V. McDermid - Final Edition

V.L. McDERMID

Final Edition

HarperCollins Publishers

77–85 Fulham Palace Road

London, W6 8JB

www.harpercollins.co.uk

First published in Great Britain by The Women’s Press Ltd 1991

Copyright © Val McDermid 1991

Val McDermid asserts the moral right to be identified as the author of this work

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereafter invented, without the express written permission of HarperCollins e-books.

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.

Source ISBN: 9780007191765

Ebook Edition © DECEMBER 2014 ISBN: 9780007301829

Version: 2014-12-08

Cover

Title Page V.L. McDERMID Final Edition

Copyright COPYRIGHT Copyright Prologue Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Epilogue Keep Reading Acknowledgments About the Author Other Books By About the Publisher HarperCollins Publishers 77–85 Fulham Palace Road London, W6 8JB www.harpercollins.co.uk First published in Great Britain by The Women’s Press Ltd 1991 Copyright © Val McDermid 1991 Val McDermid asserts the moral right to be identified as the author of this work This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons living or dead, events or localities is entirely coincidental. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereafter invented, without the express written permission of HarperCollins e-books. HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication. Source ISBN: 9780007191765 Ebook Edition © DECEMBER 2014 ISBN: 9780007301829 Version: 2014-12-08

Prologue

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Epilogue

Keep Reading

Acknowledgments

About the Author

Other Books By

About the Publisher

Glasgow, Scotland, December 1989

Jackie Mitchell stared down at the murdered body of Alison Maxwell, fear and horror mingling in equal measure. Alison was sprawled on the familiar bedroom carpet, limbs crooked, blonde hair spread round her head in a jagged halo. The ravages of strangulation had left her face barely recognisable. The scarf that was wound into a tight ligature round her neck was, however, only too easily identifiable. Jackie would know her own distinctive yellow tartan muffler anywhere. Slowly, with an enormous effort of will, she forced herself to look up.

Jackie gazed round the crowded courtroom, only too aware of the accusing eyes that had already made their judgment about her guilt. The photograph she clutched in her sweating hands was her first sight of Alison Maxwell’s corpse. But she knew that the number of people in the stuffy courtroom who genuinely believed that could be counted on the fingers of one hand. Certainly the fifteen members of the jury, who were flicking through the prosecution’s photograph album with looks of shock, horror and disgust that mirrored her own emotions, were not among them.

The wiry figure of Duncan Leslie, the Advocate Depute charged with presenting the prosecution case against her, paced to and fro across the wood-panelled courtroom as he gently drew every last scrap of damning information from the pathologist in the witness box. ‘And in your opinion,’ Leslie probed in his soft Borders accent, ‘are the features of this case consistent with strangulation by a male or a female?’

The pathologist paused momentarily, glancing towards the dock, refusing to meet Jackie’s pale green eyes. His mouth tightened in disapproval. ‘In my view,’ he said in a clipped voice, ‘I would say that this method of killing would suggest either a woman, or a man who was not very strong.’

‘Would you explain that opinion to the court?’

‘Well, strangulation with a ligature like this scarf requires considerable strength. But the need for brute force is avoided by using a lever with the ligature. In this case, as you can see from Photograph Number Five, the killer used the handle of a strong hairbrush to twist the ligature tighter. That implies to me that the strangler was not sufficiently strong to perform the act manually, thus suggesting either a woman or a weak male.’

Another nail in my coffin, thought Jackie in despair, her hands involuntarily gripping the wooden rail of the dock. As the evidence droned on around her, she looked despondently round the courtroom. In her seventeen years as a journalist, she’d had little experience of the courts. While she’d been a young trainee on a weekly paper in Ayrshire, she’d occasionally covered routine cases in the Sheriff Court. But after that, she had become a feature writer and had never even crossed the threshold of the imposing High Court building by the Clyde.

It wasn’t an environment she felt comfortable with, unlike the crowd of news reporters crammed into the press bench. All men, for crime reporting was still a male preserve in Glasgow. They sat there, hour after hour, like eager jackals, taking down every detail in their meticulous shorthand. And tomorrow, she knew, the bricks of evidence that were slowly building a wall round her would be reassembled to provide the foundations of sensational stories that would strip all her privacy from her. She knew most of these men. That was the hardest part of all. For ten years, she had been a leading freelance feature writer in the city, working for all the major newspapers and magazines. These were men she’d laughed with, gossiped with, drunk with. Now, as she studied them intent on their task, they looked like strangers. Familiar features seemed to have shifted, hardened, changed somehow. She wasn’t their pal Jackie any more. She was a brutal bitch, an animal with a perverted sexuality who had killed one of their number. In life, Alison Maxwell had been a talented Scottish Daily Clarion feature writer with a dubious personal reputation. In death, she had been promoted to the Blessed Martyr of Fleet Street.