Theresa Cheung - The Element Encyclopedia of Ghosts and Hauntings - The Complete A–Z for the Entire Magical World

The Keels suspected something supernatural was afoot, and on 23 November Mr Keel woke to see ‘a little oldish man, dressed in a green smock, very muddy breeches and gaiters, a slouch hat on his head and a handkerchief around his neck’. Keel tried to grab the man, thinking him a servant, but was astonished to see his hand go right through him. Keel ran to his wife, who also saw the man and tried to strike him, but her fist went through him too. The strange noises continued, and the green man, as the Keels called him, continued to appear. Once the phantom raised his head, and Mrs Keel could see that his neck had been cut all the way around. She concluded that he must have been murdered and that perhaps his skeleton was hidden in the house.

The manifestations were so frightening that the servants quit their jobs. The Keels were advised to get help in exorcizing the ghost by advertising in a newspaper. Several individuals tried to do the job but did not succeed.

In July 1936 Fodor was invited to investigate the case by a writer who was including the Ash Manor ghost in his book about hauntings. Fodor arrived and saw that the Keels were fearful of any harm being done to their reputations by the publicity. He stayed in the house for several nights, but no manifestations occurred.

At that time the medium Eileen Garrett was living in England, and Fodor asked her to visit Ash Manor. Garrett arrived on 25 July and immediately received the clairvoyant impression of a man who had been half brother to Edward IV or V and had started a rebellion. He had been tortured and left crippled as a result. That evening Garrett entered the haunted house and went into a trance, and her control, Uvani, spoke. Uvani explained that ghosts often manifest when an atmosphere of unhappiness enables a spirit to draw energy and revive its suffering. ‘Haven’t you discovered that these things only happen to you when you are in a bad emotional state, physically or mentally disturbed?’ Uvani asked. The control went on to say that in the fifteenth century a jail had existed near the house, where many unhappy souls had lost their lives. Anyone living in the house who was ‘nervously depleted’ would give out energy that would attract a ghost, who would use that energy to build himself up, like a ‘picture on the stage’.

Uvani permitted the ghost to possess Garrett, and the Keels said that her features looked like those of the green man. Speaking through Garrett, the ghost announced, in a medieval English accent, that he was called Charles Edward. He claimed to have been robbed of his lands by the Earl of Huntingdon and betrayed by a friend called Buckingham. He asked the witnesses to help him wreak revenge upon his enemies. Fodor informed the ghost that he was dead and begged him to give up his quest and join the spirits of his loved ones. The ghost reluctantly agreed to do so, and Garrett returned to normal consciousness.

The hauntings, however, did not stop, and Fodor conducted another session with Garrett, this time without the Keels present. The ghost once again appeared and pleaded for help in getting vengeance. Uvani announced that the Keels had used this ‘poor, unhappy creature’ in order to embarrass each other and that they did not want the ghost to leave. The control also said that if the unhappiness in the house persisted, it would become truly haunted.

Fodor at last felt that he was close to solving the case. Mrs Keel confessed to him that her husband was homosexual and that a great deal of tension existed between them. Fodor suggested that the ghost provided a distraction that prevented that tension from breaking out into the open.

When the Keels admitted they were hanging on to the ghost, the ghost departed. A scholarly investigation of the statements made by Charles Edward deemed they were not authentic, and Fodor, in analysing the case, considered the ghost to be an invention of Mr Keel’s subconscious mind, which Garrett had tapped into.

However, some of the haunting phenomena at Ash Manor could not be explained, for example, the independent sightings by servants and other witnesses. Fodor concluded that ‘it may be that those who put themselves in an unguarded psychological position, in a place filled with historical memories and traditions, do, on rare occasions, come into contact with a force or an intelligence other than their own.’

The opposite of apport, asport refers to psychic phenomena involving the disappearance or transportation of objects, supposedly accomplished with the help of the spirits of the dead. During the height of spiritualism in the late nineteenth and early twentieth centuries, apports produced at séances would often become asports and mysteriously vanish from one room to be found in another room. Sometimes, though, asported valuables would vanish altogether and remain forever with the spirits, causing sceptics to question the integrity of the mediums.

Although trickery is undeniable, there are also reported cases of asports that appear genuine. Sai Baba of India, famous for his apports of holy ash, food, precious jewels and other items, has also been said to dematerialize apports if the recipients do not like them and change them into something else.

Various esoteric traditions talk about the many bodies – the different levels of consciousness and existence – that each person has. Some people think of these different aspects as ‘subtle bodies’ or selves that exist in a parallel plane but are all part of a larger consciousness. This theory suggests that the body itself does not contain these aspects. Rather, this larger consciousness contains the body, as well as other levels of existence, and you can learn to create a closer connection to any of these aspects within yourself.

A commonly recognized ‘extra’ self is the astral body, also known as an energy body. The word ‘astral’ is derived from the Greek for ‘star’. The astral body can also be called a double or doppelgänger, because it is a duplicate of the physical body. Theosophists refer to it as the ‘etheric’ or ‘spiritual double’ containing the soul and made from the vibrations that make up the physical body.

The astral body exists on the astral plane, also known as the astral realm, astral world or astral sphere, and in metaphysical terminology the astral plane is contiguous in space, if not in time, with the material world. The astral realm is the one that the spiritual part or astral body enters during periods of sleep, under the action of anaesthetics or drugs, by accident when a person is unconscious, or immediately after death. The astral realm is not normally visible to ordinary sight, yet it is regarded as the proper dwelling of people’s higher spiritual bodies.

According to shamans and Theosophists the astral body or second self resembles the physical body but is made up of a subtle field of shining and flexible light that encases the body, visible only by a psychically sensitive person. It is thought that when you are sleeping the astral body can separate from the physical body, which results in flying dreams and the experience of disorientation experienced if you wake suddenly and the astral body hasn’t had time to line up with the physical one. Driven by emotions, passions and desires, the astral body is believed to be a bridge between the physical brain and a higher level of mind.

Symbols and pictures that are used to help individuals in astral projection reach the astral plane. Tarot cards can be used as astral doorways but the definitive doorways, used by psychics and magicians for hundreds of years, are the Tattwas of the Eastern esoteric tradition. The five primary tattwa symbols are simple coloured shapes – a yellow square (earth), blue circle (air), red triangle (fire), silver crescent (moon) and black oblong (ether) – and each one can be used as a focal point to trigger astral projection and give access to a specific part of the astral plane.