Eric Sykes - If I Don’t Write It Nobody Else Will

Здесь есть возможность читать онлайн «Eric Sykes - If I Don’t Write It Nobody Else Will» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: unrecognised, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

If I Don’t Write It Nobody Else Will: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «If I Don’t Write It Nobody Else Will»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

The long awaited story of one of Britain’s greatest comic legends.'Some people walk on stage and the audience warms to them. You can't explain it, and you shouldn't try. It's an arrogant assumption to say you 'decide' to become a comedian. The audience decides for you.' Eric Sykes, December 2001From his early days writing scripts for Bill Fraser and Frankie Howerd through decades of British radio and television comedy – ‘Educating Archie’, ‘Sykes And A …’, ‘Curry and Chips’, ‘The Plank’ – to his present day ventures into film and theatre, starring in ‘The Others’ with Nicole Kidman and appearing in Peter Hall's recent production of ‘As You Like It’, Eric Sykes has carved himself an enduring place as one of Britain's greatest writers and performers.In his much anticipated autobiography, Sykes reveals his extraordinary life working alongside a generation of legendary comedians and entertainers, despite being dogged by deafness and eventually virtual blindness. His hearing problems began in the early days of his career in the 1950s, around the time he wrote, directed and performed in the spoof pantomime ‘Pantomania’ for the BBC. Undeterred however, Sykes learned to lip-read, going on to write and appear in a number of BBC productions including ‘Opening Night’ and Val Parnell's ‘Saturday Spectacular’, the first of two shows he made with Peter Sellers, a great life-long friend. From 1959 until her death in 1980, Syke's starred with Hattie Jacques in one of Britain's best loved sitcoms ‘Sykes and A …’ Throughout the two decade run of this show he continued to work alongside a host of stars including Charlie Drake, Tommy Cooper, Tony Hancock, Spike Milligan, Johnny Speight, Ray Galton and Alan Simpson.Eric Sykes’s comedy has always sported an essential core of warm humanity and this, along with his genuine creative genius, continues to prove an unforgettably winning combination.

If I Don’t Write It Nobody Else Will — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «If I Don’t Write It Nobody Else Will», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

The realisation hit me that I was still only twenty yards or so from the WVS and I’d been standing on one spot for the last twenty minutes, gawping like a hayseed from the mountain country. Then a motor horn peeped and a Bedford pulled up by the kerb. I hadn’t even seen it arrive and had no idea why he was tooting. Could I have been asleep on my feet? He called out ‘Eric.’ Oh, blessed chariot! I dozed through the third gear of Reigate Hill and when we arrived back at camp I took off my boots, and that’s all I could manage before sleep overtook me.

All the wireless operators were relieved of duties, two at a time, in order to take driving lessons. The cars were ordinary family saloons and the instructors all civilians, and for the next few weeks we shuddered and stuttered, veering erratically and at times bumping on to the pavement. Fortunately we were taught the rudiments of driving on the quieter roads surrounding Reigate. It was hairy, but I was quite pleased with myself, considering I’d only sat in the front of a vehicle once before. I was only ten at the time and that was when the lunatic who drove the bread van offered me a lift. He was obviously a racing fanatic, because he had me clutching on to my seat as he made his way up Oldham Road, crouching over the wheel, his foot flat on the accelerator, double declutching, making louder engine noises with his mouth than the motor itself; then, with spittle swinging from his lips, he stamped on the brake so suddenly that I slid down under the dashboard. ‘Don’t go away,’ he said as he plunged through the shop door with an armful of loaves, but I’d had enough and when he emerged I’d gone. I almost perspire now at the thought of that crazy half mile. On reflection we couldn’t have been doing more than thirty miles an hour, but that was unsafe for a bread van.

Anyway, when we were considered proficient enough as drivers to be tested, we were trucked off to Croydon—busier than Reigate—to be examined by a senior civilian instructor. I passed my test, but I think only just, because as I stepped out of the car he said, ‘As a driver you’d make a good commando.’ I never discovered whether this was praise or sarcasm.

A very interesting interlude, but that was only the first course; the main dish was driving a three-ton Bedford. We were chucked in at the deep end, at the wheel, in convoy and, if that wasn’t hazardous enough, at night. It wasn’t too bad once I could change gears without having to fiddle for the lever. The tricky part was keeping a distance of thirty yards between me and the tail light of the lorry in front. A lapse of concentration could be at the least embarrassing. The hooded headlights didn’t make matters easier; a half-inch strip of illumination doesn’t give a driver confidence. When I learned the reason for this crash course (unfortunate choice of words), that if, when we were in action, anything happened to the driver we would be able to take over, enabling the war to continue, this led to much conjecture at our camp at Gatton Park. We were now sure in our minds that we were a new innovation in the RAF, the first of its kind: an MSU or mobile signals unit. At least we knew now that we’d be mobile, but where would we be going?

Конец ознакомительного фрагмента.

Текст предоставлен ООО «ЛитРес».

Прочитайте эту книгу целиком, купив полную легальную версию на ЛитРес.

Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «If I Don’t Write It Nobody Else Will»

Представляем Вашему вниманию похожие книги на «If I Don’t Write It Nobody Else Will» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «If I Don’t Write It Nobody Else Will»

Обсуждение, отзывы о книге «If I Don’t Write It Nobody Else Will» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x