Andrew Taylor - Fireside Gothic

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From the No.1 bestselling author of The American Boy and The Ashes of London comes a collection of three gothic novellas – Broken Voices, The Leper House and The Scratch – perfect for fans of The Loney by Andrew Michael Hurley. Three dark tales to read by the fireside in the cold winter months BROKEN VOICES It’s Christmas before the Great War and two lonely schoolboys have been left in the care of an elderly teacher. There is little to do but listen to his eerie tales about the nearby Cathedral. The boys concoct a plan to discover if the stories are true. But curiosity can prove fatal.
THE LEPER HOUSE One stormy night, a man’s car breaks down. The only light comes from a remote cottage by the sea. The mysterious woman who lives there begs him to leave, yet the next day he feels compelled to return. But, the woman is nowhere to be seen. And neither is the cottage.
THE SCRATCH Clare and Gerald live in the Forest of Dean with their cat, Cannop. Gerald’s young nephew, back from service in Afghanistan, comes to stay, with a scratch that won’t heal. Jack and Cannop don't like each other. Clare and Jack like each other too much. The scratch begins to fester.

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‘That’s the strange part of it. It is said that he did. He told his friends that he had succeeded at the very last moment. He said the piece would be his masterpiece. The newly cast bells had already been hung in the tower. He found that if he went up into the tower himself, into the ringing chamber with pen and paper, the music came to him as if borne on the wind. But then came disaster.’

‘He died?’ I said, half hopefully, half fearfully.

Mr Ratcliffe held up a hand. ‘Be patient, young man. No, the first thing to happen was that cracks were discovered in the tower, when the workmen were hanging the new bells. You see, the west tower was built in the Middle Ages. It simply wasn’t designed for a ring of bells. It’s not the weight of them, you know. It’s the vibration they cause when they are rung. The Cathedral Surveyor told the Dean and Chapter that there could be no question of ringing the new ones.’

‘Which is why there aren’t any bells now,’ I said.

‘Yes – because they could well bring the tower crashing about everyone’s ears. The Surveyor said that the new bells must come down, and the tower had to be strengthened as soon as possible, and braced with iron ties. The Dean raged against this – his reputation, his judgement, was at stake. But he was forced to give way in the end. So there was no longer a need for an anthem to celebrate the new bells, and no longer any purpose on wasting a perfectly good piece of patronage on the Master of Music.’

‘What happened to it?’ Faraday asked. ‘The anthem, I mean.’

The anthem, I noticed, not the man: the Rabbit’s as mad as a hatter; and I smiled at my own joke.

Mr Ratcliffe lit his pipe and tossed the match into the fire. ‘No one knows for sure. Perhaps it was never written or perhaps it was destroyed. But the sad part is what happened to Mr Goldsworthy. The story was that he had left the manuscript in the west tower, where he had been working on it. One winter evening, he went up to retrieve it. But he was not aware that the workmen had already begun to remove the new bells from the tower. There are hatches in the floors at the various levels, to allow the bells to be lowered down from the belfry to the floor of the tower. By some mishap, the workmen had left open the hatch at the lowest stage, which is the ringing chamber just above the painted ceiling. There was very little light up there and poor Goldsworthy must have stumbled in the dark.’

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