Veronica Roth - Divergent Series

We walk across the glass, which is now a floor rather than a ceiling, through a cylindrical room with glass walls. The surrounding buildings are half-collapsed and appear to be abandoned, which is probably why I never noticed the Dauntless compound before. The Abnegation sector is also far away.

The Dauntless mill around the glass room, talking in clusters. At the edge of the room, two Dauntless fight with sticks, laughing when one of them misses and hits only air. Above me, two ropes stretch across the room, one a few feet higher than the other. They probably have something to do with the daredevil stunts the Dauntless are famous for.

Four leads us through another door. Beyond it is a huge, dank space with graffitied walls and exposed pipes. The room is lit by a series of old-fashioned fluorescent tubes with plastic covers—they must be ancient.

“This,” says Four, his eyes bright in pale light, “is a different kind of simulation known as the fear landscape. It has been disabled for our purposes, so this isn’t what it will be like the next time you see it.”

Behind him, the word “Dauntless” is spray-painted in red artistic lettering on a concrete wall.

“Through your simulations, we have stored data about your worst fears. The fear landscape accesses that data and presents you with a series of virtual obstacles. Some of the obstacles will be fears you previously faced in your simulations. Some may be new fears. The difference is that you are aware, in the fear landscape, that it is a simulation, so you will have all your wits about you as you go through it.”

That means that everyone will be like Divergent in the fear landscape. I don’t know if that’s a relief, because I can’t be detected, or a problem, because I won’t have the advantage.

Four continues, “The number of fears you have in your landscape varies according to how many you have.”

How many fears will I have? I think of facing the crows again and shiver, though the air is warm.

“I told you before that the third stage of initiation focuses on mental preparation,” he says. I remember when he said that. On the first day. Right before he put a gun to Peter’s head. I wish he had pulled the trigger.

“That is because it requires you to control both your emotions and your body—to combine the physical abilities you learned in stage one with the emotional mastery you learned in stage two. To keep a level head.” One of the fluorescent tubes above Four’s head twitches and flickers. Four stops scanning the crowd of initiates and focuses his stare on me.

“Next week you will go through your fear landscape as quickly as possible in front of a panel of Dauntless leaders. That will be your final test, which determines your ranking for stage three. Just as stage two of initiation is weighted more heavily than stage one, stage three is weighted heaviest of all. Understood?”

We all nod. Even Drew, who makes it look painful.

If I do well in my final test, I have a good chance of making it into the top ten and a good chance of becoming a member. Becoming Dauntless. The thought makes me almost giddy with relief.

“You can get past each obstacle in one of two ways. Either you find a way to calm down enough that the simulation registers a normal, steady heartbeat, or you find a way to face your fear, which can force the simulation to move on. One way to face a fear of drowning is to swim deeper, for example.” Four shrugs. “So I suggest that you take the next week to consider your fears and develop strategies to face them.”

“That doesn’t sound fair,” says Peter. “What if one person only has seven fears and someone else has twenty? That’s not their fault.”

Four stares at him for a few seconds and then laughs. “Do you really want to talk to me about what’s fair?”

The crowd of initiates parts to make way for him as he walks toward Peter, folds his arms, and says, in a deadly voice, “I understand why you’re worried, Peter. The events of last night certainly proved that you are a miserable coward.”

Peter stares back, expressionless.

“So now we all know,” says Four, quietly, “that you are afraid of a short, skinny girl from Abnegation.” His mouth curls in a smile.

Will puts his arm around me. Christina’s shoulders shake with suppressed laughter. And somewhere within me, I find a smile too.

When we get back to the dorm that afternoon, Al is there.

Will stands behind me and holds my shoulders—lightly, as if to remind me that he’s there. Christina edges closer to me.

Al’s eyes have shadows beneath them, and his face is swollen from crying. Pain stabs my stomach when I see him. I can’t move. The scent of lemongrass and sage, once pleasant, turns sour in my nose.

“Tris,” says Al, his voice breaking. “Can I talk to you?”

“Are you kidding?” Will squeezes my shoulders. “You don’t get to come near her ever again.”

“I won’t hurt you. I never wanted to…” Al covers his face with both hands. “I just want to say that I’m sorry, I’m so sorry, I don’t…I don’t know what’s wrong with me, I…please forgive me, please….”

He reaches for me like he’s going to touch my shoulder, or my hand, his face wet with tears.

Somewhere inside me is a merciful, forgiving person. Somewhere there is a girl who tries to understand what people are going through, who accepts that people do evil things and that desperation leads them to darker places than they ever imagined. I swear she exists, and she hurts for the repentant boy I see in front of me.

But if I saw her, I wouldn’t recognize her.

“Stay away from me,” I say quietly. My body feels rigid and cold, and I am not angry, I am not hurt, I am nothing. I say, my voice low, “Never come near me again.”

Our eyes meet. His are dark and glassy. I am nothing.

“If you do, I swear to God I will kill you,” I say. “You coward.”

“TRIS.”

In my dream, my mother says my name. She beckons to me, and I cross the kitchen to stand beside her. She points to the pot on the stove, and I lift the lid to peek inside. The beady eye of a crow stares back at me, its wing feathers pressed to the side of the pot, its fat body covered with boiling water.

“Dinner,” she says.

“Tris!” I hear again. I open my eyes. Christina stands next to my bed, her cheeks streaked with mascara-tinted tears.

“It’s Al,” she says. “Come on.”

Some of the other initiates are awake, and some aren’t. Christina grabs my hand and pulls me out of the dormitory. I run barefoot over the stone floor, blinking clouds from my eyes, my limbs still heavy with sleep. Something terrible has happened. I feel it with every thump of my heart. It’s Al.

We run across the Pit floor, and then Christina stops. A crowd has gathered around the ledge, but everyone stands a few feet from one another, so there is enough space for me to maneuver past Christina and around a tall, middle-aged man to the front.

Two men stand next to the ledge, hoisting something up with ropes. They both grunt from the effort, heaving their weight back so the ropes slide over the railing, and then reaching forward to grab again. A huge, dark shape appears above the ledge, and a few Dauntless rush forward to help the two men haul it over.

The shape falls with a thud on the Pit floor. A pale arm, swollen with water, flops onto the stone. A body. Christina pulls herself tight to my side, clinging to my arm. She turns her head into my shoulder and sobs, but I can’t look away. A few of the men turn the body over, and the head flops to the side.

The eyes are open and empty. Dark. Doll’s eyes. And the nose has a high arch, a narrow bridge, a round tip. The lips are blue. The face itself is something other than human, half corpse and half creature. My lungs burn; my next breath rattles on the way in. Al.