Theresa Cheung - The Element Encyclopedia of the Psychic World - The Ultimate A–Z of Spirits, Mysteries and the Paranormal

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This is the definitive A-Z reference book on all things psychic, mysterious and paranormal – the marvels, secrets and mysteries of the visible and the invisible world. This wonderful guide covers everything you could want to know including ghosts, strange phenomena, people, places, events, and ideas.Featuring over 800 A-to-Z entries, this Psychic Encyclopedia is a fascinating compendium of worldwide paranormal activity. With explanations of strange phenomena from both folklore and modern scientific research.Factual information on and explanations of: mediums and spiritualists to near-death experience, ghosts, levitation, telepathy, astral travel, precognition, all forms of divination (tarot, runes, crystal balls, tea leaves, etc.), evidence for the afterlife, contacting spirit guides, haunted sites, famous historical figures, haunted places and documented experiments, and much more.A complete reference of paranormal myth and folklore – and the myths and legends surrounding ghosts and spirits in different cultures throughout the world, from famous ghost stories to various beliefs and superstitions that have taken root in different countries.

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картинка 15 Zoomancy (any animal).

A related practice was Haruspicy,or interpreting animal entrails.

AUMAKUA

A family of guardian spiritsfrom Hawaiian mythology, the aumakua are worshipped to ensure the wellbeing of the family. The aumakua are thought to have laws that must be followed, and transgressions are sometimes punished for decades. Many believe it is of vital importance to be on good terms with your family’s aumakua, or a soulmay be abandoned before it reaches the land of the dead. Such abandoned souls haunt the living and remain in limbountil another aumakua takes pity on them and leads them to their new home.

Offspring of the aumakua can be born into families, and various legends tell of people born with supernaturalpowers, such as the ability to transform into animals.

According to lore the aumakua escort the souls of the dead to the afterlifein a ghostly procession, and if you have not rectified your sins against the aumakua before death, you have one chance to beg for pardon when the procession reaches its first stopping place. It is believed that the aumakua take the entire body to the next world, but if for any reason the body is not taken, the family must prepare the corpse for burial and its transformation into the aumakua form, which is that of a snake or shark.

AURA

The name given to a subtle envelope of vital energy that is thought to radiate round natural objects, including human beings, animals and plants. The colours and forms of each aura are believed to be characteristic of the person, animal or thing it surrounds and to fluctuate and shift according to mood and state of health.

The aura is normally invisible, but it can be seen by clairvoyantsas a halo of light and colour. Two clairvoyants viewing the same aura might see different colours or interpret it in different ways. State of health and a person’s emotions show up as differences in colours and energy patterns or breaks in an aura. Physical illness seems related to the part of the aura that is closest to the body, often called the etheric body. Some psychicssee the aura as a psychic screen for the projection of information, past, present and future.

Although the body does have a magnetic field - a biofield - there is no scientific evidence that auras exist. However, the belief that the human body emits radiations of a kind that in certain circumstances becomes visible has been encountered for centuries, and was present in ancient Egypt, India, Greece and Rome. In the sixteenth century, discourses on the astral bodyand its ‘fiery aura’ abound, and in the eighteenth century the theory of animal magnetism was developed by Anton Mesmer, who promoted a variety of scientific experiments to try to identify the phenomenon.

Just before World War I, Dr Walter Kilner from St Thomas’s Hospital in London developed a method to view auras, which he claimed appeared as a faint haze around the body, using an apparatus that rendered ultraviolet light visible. His theory of auric diagnosis of illness linked the appearance of an aura to a patient’s health. Kilner’s work was greeted with scepticism and interrupted by the outbreak of hostilities. In 1939, Semyon Davidovich Kirlian, a Russian electrician, developed a technique that he claimed recorded auras on film, but this technique remains to be verified. See Kirlian photography.

Auras, like parking places, are easy to find when you aren’t looking for them. So if you want to see an aura, you need to feel as relaxed and calm as possible. Breathe slowly and deeply for a few minutes. Then, instead of looking directly at someone, look straight past them and casually glance in their direction, allowing your eyes to lose focus. The idea is to trick your rational brain by deliberately putting a lot of your concentration on something else, but to keep a vague focus on the person whose aura you want to read.

With practise you may see a dim haze of energy around someone. Keep breathing deeply, and the aura may brighten to a colour. Don’t expect people to light up like Christmas trees and stay that way. Visions of auras tend to be lightning quick, but the more you practise the more natural it will feel and the more likely it is for colour to become noticeable. To find out what different auric colours could mean, see Colour divination.

AUTOMATIC WRITING

The most common form of automatism, automatic writing is writing that does not come from the conscious mind and is done in an altered state of consciousness. Some attribute it to spiritual beings who are somehow able to manipulate a writing utensil in order to communicate. Psychical researchers believe automatic writing emanates from material in the person’s subconscious mind or is obtained through ESP.

Many people try automatic writing in an effort to make contact with spirits or to communicate with the dead. Typically the writer is unaware of what is being written and the writing is much faster, larger and expansive than their normal handwriting. Some people experience tingling in the arms or hands. Pens are a common tool, but slates and typewriters may also be used. Automatic writers have been known to produce mirror scripts, starting at the bottom right of the page and finishing at the top left. At the height of spiritualism, automatic writing was common in séances, and it replaced the much slower methods of spelling out messages from spirits with table rappingsor pointers.

In some cases automatic writing occurs involuntarily, as in the case of Anna Windsor. In 1860 Windsor began automatic writing with her right hand, which she called Stump. Stump had a personality of its own, writing out verses and prose while the left hand did something else.

Through automatic writing, mediums have claimed to produce messages not just from deceased relatives or loved ones but from famous persons in history, such as Francis Bacon, Emanuel Swedenborgand even Jesus Christ. Frederick Myers, one of the founders of the Society for Psychical Research,found little evidence that spirits communicated through automatic writing but, curiously, after his death several mediumsclaimed to receive automatic writing messages from him.

Exercise to practise automatic writing

Make sure you are in a calm and relaxed mood. If you feel stressed or anxious, leave it and try another day.

Find a good pen or pencil and a quiet place at a table. Sit there and let your hand move as it will. You may like to ask your hand if it has any messages for you. Hold your pen loosely in whichever hand you normally write with and let your mind roam freely. Write down whatever comes into your head for about five to ten minutes at the most.

If nothing happens, visualize a column of light made up of golden letters, forming and reforming words. Focus on one letter, and let the light flow down into your fingers and the pen. Wait until you feel your pen tremble, and let it move. At first it may scribble and make patterns, but words may follow. Don’t try to read or make sense of them or you will lose the spontaneity.

When you feel you are losing concentration, stop. Lay your pen down and see the column of light fading. Read what you have written. It may seem to relate to you or to another person in your life, perhaps a persona that is deep within you. Don’t be concerned if your first attempts appear nothing more than random scribbles or a jumble of disconnected words. It takes practise to establish a clear delivery of information.

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