Veronica Roth - The End and Other Beginnings

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From the best-selling author of Divergent and Carve the Mark comes a stunning collection of futuristic short stories. Illustrated throughout with striking black-and-white illustrations.Within this masterful collection, NO WORLD IS LIKE THE OTHER.Full of friendship and revenge, each story and setting is more strange and wonderful than the last, brimming with new technologies and beings. And yet, in these futuristic lands, the people must still confront deeply human emotions and dilemmas.Veronica Roth reaches into the unknown and immerses readers into six short stories that feel startlingly familiar and profoundly beautiful.With two new stories from the Carve the Mark universe, this collection has something for everyone.

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THE END AND OTHER BEGINNINGS STORIES FROM THE FUTURE Veronica Roth - фото 1

THE END AND OTHER BEGINNINGS

STORIES FROM THE FUTURE

Veronica Roth

Illustrated by Ashley Mackenzie

Inertia was previously published in Summer Days and Summer Night s in 2017 by - фото 2

“Inertia” was previously published in Summer Days and Summer Night s in 2017 by St. Martin’s Griffin

“Hearken” was previously published in Shards and Ashes in 2013 by HarperCollins Publishers

“Vim and Vigor” was previously published in Three Sides of a Heart in 2017 by HarperCollins Publishers

First published in the US by Katherine Tegen Books in 2019

Katherine Tegen Books is an imprint of HarperCollins Publishers

Published simultaneously in Great Britain by HarperCollins Children’s Books in 2019

Published in this ebook edition in 2019

HarperCollins Children’s Books is a division of HarperCollins Publishers Ltd,

HarperCollins Publishers

1 London Bridge Street

London SE1 9GF

The HarperCollins Children’s Books website address is:

www.harpercollins.co.uk

Text copyright © Veronica Roth 2019

Interior illustrations by Ashley Mackenzie

Jacket art TM & © Veronica Roth 2019

Jacket art by Ashley Mackenzie and Erin Fitzsimmons

Jacket design by Erin Fitzsimmons

Veronica Roth asserts the moral right to be identified as the author of the work.

A CIP catalogue record for this title is available from the British Library.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook onscreen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008347765

Ebook Edition © 2019 ISBN: 9780008347789

Version: 2019-09-17

To the soft-hearted

CONTENTS

Cover

Title Page THE END AND OTHER BEGINNINGS STORIES FROM THE FUTURE

Copyright “Inertia” was previously published in Summer Days and Summer Night s in 2017 by St. Martin’s Griffin “Hearken” was previously published in Shards and Ashes in 2013 by HarperCollins Publishers “Vim and Vigor” was previously published in Three Sides of a Heart in 2017 by HarperCollins Publishers First published in the US by Katherine Tegen Books in 2019 Katherine Tegen Books is an imprint of HarperCollins Publishers Published simultaneously in Great Britain by HarperCollins Children’s Books in 2019 Published in this ebook edition in 2019 HarperCollins Children’s Books is a division of HarperCollins Publishers Ltd, HarperCollins Publishers 1 London Bridge Street London SE1 9GF The HarperCollins Children’s Books website address is: www.harpercollins.co.uk Text copyright © Veronica Roth 2019 Interior illustrations by Ashley Mackenzie Jacket art TM & © Veronica Roth 2019 Jacket art by Ashley Mackenzie and Erin Fitzsimmons Jacket design by Erin Fitzsimmons Veronica Roth asserts the moral right to be identified as the author of the work. A CIP catalogue record for this title is available from the British Library. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook onscreen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008347765 Ebook Edition © 2019 ISBN: 9780008347789 Version: 2019-09-17

Dedication To the soft-hearted

INERTIA THE SPINNERS - фото 3 INERTIA

THE SPINNERS HEARKEN - фото 4 THE SPINNERS

HEARKEN VIM AND VIGOR - фото 5 HEARKEN

VIM AND VIGOR ARMORED ONES - фото 6 VIM AND VIGOR

ARMORED ONES THE TRANSFORMATIONIST Acknowledgments Books by Veronica Roth - фото 7 ARMORED ONES

THE TRANSFORMATIONIST Acknowledgments Books by Veronica Roth About the - фото 8 THE TRANSFORMATIONIST

Acknowledgments

Books by Veronica Roth

About the Publisher

There must have been some kind of mistake I said My clockone of the old - фото 9

“There must have been some kind of mistake,” I said.

My clock—one of the old digitals with the red block numbers—read 2:07 a.m. It was so dark outside I couldn’t see the front walk.

“What do you mean?” Mom said absently, as she pulled clothes from my closet. A pair of jeans, T-shirt, sweatshirt, socks, shoes. It was summer, and I had woken to sweat pooling on my stomach, so there was no reason for the sweatshirt, but I didn’t mention it to her. I felt like a fish in a tank, blinking slowly at the outsiders peering in.

“A mistake,” I said, again in that measured way. Normally I would have felt weird being around Mom in my underwear, but that was what I had been wearing when I fell asleep on top of my summer school homework earlier that night, and Mom seeing the belly button piercing I had given myself the year before was the least of my worries. “Matt hasn’t talked to me in months. There’s no way he asked for me. He must have been delirious.”

The paramedic had recorded the aftermath of the car accident from a camera in her vest. In it, Matthew Hernandez—my former best friend—had, apparently, requested my presence at the last visitation, a rite that had become common practice in cases like these, when hospital analytics suggested a life would end regardless of surgical intervention. They calculated the odds, stabilized the patient as best they could, and summoned the last visitors, one at a time, to connect to the consciousness of the just barely living.

“He didn’t just make the request at the accident, Claire, you know that.” Mom was trying to sound gentle, I could tell, but everything was coming out clipped. She handed me the T-shirt, skimming the ring through my belly button with her eyes but saying nothing. I pulled the T-shirt over my head, then grabbed the jeans. “Matt is eighteen now.”

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