certain what to believe any more.

On Monday some bizarre class of Republic had been proclaimed in the capital by a handful of desperadoes. In some accounts the insurgents were utterly isolated, but in other reports they were holding Dublin until German reinforcements arrived. Whatever was happening, Mr Tim knew that his cousin, Countess Markievicz, would be at the centre of it, in James Connolly’s Citizen Army. Last year in the Irish Times there had been a photograph of her in a fantastical military uniform, marching at the head of a group of young men who resembled boy scouts more than volunteer soldiers. Mr Tim had supported the Irish Volunteers who were founded to demand Home Rule from Britain, especially as that force threatened no offensive action but existed merely as a counterweight to the unionist militant Ulster Volunteers who were pledged to resist at any cost Westminster’s plans to grant Home Rule. When the Great War started, the Irish Volunteers leadership had declared it to be the duty of young men to fight against Germany to show how Ireland valued freedom and would deserve the reward of self-government within the Empire when peace came. Republican zealots like the Countess had broken away from the Irish Volunteers to form a small splinter force, but it possessed so little support that nobody took them seriously. Indeed her conversion to Catholicism had caused more scandal in the family than what, until this week, had been seen as amateur theatrics of militaristic posing.

Mr Tim did not know how many others had joined the Countess in this shocking fiasco in Dublin. He was just glad that all his family would soon be safely gathered in the Manor House. Maud was the last to arrive, having gone to spend three days with a schoolfriend in Londonderry before the trouble broke out. Thankfully the trains were running and she would now be in Dunkineely, being escorted home by Art. Art had decided to meet the train alone and tell Maud the news. Mr Tim regarded his eldest son’s offer to do this as a sign that he was adjusting to the role and duties of an heir. With the sudden death of Grandpappy in January, Art was now just one heartbeat – Mr Tim’s heartbeat – away from inheriting the family home. Art was growing up. Mr Tim could see a difference when he travelled home at the end of each term from Marlborough College. This Easter he had brought back two school chums who had not previously set foot in Ireland and were alarmed by the startling events in Dublin. Still they were decent chaps, familiar with the rituals of bad news. They had played tennis with Eva and Thomas this afternoon, then slipped off for a swim at Bruckless Pier to let the family be alone when Maud reached home. Having changed trains at Strabane before boarding the narrow-gauge service that chugged along the coast from Donegal town to Killybegs, Maud would be expecting her siblings to crowd the tiny platform at Dunkineely in welcome. The sight of Art standing alone would disconcert her because she had the quickest brain in the family.

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