Alan Whicker - Journey of a Lifetime

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The iconic broadcasting legend dusts down his suitcase for a final journey around the globe, revisiting locations of significance to his life and career."You might say I'm set in my airways. I'm one of those lucky people whose professional and private lives blend exactly."Alan Whicker, 2007This sumptuous book to accompany the major BBC TV series of the same name, is a glorious celebration of 50 years in front of the camera.For as long as most can remember, Whicker has roamed far and wide in search of the eccentric, the ludicrous and the socially-revealing aspects of everyday life as lived by some of the more colourful of the world's inhabitants.Since the late 1950s, when the long-running Whicker's World documentary was first screened, he has probed and dissected the often secretive and unobserved worlds of the rich and famous, rooting out the most implausible and sometimes ridiculous characters after gaining admittance to the places where they conduct their leisure hours.The great man's legacy contains a number of genuine TV firsts. As well as landmark interviews with figures as diverse as Papa Doc, Paul Getty and The Sultan of Brunei, he was a pioneer, covering subjects like plastic surgery, gay weddings, polygamy, swinging and following gun-toting cops, fly-on-the-wall style, for British screens long before anyone else.This wonderful new book is the end product of a very personal journey. Whicker retraces his steps, catching up with some past interviewees and reflecting on how the world has changed - for good and bad - over the passing of time. Journey of a Lifetime is lyrical, uplifting and peppered with our favourite globetrotter's brand of subtle satire.

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“Listen,” I said, when I got my voice back, “I’ve just bought that house. I’m planning to live in it for years. Now you’re going to kill the guy in the main bedroom! That’s me. Please tell all your friends there’s been a change of management.”

2 A TALK WITH SOMEONE WHO’S NOT TREMBLING

I passed a couple of restless days in Miami—a place quite easy to dislike. I was bracing myself to fly somewhere even worse. Far worse. I had just completed a series of Whicker’s World s in South America. All the fun and excitement of filming in Argentina (brilliant), on to Peru (druggy), then up among the volcanoes outside Quito in Ecuador (enchanting) and finally coming to rest in downtown Miami for a couple of apprehensive days awaiting PanAm’s lifeline flight to the kidnap capital of the world: Haiti.

Miami Beach was the place where, waking one morning in a vast white hotel totally surrounded by avarice, I took a taxi to the airport and asked for a ticket to anywhere . They thought I was mad—and probably by then I was, a little.

Now—ice-cold sane—I was approaching a far more dangerous destination: Haiti. The first black republic was only some 700 miles away, but its reputation made trigger-happy Floridians seem cool and chummy. This poorest country in the Western hemisphere survives with 80 per cent of its population below the poverty line.

I was on my reluctant way to examine Papa Doc’s republic—and Papa Doc, I had heard, was about to examine me. Not everyone walked away from those check-ups, our pilot told me cheerfully. In the world’s kidnap centre the dungeons were active, with Papa Doc as a frequent spectator.

Our jet, not surprisingly, was almost empty. It was a good plane to miss. We flew across the fringe of the Sargasso Sea, which seemed a suitable setting for any adventure, landed at François Duvalier Airport in Port-au-Prince, and drew breath. So far, so still alive.

This despairing nation was under the lash of a President for Life whose years of absolute power had brought terror to his people and ruin to his country. As I walked through the damp heat towards the decrepit arrivals building I saw, seared across the peeling white plaster of the wall that confronted me, a pockmarked line of bullet holes.

This was a fairly emphatic take-it-or-leave-it statement. It didn’t say whether it was a gesture from the Tourist Division of the Chamber of Commerce, but it was surely more arresting than the traditional view of Port-au-Prince from the mountains. It was the only airport welcome Haiti offered its rare visitors, and it was right in character.

Inside the building, a more friendly reception from the Pres-ident’s official greeter, Aubelin Jolicœur. This small, unctuous executive silenced the customs men who had scented rich pickings from us with a wave of his ivory-handled cane. I recognized him instantly: he had been drawn to perfection as Petit Pierre in Graham Greene’s frightening The Comedians.

He may have been smiling, but the Haitians watching us in the arrivals hall were expressionless, which suggested he wasn’t all that funny. Tontons Macoutes no longer stripped or frisked arrivals, though I was uncomfortably aware that the airport had just experienced one of those dramatic bloodlettings which would have seemed improbable fiction from Graham Greene.

The eldest of Dr Duvalier’s three daughters, his favourite Marie-Denise, had just married the 6′3″ Commander of his Palace Guard, Captain Max Dominique, who instantly became a Colonel. Then Papa Doc, acting upon different advice, decided his new son-in-law was involved in the plot against him for which he had just executed nineteen brother-officers.

Having considered the pleas of his wife and daughter, then pregnant, he spared Col. Dominique, but sent him into exile and out of the way as ambassador to Spain. As they left for Madrid, the President and Mrs Duvalier came to the airport to bid a sorrowful farewell to Di-Di.

For the traditional VIP goodbye picture the young couple stood at the aircraft door, waving to parents, friends and staff. As the door was closing upon the happy couple, there came a nod from Papa Doc. Their chauffeur and two bodyguards were shot down in front of them. Dr Duvalier was making his own farewell gesture of disapproval.

He turned and left the bloodstained tarmac without another glance at the dying men. They lay in the sunlight under the eyes of the few horrified passengers en route from Miami to Puerto Rico. The aircraft then departed abruptly. An American airman who had seen it all told me, “That captain practically took off with the door open. They just wanted to get out of there.”

There were no further executions on the evening of our arrival, but the scarred walls were adequate reminders. Outside we were distributed among waiting taxi drivers. They were all Tontons Macoutes, Papa Doc’s private army licensed to extort. Driving a cab was the best-paid job in the land at the time—the only one in which a Haitian could get his hands on foreign currency.

My personal Tonton was silent and sinister, with a Gauguin face. He had the poetic name of Racine. He also had red eyes.

There was no question of hotel selection; you went and lived where you were put. Racine drove us skilfully through the bumps and up the hillside to the white concrete Castelhaiti Hotel, overlooking the town. It was empty—but ready for us.

That evening ours was the only occupied table as we tackled some stringy chicken. Groups of listless waiters stood around in the gloom, watching and whispering while a piano and violin wailed mournfully in the shadows. Outside the fearful town, hushed and tense, awaited its regular power cut.

My crew soon gave up, and went to sort their equipment. It was jollier. We had called the camera for tomorrow and would find something to shoot. We needed to establish contact with the inaccessible Papa Doc. “Once we’ve been seen with him, talking to him, we’ll be all right,” said my Australian researcher, Ted Morrisby, who as usual had tuned in cleverly. “Then the Tontons and the rest of the town will know he accepts us. That means we shan’t get hassled, or shot.”

Well, he convinced me . In a land where we had no friends for protection, no embassy to turn to, there was a convincing argument for establishing contact before any more shots rang out.

Certainly Papa Doc was not easy to reach. His massacres had generated terror and despair and hidden fury, so every day he prepared to face some sort of counter-attack. He rarely left the white American-built National Palace, the only important building in town which could be instantly switched into a floodlit armed fortress, yet he did not feel secure even behind its walls and guarded gates.

The President had ousted Paul Magloire, who had twice sent in old B25 aircraft on bombing runs. The grounds were ringed by anti-aircraft guns and elderly armoured cars. The President also beseeched protection from a new prayer of which he was author. He sought support from all sides:

Our Doc, who art in the National Palace for Life,

Hallowed be thy name, by present and future generations

Thy will be done at Port-au-Prince and in the provinces.

Give us this day our new Haiti and never forgive the

trespasses of the anti-patriots…

By a stroke of Whicker’s luck we discovered that next day Our Doc was making a rare expedition into the anxious surroundings outside his palace. He was to open a new Red Cross centre, a small building a few hundred yards from his fortress.

We left our silent hotel at dawn and reached the area as troops and armed men began to assemble for the ceremony. There were hundreds of soldiers in well-pressed khaki with medals and white gloves, and of course a lot of armament. Militia wore blue denim with a red stripe for the occasion, like army hospital patients; more guns, of course. Mingling with authority among them were men in thin tight suits, snap-brimmed fedoras and shades, like Mods heading for Brighton Beach and waving light automatics around casually: the Tontons.

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