Paul Preston - Franco

Здесь есть возможность читать онлайн «Paul Preston - Franco» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: unrecognised, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Franco: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Franco»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Generalissimo Francisco Franco, the Caudillo of Spain from the Nationalists' brutal, Fascist-sponsored victory over the Republican government in the Spanish Civil War until his quiet death in 1975, is the subject of this book.The biography presents a mass of new and unknown material about its subject, the fruits of research in the archives of six countries and a plethora of interviews with key figures. Paul Preston is the author of "The Triumph of Democracy in Spain" and "The Spanish Civil War 1936-9".

Franco — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Franco», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

In moving to the Academia General Militar, Franco was leaving behind him the kind of soldiering in which he made his reputation. Never again would he lead units of assault troops in the field. It was a major change, which taken with his marriage in 1923 and the birth of his daughter in 1926, would affect him profoundly. Until 1926, Franco was an heroic field soldier, an outstanding column commander, fearless if not reckless. Henceforth, as befitted his changing sense of his public persona , he would take ever fewer risks. In Morocco, he had been a ruthless disciplinarian, an abstemious and isolated individual with few friends. 79 After his return to the Peninsula, he seems to have relaxed slightly, although he was always to remain obsessed with the primacy of unquestioning obedience and discipline. He became readier to turn a blind eye to laziness or incompetence in his subordinates, getting the best out of willing collaborators by manipulation and rewards. He became a relatively convivial frequenter of clubs and cafés where he would take an aperitif and give rein to his inclination to chat, recounting anecdotes and reminiscences among a group of military friends. 80

Until the late 1920s, he showed few signs of being the archetypal gallego , slow, cunning and opaque, of his later years. He was a man of action, obsessed with his military career and little else. His early military writings are relatively straightforward and decently written, with some sensitivity to people and places. He was, of course, reserved, and predisposed by his military experience, and particularly by Africa, to certain political ideas, hostile to the Left and to regional autonomy movements. If he did read about politics, economics and recent history, it was probably more to confirm his prejudices than in search of enlightenment. From this time, a convoluted style and a pomposity of tone begins to be discernible in his speeches. In part, family responsibilities account for a greater caution but the more potent motive for his self-regard was a perception of his potential political importance. He was the object of public adulation in certain circles and had had plenty of indications that he was the general with the most brilliant prospects. 81 He was showered with promotions, honours and plum postings. The talk of his being the youngest general in Europe cannot have failed to have affected him, as must the idea of providence watching over him, an idea particularly dear to his wife. To her influence in this respect must be added that of his near inseparable cousin, Pacón, now a major, who had become his ADC in the late summer of 1926. 82

At the end of May 1929 there appeared in the magazine Estampa , in the section called ‘The woman in the home of famous men’, a rare interview with Carmen Polo and her husband. Conducted by Luis Franco de Espés, the Barón de Mora, a fervent admirer of Franco, the interview was as much concerned with ‘the famous man’ as with ‘the woman in the home’. Asked if he was satisfied to be what he was, Franco replied sententiously ‘I am satisfied to have served my fatherland to the full’. The Barón asked him what he would have liked to be if not a soldier to which he replied ‘architect or naval officer. However, aged fourteen I entered the Infantry Academy in Toledo against the will of my father.’ This was the first time that Franco had indicated any paternal opposition to his joining the military academy. There is no reason why his father should have opposed the move and, if he had done, there can be little doubt that he would have imposed his will. Apparently, Franco was trying to put distance between his beloved military career and his hated father.

‘All this’, he said, ‘is only with regard to my profession because my real inclination has always been towards painting’. On lamenting that he had no time to practice any particular genre, Carmen interrupted to point out that he painted rag dolls for their daughter, ‘Nenuca’. Then, the interview turned to the ‘the beautiful companion of the general, hiding the supreme delicacy of her figure behind a subtle dress of black crêpe’. Blushing, she recounted how she and her husband had fallen in love at a romería (country fair) and how he had pursued her doggedly thereafter. Playing the role of the faithful hand-maiden to the great man, she revealed her husband’s major defects to be that ‘he likes Africa too much and he studies books which I don’t understand’. Turning back to Franco, the Barón de Mora asked him about the three greatest moments of his life to which he responded with ‘the day that the Spanish Army landed at Alhucemas, the moment of reading that Ramón had reached Pernambuco and the day we got married’. The fact that the birth of his daughter Carmen did not figure in the list suggests that he was more anxious to project an image of patriotism untrammelled by ‘unmanly’ emotions. He was then asked about his greatest ambition which he revealed as being ‘that Spain should become as great again as she was once before.’ Asked if he was political, Franco replied firmly ‘I am a soldier’ and declared that his most fervent desire was ‘to pass unnoticed. I am very grateful for certain demonstrations of popularity but you can imagine how annoying it is to feel that you’re often being looked at and talked about’. Carmen listed her greatest love as music and her greatest dislike as ‘the Moors’. She had few happy memories of her time as an Army wife in Morocco spent consoling widows. 83

Franco had arrived in Zaragoza on 1 December 1927 to supervise the building and installation of the new institution. The first entrance examinations were held in June 1928. On 5 October of that year, with the new buildings still unfinished, the Academy opened for its first intake in a nearby barracks. The new Director’s speech on opening the Academy reflected the philosophy that he had learned from his mother. Its theme was ‘he who suffers overcomes’. 84 He also instructed the cadets to follow the ‘ten commandments’ or ‘ decálogo ’ which he had compiled on the basis of a similar ‘ decálogo ’ elaborated for the Legion by Millán Astray. Expressed in the most sententious terms, the commandments were: 1) Make great love for the Fatherland and fidelity to the King manifest in every act of your life; 2) Let a great military spirit be reflected in your vocation and your discipline; 3) Link to your pure chivalry a constant jealous concern for your reputation; 4) Be faithful in the fulfilment of your duties, being scrupulous in everything that you do; 5) Never grumble, nor tolerate others doing so; 6) Make yourself loved by those of lower rank and highly regarded by your superiors; 7) Volunteer for every sacrifice at times of greatest risk and difficulty; 8) Feel a noble comradeship, sacrificing yourself for your comrades and taking delight in their successes, prizes and progress; 9) Love responsibility and be decisive; 10) Be brave and self-denying. 85

The generation educated under Franco’s close supervision at the Academia General Militar de Zaragoza, in its so-called second epoch between 1928 and 1931, was to receive significantly more practical training than had hitherto been the practice in the Toledo infantry academy. Franco insisted that no textbooks be used and that all classes be based on the practical experiences of the instructors. 86 Skill in the use and care of weapons was insisted upon. The horsemanship of the graduates was of a high standard. Franco himself would direct from horseback the toughest manoeuvres. However, the central stress, derived from the decálogo , was on ‘moral’ values: patriotism, loyalty to the King, military discipline, sacrifice, bravery. 87 The idea that ‘moral’ values could triumph over superior numbers or technology was one of the constant refrains of Franco’s military thought. Reflecting the Director’s own experiences in the primitive Moroccan war, the level of tactical and technological education at Zaragoza was not highly advanced and considerable effort went into denouncing democratic politics.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Franco»

Представляем Вашему вниманию похожие книги на «Franco» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Franco»

Обсуждение, отзывы о книге «Franco» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x