First published in hardback in the USA by HarperCollins Publishers, Inc. in 2018
First published in Great Britain by HarperCollins Children’s Books in 2018
Published in this ebook edition in 2018
HarperCollins Children’s Books is a division of HarperCollins Publishers Ltd,
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Text © 2018 by Veronica Roth
Map © 2017 by Veronica Roth. All rights reserved.
Map illustrated by Virginia Allyn
Typography by Joel Tippie
Jacket art ™ & © 2018 by Veronica Roth
Jacket art by Jeff Huang
Jacket design by Erin Fitzsimmons
Veronica Roth asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library.
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Source ISBN: 9780008192198
Ebook Edition © April 2018 ISBN: 9780008192228
Version: 2018-04-09
To my dad, Frank, my brother, Frankie, and my sister, Candice:
we may not share blood, but I’m so lucky we’re family.
Contents
Cover
Title Page
Copyright
Dedication
Prologue: Eijeh
Part 1
Chapter 1: Cyra
Chapter 2: Cisi
Chapter 3: Cyra
Chapter 4: Akos
Chapter 5: Cisi
Chapter 6: Akos
Chapter 7: Cisi
Chapter 8: Cisi
Chapter 9: Cyra
Chapter 10: Akos
Chapter 11: Cyra
Chapter 12: Cisi
Chapter 13: Akos
Chapter 14: Cyra
Chapter 15: Cyra
Chapter 16: Akos
Chapter 17: Akos
Chapter 18: Eijeh
Chapter 19: Cyra
Chapter 20: Cisi
Part 2
Chapter 21: Cisi
Chapter 22: Cyra
Chapter 23: Akos
Chapter 24: Cyra
Chapter 25: Cisi
Chapter 26: Akos
Chapter 27: Cyra
Chapter 28: Akos
Chapter 29: Eijeh
Chapter 30: Cyra
Part 3
Chapter 31: Cyra
Chapter 32: Cyra
Chapter 33: Akos
Chapter 34: Akos
Chapter 35: Cyra
Chapter 36: Cisi
Chapter 37: Akos
Chapter 38: Cyra
Chapter 39: Cisi
Chapter 40: Cisi
Part 4
Chapter 41: Akos
Chapter 42: Cyra
Chapter 43: Akos
Chapter 44: Cyra
Chapter 45: Cyra
Chapter 46: Akos
Chapter 47: Cyra
Chapter 48: Cisi
Chapter 49: Akos
Chapter 50: Cyra
Chapter 51: Akos
Chapter 52: Cyra
Part 5
Chapter 53: Cisi
Chapter 54: Cyra
Chapter 55: Akos
Chapter 56: Cyra
Epilogue: Eijeh
Acknowledgments
Keep Reading …
Glossary
Books by Veronica Roth
About the Publisher
“WHY SO AFRAID?” WE ask ourself.
“She is coming to kill us,” we reply.
We were once alarmed by this feeling of being in two bodies at once. We have grown accustomed to it in the cycles since the shift occurred, since both our currentgifts dissolved into this new, strange one. We know how to pretend, now, that we are two people instead of one—though we prefer, when we are alone, to relax into the truth. We are one person in two bodies.
We are not on Urek, as we were the last time we knew our location. We are adrift in space, the bend of the blushing currentstream the only interruption in the blackness.
Only one of our two cells has a window. It is a narrow thing, with a thin mattress in it and a bottle of water. The other cell is a storage room that smells of disinfectant, harsh and acrid. The only light comes from the vents in the door, closed now but not fully sealed against the hallway glow.
We stretch two arms—one shorter and browner, the other long and pale—in unison. The former feels lighter, the latter clumsy and heavy. The drugs have faded from one body but not the other.
One heart pounds, hard, and the other maintains a steady rhythm.
“To kill us,” we say to ourself. “Are we sure?”
“As sure as the fates. She wants us dead.”
“The fates.” There is dissonance here. Just as a person can love and hate something at once, we love and hate the fates, we believe and do not believe in them. “What was the word our mother used—” We have two mothers, two fathers, two sisters. And yet only one brother. “Accept your fate, or bear it, or—”
“‘Suffer the fate,’ she said,” we reply. “‘For all else is delusion.’”
LAZMET NOAVEK, MY FATHER and former tyrant of Shotet, had been presumed dead for over ten seasons. We had held a funeral for him on the first sojourn after his passing, sent his old armor into space, because there was no body.
And yet my brother, Ryzek, imprisoned in the belly of this transport ship, had said, Lazmet is still alive.
My mother had called my father “Laz,” sometimes. No one else would have dared but Ylira Noavek. “Laz,” she would say, “let it go.” And he obeyed her, as long as she didn’t command him too often. He respected her, though he respected no one else, not even his own friends.
With her he had some softness, but with everyone else … well.
My brother—who had begun his life soft, and only later hardened into someone who would torture his own sister—had learned to cut out a person’s eye from Lazmet. And how to store it, too, in a preservative, so it wouldn’t rot. Before I truly understood what the jars in the Weapons Hall contained, I had gone there to look at them, on shelves high above my head, glinting in the low light. Green and brown and gray irises, afloat, like fish bobbing to the surface of a tank for food.
My father had never carved a piece of someone with his own hands. Nor had he ordered someone else to do it. He had used his currentgift to control their bodies, to force them to do it to themselves.
Death is not the only punishment you can give a person. You can also give them nightmares.
When Akos Kereseth came to find me, later, it was on the nav deck of the small transport ship that carried us away from my home planet, where my people, the Shotet, now stood on the verge of war with Akos’s home nation of Thuvhe. I sat in the captain’s chair, swiveling back and forth to soothe myself. I meant to tell him what Ryzek had told me, that my father—if he was my father, if Ryzek was even my brother—was alive. Ryzek seemed certain that he and I didn’t actually share blood, that I was not truly a Noavek. That was why, he had said, I hadn’t been able to open the gene lock that kept his rooms secure, why I hadn’t been able to assassinate him the first time I tried.
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